Rich and Strange: Gender, History, Modernism
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implicatio...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) |
| Beschreibung: | 1 online resource (257 pages) |
| ISBN: | 9781400820580 |
| DOI: | 10.1515/9781400820580 |
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| 520 | |a Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations | ||
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| spelling | DeKoven, Marianne Verfasser aut Rich and Strange Gender, History, Modernism Marianne DeKoven Princeton, NJ Princeton University Press [2022] © 1992 1 online resource (257 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations In English LITERARY CRITICISM / Women Authors bisacsh American fiction History and criticism Authorship Sex differences English fiction 20th century History and criticism Modernism (Literature) English-speaking countries Sex role in literature https://doi.org/10.1515/9781400820580?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | DeKoven, Marianne Rich and Strange Gender, History, Modernism LITERARY CRITICISM / Women Authors bisacsh American fiction History and criticism Authorship Sex differences English fiction 20th century History and criticism Modernism (Literature) English-speaking countries Sex role in literature |
| title | Rich and Strange Gender, History, Modernism |
| title_auth | Rich and Strange Gender, History, Modernism |
| title_exact_search | Rich and Strange Gender, History, Modernism |
| title_exact_search_txtP | Rich and Strange Gender, History, Modernism |
| title_full | Rich and Strange Gender, History, Modernism Marianne DeKoven |
| title_fullStr | Rich and Strange Gender, History, Modernism Marianne DeKoven |
| title_full_unstemmed | Rich and Strange Gender, History, Modernism Marianne DeKoven |
| title_short | Rich and Strange |
| title_sort | rich and strange gender history modernism |
| title_sub | Gender, History, Modernism |
| topic | LITERARY CRITICISM / Women Authors bisacsh American fiction History and criticism Authorship Sex differences English fiction 20th century History and criticism Modernism (Literature) English-speaking countries Sex role in literature |
| topic_facet | LITERARY CRITICISM / Women Authors American fiction History and criticism Authorship Sex differences English fiction 20th century History and criticism Modernism (Literature) English-speaking countries Sex role in literature |
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