Horror Film and Otherness:
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the "others" that threaten the "normal...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2022]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 Volltext |
| Zusammenfassung: | What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780231556156 |
| DOI: | 10.7312/lowe20576 |
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| isbn | 9780231556156 |
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| spelling | Lowenstein, Adam Verfasser (DE-588)1069942073 aut Horror Film and Otherness Adam Lowenstein New York, NY Columbia University Press [2022] © 2022 1 online resource txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Horror films History and criticism Other (Philosophy) in motion pictures Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-20576-4 (DE-604)BV048360281 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-20577-1 (DE-604)BV048360281 https://doi.org/10.7312/lowe20576 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lowenstein, Adam Horror Film and Otherness PERFORMING ARTS / Film & Video / History & Criticism bisacsh Horror films History and criticism Other (Philosophy) in motion pictures |
| title | Horror Film and Otherness |
| title_auth | Horror Film and Otherness |
| title_exact_search | Horror Film and Otherness |
| title_exact_search_txtP | Horror Film and Otherness |
| title_full | Horror Film and Otherness Adam Lowenstein |
| title_fullStr | Horror Film and Otherness Adam Lowenstein |
| title_full_unstemmed | Horror Film and Otherness Adam Lowenstein |
| title_short | Horror Film and Otherness |
| title_sort | horror film and otherness |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Horror films History and criticism Other (Philosophy) in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Horror films History and criticism Other (Philosophy) in motion pictures |
| url | https://doi.org/10.7312/lowe20576 |
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