Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Lisz...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2022]
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) |
| Beschreibung: | 1 online resource (432 pages) 43 musical scores. 3 tables. 11 halftones. 3 line illus |
| ISBN: | 9780691227566 |
| DOI: | 10.1515/9780691227566 |
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| spelling | Hoeckner, Berthold Verfasser aut Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment Berthold Hoeckner Princeton, NJ Princeton University Press [2022] © 2003 1 online resource (432 pages) 43 musical scores. 3 tables. 11 halftones. 3 line illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced In English MUSIC / Genres & Styles / Classical bisacsh Absolute music Music Germany 19th century Philosophy and aesthetics https://doi.org/10.1515/9780691227566?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hoeckner, Berthold Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment MUSIC / Genres & Styles / Classical bisacsh Absolute music Music Germany 19th century Philosophy and aesthetics |
| title | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment |
| title_auth | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment |
| title_exact_search | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment |
| title_exact_search_txtP | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment |
| title_full | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment Berthold Hoeckner |
| title_fullStr | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment Berthold Hoeckner |
| title_full_unstemmed | Programming the Absolute Nineteenth-Century German Music and the Hermeneutics of the Moment Berthold Hoeckner |
| title_short | Programming the Absolute |
| title_sort | programming the absolute nineteenth century german music and the hermeneutics of the moment |
| title_sub | Nineteenth-Century German Music and the Hermeneutics of the Moment |
| topic | MUSIC / Genres & Styles / Classical bisacsh Absolute music Music Germany 19th century Philosophy and aesthetics |
| topic_facet | MUSIC / Genres & Styles / Classical Absolute music Music Germany 19th century Philosophy and aesthetics |
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