The invention of "Outsider Art": experiencing practices of othering in contemporary art worlds in the UK
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript
[2022]
|
| Schriftenreihe: | Image
212 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 299 Seiten 31 Illustrationen 24 cm x 15.5 cm, 473 g |
| ISBN: | 9783837662504 3837662500 |
Internformat
MARC
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| 100 | 1 | |a Scherr, Marion |d 1988- |e Verfasser |0 (DE-588)1270419145 |4 aut | |
| 245 | 1 | 0 | |a The invention of "Outsider Art" |b experiencing practices of othering in contemporary art worlds in the UK |c Marion Scherr |
| 264 | 1 | |a Bielefeld |b transcript |c [2022] | |
| 300 | |a 299 Seiten |b 31 Illustrationen |c 24 cm x 15.5 cm, 473 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Image |v 212 | |
| 502 | |b Dissertation |c Carl von Ossietzky Universität Oldenburg |d 2021 | ||
| 650 | 0 | 7 | |a Kunstbetrieb |0 (DE-588)4208853-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstethnologie |0 (DE-588)4452785-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Othering |0 (DE-588)1246949830 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Außenseiter |0 (DE-588)4134557-5 |2 gnd |9 rswk-swf |
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| 653 | |a Exclusion | ||
| 653 | |a Image | ||
| 653 | |a European Art | ||
| 653 | |a Cultural Anthropology | ||
| 653 | |a Art History of the 21st Century | ||
| 653 | |a Fine Arts | ||
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Datensatz im Suchindex
| _version_ | 1804184272923262976 |
|---|---|
| adam_text | CONTENTS
1.
INTRODUCTION
.......................................................................................................
7
1.1
DEFINITIONS,
RESEARCH
CONTEXT
AND
ISSUES
OF
CONCERN
....................................................
8
1.2
CURRENT
STATE
OF
RESEARCH
IN
THE
FIELD
......................................................................
12
1.3
CONTRIBUTIONS,
AIMS
AND
SIGNIFICANCE
OF
STUDY
............................................................
16
1.4
CHAPTER
OVERVIEW
AND
STRUCTURE
OF
THESIS
.................................................................
19
2.
METHODOLOGY
AND
RESEARCH
DESIGN
........................................................................
21
2.1
PART
I:
SELECTIVE
MEDIA
REVIEW
AND
CRITICAL
DISCOURSE
ANALYSIS
.......................................
21
2.2
PART
II:
PARTICIPANT
OBSERVATIONS,
PROBLEM-CENTRED
INTERVIEWS,
GROUNDED
THEORY
...............................................................................................
23
2.3
ETHICAL
CONSIDERATIONS,
ACCESS
TO
THE
FIELD
AND
LIMITATIONS
..........................................
28
2.4
ROLES,
BACKGROUND
AND
POSITION
OF
RESEARCHER
..........................................................
31
3.
THEORETICAL
CONTEXTUALISATION
OF
OUTSIDER
ART
IN
CULTURAL
ANTHROPOLOGY
...................
33
3.1
EPISTEMOLOGY
OF
OTHERING
IN
THE
SOCIAL
SCIENCES
........................................................
33
3.2
THE
DISCURSIVE
PRODUCTION
OF
OUTSIDER
ART/ISTS
IN
ART
HISTORY
.......................................
37
3.3
THE
SOCIAL
FIELD
OF
OUTSIDER
ART
AND
FORMS
OF
CAPITAL
IN
ART
WORLDS
...............................
39
3.4
STIGMATISATION
AND
CO-RELATED
MYTHS
OF
OUTSIDER
ART
..................................................
41
3.5
AGENCY,
INTERSECTIONALITY
AND
TRANSCENDENCE
OF
BINARIES
............................................
45
4.
HISTORICAL
READINGS
AND
DISCURSIVE
GENEALOGIES
OF
OUTSIDER
ART
..............................
49
4.1
PRECURSOR
I:
PSYCHIATRIC
INSTITUTIONS,
ENLIGHTENED
IDEAS
AND
ROMANTICISM
.......................
50
4.2
PRECURSOR
II:
AVANT-GARDE
MOVEMENTS
AND
APPROPRIATIONS
OF
THE
OTHER
..........................
57
4.3
THE
INSANE
ARTIST
AS
MASTER:
THE
LEGACIES
AND
CONTRIBUTIONS
OF
HANS
PRINZHORN
AND
WALTER
MORGENTHALER
..............................................................
66
4.4
DEGENERATE
ART
AND
THE
FATE
OF
THE
ART
OF
THE
INSANE
IN
GERMANY
UNTIL
1945
...................
74
4.5
INSANITY
AS
AN
IDEOLOGICAL
TOOL
OF
CULTURAL
POLITICS
AND
RESISTANCE
................................
77
4.6
JEAN
DUBUFFET
AND
THE
ESTABLISHMENT
OF
ART
BRUT
.......................................................
85
4.7
PONDERING
THE
EXISTENCE
OF
MADNESS :
ANTI-PSYCHIATRY,
ART
THERAPY
AND
ART
BRUT
INSTITUTIONALISED
...............................................................................
93
4.8
INTERNATIONALISATION
OF
ART
BRUT:
ROGER
CARDINAL S
OUTSIDER
ART
.....................................
102
4.9
COMMODIFICATION,
GLOBAL
ART
MARKETS
AND
RISING
POPULARITY
...........................................
110
5.
CONTEMPORARY
DISCOURSES
AND
MEDIA
REPRESENTATIONS
OF
OUTSIDER
ART
IN
THE
UK
......
117
5.1
THE
FRAMING
OF
OUTSIDER
ART/ISTS
IN
CONTEMPORARY
BRITISH
MEDIA
...................................
117
5.2
NEGOTIATING
DIFFERENCE
IN
LARGE-SCALE
OUTSIDER
ART
EXHIBITIONS
....................................
124
5.3
PARTICIPATORY
ETHICS
AND
SMALL-SCALE
OUTSIDER
ART
EXHIBITIONS
.....................................
133
5.4
PARTICIPATION,
SELF-REPRESENTATION
AND
VISIBILITY
OF
THE
ARTIST S
VOICE
.............................
139
6.
INTRODUCING
THE
INDIVIDUAL
BEHIND
THE
OUTSIDER
....................................................
147
6.1
CROSSCHECKING
MEDIATED
MYTHS
..............................................................................
148
6.2
MAINSTREAM
ART
EDUCATION
AND
THE
RE-CREATION
OF
THE
OUTSIDER
....................................
155
6.3
IDENTIFICATION
WITH
OUTSIDER
ART
AND
SELF-LABELLING
PRACTICE
........................................
178
6.4
RECOGNITION
AS
OUTSIDER
ARTISTS
AND
ETHICAL
CONSEQUENCES
OF
AFFILIATION
.......................
204
6.5
AGENCY,
STRATEGIES
AND
SELF-MANAGEMENT
................................................................
233
7.
CONCLUSION
.......................................................................................................
243
REFERENCES
.............................................................................................................
267
MEDIA
SAMPLE
LISTED
BY
SOURCE
.................................................................................
287
LIST
OF
FIGURES
........................................................................................................
297
ACKNOWLEDGMENTS
...................................................................................................
301
|
| adam_txt |
CONTENTS
1.
INTRODUCTION
.
7
1.1
DEFINITIONS,
RESEARCH
CONTEXT
AND
ISSUES
OF
CONCERN
.
8
1.2
CURRENT
STATE
OF
RESEARCH
IN
THE
FIELD
.
12
1.3
CONTRIBUTIONS,
AIMS
AND
SIGNIFICANCE
OF
STUDY
.
16
1.4
CHAPTER
OVERVIEW
AND
STRUCTURE
OF
THESIS
.
19
2.
METHODOLOGY
AND
RESEARCH
DESIGN
.
21
2.1
PART
I:
SELECTIVE
MEDIA
REVIEW
AND
CRITICAL
DISCOURSE
ANALYSIS
.
21
2.2
PART
II:
PARTICIPANT
OBSERVATIONS,
PROBLEM-CENTRED
INTERVIEWS,
GROUNDED
THEORY
.
23
2.3
ETHICAL
CONSIDERATIONS,
ACCESS
TO
THE
FIELD
AND
LIMITATIONS
.
28
2.4
ROLES,
BACKGROUND
AND
POSITION
OF
RESEARCHER
.
31
3.
THEORETICAL
CONTEXTUALISATION
OF
'OUTSIDER
ART
IN
CULTURAL
ANTHROPOLOGY
.
33
3.1
EPISTEMOLOGY
OF
OTHERING
IN
THE
SOCIAL
SCIENCES
.
33
3.2
THE
DISCURSIVE
PRODUCTION
OF
'OUTSIDER
ART/ISTS
'
IN
ART
HISTORY
.
37
3.3
THE
SOCIAL
FIELD
OF
'OUTSIDER
ART'
AND
FORMS
OF
CAPITAL
IN
ART
WORLDS
.
39
3.4
STIGMATISATION
AND
CO-RELATED
MYTHS
OF
'OUTSIDER
ART'
.
41
3.5
AGENCY,
INTERSECTIONALITY
AND
TRANSCENDENCE
OF
BINARIES
.
45
4.
HISTORICAL
READINGS
AND
DISCURSIVE
GENEALOGIES
OF
'OUTSIDER
ART'
.
49
4.1
PRECURSOR
I:
PSYCHIATRIC
INSTITUTIONS,
ENLIGHTENED
IDEAS
AND
ROMANTICISM
.
50
4.2
PRECURSOR
II:
AVANT-GARDE
MOVEMENTS
AND
APPROPRIATIONS
OF
THE
'OTHER'
.
57
4.3
THE
'INSANE'
ARTIST
AS
MASTER:
THE
LEGACIES
AND
CONTRIBUTIONS
OF
HANS
PRINZHORN
AND
WALTER
MORGENTHALER
.
66
4.4
'DEGENERATE
ART'
AND
THE
FATE
OF
THE
'ART
OF
THE
INSANE'
IN
GERMANY
UNTIL
1945
.
74
4.5
'INSANITY'
AS
AN
IDEOLOGICAL
TOOL
OF
CULTURAL
POLITICS
AND
RESISTANCE
.
77
4.6
JEAN
DUBUFFET
AND
THE
ESTABLISHMENT
OF
'ART
BRUT'
.
85
4.7
PONDERING
THE
EXISTENCE
OF
'MADNESS':
ANTI-PSYCHIATRY,
ART
THERAPY
AND
'ART
BRUT'
INSTITUTIONALISED
.
93
4.8
INTERNATIONALISATION
OF
'
ART
BRUT:
ROGER
CARDINAL'S
'OUTSIDER
ART'
.
102
4.9
COMMODIFICATION,
GLOBAL
ART
MARKETS
AND
RISING
POPULARITY
.
110
5.
CONTEMPORARY
DISCOURSES
AND
MEDIA
REPRESENTATIONS
OF
"OUTSIDER
ART"
IN
THE
UK
.
117
5.1
THE
FRAMING
OF
'OUTSIDER
ART/ISTS'
IN
CONTEMPORARY
BRITISH
MEDIA
.
117
5.2
NEGOTIATING
DIFFERENCE
IN
LARGE-SCALE
'OUTSIDER
ART'
EXHIBITIONS
.
124
5.3
PARTICIPATORY
ETHICS
AND
SMALL-SCALE
'OUTSIDER
ART'
EXHIBITIONS
.
133
5.4
PARTICIPATION,
SELF-REPRESENTATION
AND
VISIBILITY
OF
THE
ARTIST'S
VOICE
.
139
6.
INTRODUCING
THE
INDIVIDUAL
BEHIND
THE
"OUTSIDER"
.
147
6.1
CROSSCHECKING
MEDIATED
MYTHS
.
148
6.2
MAINSTREAM
ART
EDUCATION
AND
THE
RE-CREATION
OF
THE
'OUTSIDER'
.
155
6.3
IDENTIFICATION
WITH
'OUTSIDER
ART'
AND
SELF-LABELLING
PRACTICE
.
178
6.4
RECOGNITION
AS
'OUTSIDER
ARTISTS'
AND
ETHICAL
CONSEQUENCES
OF
AFFILIATION
.
204
6.5
AGENCY,
STRATEGIES
AND
SELF-MANAGEMENT
.
233
7.
CONCLUSION
.
243
REFERENCES
.
267
MEDIA
SAMPLE
LISTED
BY
SOURCE
.
287
LIST
OF
FIGURES
.
297
ACKNOWLEDGMENTS
.
301 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Scherr, Marion 1988- |
| author_GND | (DE-588)1270419145 |
| author_facet | Scherr, Marion 1988- |
| author_role | aut |
| author_sort | Scherr, Marion 1988- |
| author_variant | m s ms |
| building | Verbundindex |
| bvnumber | BV048387477 |
| classification_rvk | LC 90190 LB 31960 |
| ctrlnum | (OCoLC)1349534534 (DE-599)DNB1255924721 |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV048387477 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:20:10Z |
| indexdate | 2024-07-10T09:36:43Z |
| institution | BVB |
| isbn | 9783837662504 3837662500 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033766240 |
| oclc_num | 1349534534 |
| open_access_boolean | |
| owner | DE-11 DE-255 DE-19 DE-BY-UBM DE-Y2 |
| owner_facet | DE-11 DE-255 DE-19 DE-BY-UBM DE-Y2 |
| physical | 299 Seiten 31 Illustrationen 24 cm x 15.5 cm, 473 g |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | transcript |
| record_format | marc |
| series | Image |
| series2 | Image |
| spelling | Scherr, Marion 1988- Verfasser (DE-588)1270419145 aut The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK Marion Scherr Bielefeld transcript [2022] 299 Seiten 31 Illustrationen 24 cm x 15.5 cm, 473 g txt rdacontent n rdamedia nc rdacarrier Image 212 Dissertation Carl von Ossietzky Universität Oldenburg 2021 Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Kunstethnologie (DE-588)4452785-8 gnd rswk-swf Othering (DE-588)1246949830 gnd rswk-swf Außenseiter (DE-588)4134557-5 gnd rswk-swf Art brut (DE-588)4234483-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Art Culture Art Brut Disability Stigma Exclusion Image European Art Cultural Anthropology Art History of the 21st Century Fine Arts (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Kunstbetrieb (DE-588)4208853-7 s Außenseiter (DE-588)4134557-5 s Kunstethnologie (DE-588)4452785-8 s DE-604 Art brut (DE-588)4234483-9 s Othering (DE-588)1246949830 s Erscheint auch als Online-Ausgabe, PDF 978-3-8394-6250-8 Image 212 (DE-604)BV036853146 212 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033766240&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220423 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Scherr, Marion 1988- The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK Image Kunstbetrieb (DE-588)4208853-7 gnd Kunstethnologie (DE-588)4452785-8 gnd Othering (DE-588)1246949830 gnd Außenseiter (DE-588)4134557-5 gnd Art brut (DE-588)4234483-9 gnd |
| subject_GND | (DE-588)4208853-7 (DE-588)4452785-8 (DE-588)1246949830 (DE-588)4134557-5 (DE-588)4234483-9 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK |
| title_auth | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK |
| title_exact_search | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK |
| title_exact_search_txtP | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK |
| title_full | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK Marion Scherr |
| title_fullStr | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK Marion Scherr |
| title_full_unstemmed | The invention of "Outsider Art" experiencing practices of othering in contemporary art worlds in the UK Marion Scherr |
| title_short | The invention of "Outsider Art" |
| title_sort | the invention of outsider art experiencing practices of othering in contemporary art worlds in the uk |
| title_sub | experiencing practices of othering in contemporary art worlds in the UK |
| topic | Kunstbetrieb (DE-588)4208853-7 gnd Kunstethnologie (DE-588)4452785-8 gnd Othering (DE-588)1246949830 gnd Außenseiter (DE-588)4134557-5 gnd Art brut (DE-588)4234483-9 gnd |
| topic_facet | Kunstbetrieb Kunstethnologie Othering Außenseiter Art brut Großbritannien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033766240&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036853146 |
| work_keys_str_mv | AT scherrmarion theinventionofoutsiderartexperiencingpracticesofotheringincontemporaryartworldsintheuk |