Embodied gestures:
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Wien
TU Wien Academic Press
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 142 Seiten 24 cm x 17 cm, 332 g |
| ISBN: | 9783854480488 3854480482 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Preface xi Contributors xvii Acknowledgments xix List of Figures xxi List of Tables xxiii PART I 1 INSTRUMENTAL GESTURE Creaking apples and singing chairs: On composing with objects, actions and sounds 3 Cathy van Eck 1.1 1.2 1.3 Using an everyday set-up as the corporeal origin for sounds Changing the mapping between the corporeal originsand the imaginary origins 7 Composing structures for imaginary origins of sounds 9 10 References 2 5 Instrumental infrastructure: Sheet materials, gesture and musical performance 11 Louise Devenish 2.1 2.2 2.3 2.4 2.5 Introduction Instrumental sheet materials Gesture as compositional material Instrumental infrastructure and notation Conclusion 11 12 15 17 18 References 19 Musical References 20
vi 3 CONTENTS Pre-gesture, gesture and sound on (no) piano: Music from Somewhere 21 Haize Lizarazu 3.1 3.2 3.3 3.4 Introduction The invisible:score and pre-gesture The visible: gesture and space Conclusion 21 22 25 27 28 References 4 Evolving musical expectations: Mutual correlation between a human musician and an Al musical instrument 29 Koray Tahiroğlu 4.1 4.2 4.3 4.4 4.5 Introduction AI-terity and the composition Uncertainty Etude #2 Achieving musical expectations Musical expectations as a framework for composition Conclusion 35 References PART II 5 29 30 32 34 34 EMBODIED OBJECT Timescales for sound-motion objects 39 Rolf Inge Godøy 5.1 5.2 5.3 5.4 5.5 5.6 Introduction Schaeffer’s object focus General object cognition Sound object features Continuity vs. discontinuity Concluding remarks References 6 39 40 41 42 44 45 46 Multi-form visualization: A method to compose acousmatic music 49 Virginie Viel 6.1 Introduction 49
CONTENTS 6.2 6.3 6.4 6.1.1 The perceptual process 6.1.2 Sensory engagement 6.1.3 The embodied experience 6.1.4 Musical perception: vectors of qualia In my practice: the capacity to imagine The use of multi-form visualization for An Ocean on the Moon 6.3.1 Building the project 6.3.2 The structure of the piece 6.3.3 The spatial composition Conclusion 49 50 51 52 53 54 54 56 59 60 61 References 7 vii The ocularcentric objectification of musical embodiment in cognitive capitalism: Covid-19 as an allegory on the multiple senses of touch 63 Pavlos Antoniadis 7.1 Introduction 63 7.2 The ocularcentric objectification of embodiment in contemporary musicology 63 7.3 Covid-19 as a catalyst for the ocularcentric rendition of embodied experience into data in cognitive capitalism 66 The last unassimilable frontier in cognitive capitalism: an enactive conception of touch 69 7.4 7.5 Conclusion: Zoom walls as a modern allegory on the multiple senses of touch 74 75 References PART III 8 EMBODIED GESTURE Embodied Gestures: Sculpting sonic expression into musical artifacts 81 Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu and Martin Kaltenbrunner 8.1 Introduction: Sonic gestures and acousmatic music 81 8.2 8.3 8.4 8.5 Sonic gestures, artefacts and embodied cognition The Embodied Gestures Project Ideating interfaces from spontaneous cognitive mappings Interface design 83 84 84 90
viii CONTENTS 8.6 8.7 8.8 Musical outcomes 8.6.1 Voices: composition and live performance by Theodoros Lotis 91 8.6.2 Magistri Mei · Bruckner: composition for fixed media by Jaime Reis 92 8.6.3 Improvisation for Embodied Gestures instruments by Steel Girls 93 Discussion Conclusions References 91 94 96 97 9 Thomas Gorbach interviews Annette Vande Gome 99 Thomas Gorbach and Annette Vande Gome 10 Gestural and textural approaches with the Embodied Gestures instruments 107 Theodoros Lotis 10.1 Introduction: gesture and texture 10.2 Voices 10.2.1 Typology of gestures in Voices 10.2.2 Typology of textures in Voices 10.3 TheC4 10.3.1 Typology of gestures 10.3.2 Anatomy of a gesture with C4 10.4 Mapping network 10.4.1 Overdetermination 10.4.2 The C4 and weighting distribution in Voices 10.5 Codetta References 11 107 110 111 112 112 114 116 117 117 118 120 120 Exploring polyphony in spatial patterns in acousmatic music 123 Jaime Reis 11.1 11.2 11.3 Introduction Space Spatial polyphony 11.3.1 Asa concept and in practice 11.3.2 Limits in the perception of spatial polyphony 123 124 125 125 126
CONTENTS 11.4 Spatial polyphony in my music 127 130 References 12 ІХ User-centred design as a model-based co-creation process 133 Hilda Tellioğlu 12.1 12.2 12.3 12.4 12.5 References Introduction From sociotechnology as a principle to embodied interaction User-Centred Design as a Model-Based Co-Creation Process Example of a model-based co-creation process Conclusions 133 135 136 139 141 141
|
| adam_txt |
CONTENTS Preface xi Contributors xvii Acknowledgments xix List of Figures xxi List of Tables xxiii PART I 1 INSTRUMENTAL GESTURE Creaking apples and singing chairs: On composing with objects, actions and sounds 3 Cathy van Eck 1.1 1.2 1.3 Using an everyday set-up as the corporeal origin for sounds Changing the mapping between the corporeal originsand the imaginary origins 7 Composing structures for imaginary origins of sounds 9 10 References 2 5 Instrumental infrastructure: Sheet materials, gesture and musical performance 11 Louise Devenish 2.1 2.2 2.3 2.4 2.5 Introduction Instrumental sheet materials Gesture as compositional material Instrumental infrastructure and notation Conclusion 11 12 15 17 18 References 19 Musical References 20
vi 3 CONTENTS Pre-gesture, gesture and sound on (no) piano: Music from Somewhere 21 Haize Lizarazu 3.1 3.2 3.3 3.4 Introduction The invisible:score and pre-gesture The visible: gesture and space Conclusion 21 22 25 27 28 References 4 Evolving musical expectations: Mutual correlation between a human musician and an Al musical instrument 29 Koray Tahiroğlu 4.1 4.2 4.3 4.4 4.5 Introduction AI-terity and the composition Uncertainty Etude #2 Achieving musical expectations Musical expectations as a framework for composition Conclusion 35 References PART II 5 29 30 32 34 34 EMBODIED OBJECT Timescales for sound-motion objects 39 Rolf Inge Godøy 5.1 5.2 5.3 5.4 5.5 5.6 Introduction Schaeffer’s object focus General object cognition Sound object features Continuity vs. discontinuity Concluding remarks References 6 39 40 41 42 44 45 46 Multi-form visualization: A method to compose acousmatic music 49 Virginie Viel 6.1 Introduction 49
CONTENTS 6.2 6.3 6.4 6.1.1 The perceptual process 6.1.2 Sensory engagement 6.1.3 The embodied experience 6.1.4 Musical perception: vectors of qualia In my practice: the capacity to imagine The use of multi-form visualization for An Ocean on the Moon 6.3.1 Building the project 6.3.2 The structure of the piece 6.3.3 The spatial composition Conclusion 49 50 51 52 53 54 54 56 59 60 61 References 7 vii The ocularcentric objectification of musical embodiment in cognitive capitalism: Covid-19 as an allegory on the multiple senses of touch 63 Pavlos Antoniadis 7.1 Introduction 63 7.2 The ocularcentric objectification of embodiment in contemporary musicology 63 7.3 Covid-19 as a catalyst for the ocularcentric rendition of embodied experience into data in cognitive capitalism 66 The last unassimilable frontier in cognitive capitalism: an enactive conception of touch 69 7.4 7.5 Conclusion: Zoom walls as a modern allegory on the multiple senses of touch 74 75 References PART III 8 EMBODIED GESTURE Embodied Gestures: Sculpting sonic expression into musical artifacts 81 Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu and Martin Kaltenbrunner 8.1 Introduction: Sonic gestures and acousmatic music 81 8.2 8.3 8.4 8.5 Sonic gestures, artefacts and embodied cognition The Embodied Gestures Project Ideating interfaces from spontaneous cognitive mappings Interface design 83 84 84 90
viii CONTENTS 8.6 8.7 8.8 Musical outcomes 8.6.1 Voices: composition and live performance by Theodoros Lotis 91 8.6.2 Magistri Mei · Bruckner: composition for fixed media by Jaime Reis 92 8.6.3 Improvisation for Embodied Gestures instruments by Steel Girls 93 Discussion Conclusions References 91 94 96 97 9 Thomas Gorbach interviews Annette Vande Gome 99 Thomas Gorbach and Annette Vande Gome 10 Gestural and textural approaches with the Embodied Gestures instruments 107 Theodoros Lotis 10.1 Introduction: gesture and texture 10.2 Voices 10.2.1 Typology of gestures in Voices 10.2.2 Typology of textures in Voices 10.3 TheC4 10.3.1 Typology of gestures 10.3.2 Anatomy of a gesture with C4 10.4 Mapping network 10.4.1 Overdetermination 10.4.2 The C4 and weighting distribution in Voices 10.5 Codetta References 11 107 110 111 112 112 114 116 117 117 118 120 120 Exploring polyphony in spatial patterns in acousmatic music 123 Jaime Reis 11.1 11.2 11.3 Introduction Space Spatial polyphony 11.3.1 Asa concept and in practice 11.3.2 Limits in the perception of spatial polyphony 123 124 125 125 126
CONTENTS 11.4 Spatial polyphony in my music 127 130 References 12 ІХ User-centred design as a model-based co-creation process 133 Hilda Tellioğlu 12.1 12.2 12.3 12.4 12.5 References Introduction From sociotechnology as a principle to embodied interaction User-Centred Design as a Model-Based Co-Creation Process Example of a model-based co-creation process Conclusions 133 135 136 139 141 141 |
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| publisher | TU Wien Academic Press |
| record_format | marc |
| spelling | Embodied gestures Enrique Tomás, Hilda Tellioğlu, Martin Kaltenbrunner (Eds.) Wien TU Wien Academic Press 2022 142 Seiten 24 cm x 17 cm, 332 g txt rdacontent n rdamedia nc rdacarrier Leiblichkeit (DE-588)4114388-7 gnd rswk-swf Ausdruck (DE-588)4003698-4 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 gnd rswk-swf Körpersprache (DE-588)4114248-2 gnd rswk-swf Ausdruck Musik Musikerlebnis Körpersprache Komposition <Musik> Experimentelle Musik Elektronisches Musikinstrument • Expression Music Musical experience Body language Composition <Music> Avant-garde (Music) Electronic musical instruments Ausdruck (DE-588)4003698-4 s Musikerlebnis (DE-588)4170819-2 s Leiblichkeit (DE-588)4114388-7 s Körpersprache (DE-588)4114248-2 s DE-604 Tomás, Enrique edt Gorbach, Thomas 1966- (DE-588)1236240375 edt Tellioğlu, Hilda (DE-588)140769250 edt Kaltenbrunner, Martin 1972- (DE-588)1258218550 edt Erscheint auch als Online-Ausgabe 978-3-85448-047-1 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=51a6e8993580459290aeedcae1cd5402&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=51a6e8993580459290aeedcae1cd5402&prov=M&dok_var=2&dok_ext=htm Inhaltstext Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033762910&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220414 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Embodied gestures Leiblichkeit (DE-588)4114388-7 gnd Ausdruck (DE-588)4003698-4 gnd Musikerlebnis (DE-588)4170819-2 gnd Körpersprache (DE-588)4114248-2 gnd |
| subject_GND | (DE-588)4114388-7 (DE-588)4003698-4 (DE-588)4170819-2 (DE-588)4114248-2 |
| title | Embodied gestures |
| title_auth | Embodied gestures |
| title_exact_search | Embodied gestures |
| title_exact_search_txtP | Embodied gestures |
| title_full | Embodied gestures Enrique Tomás, Hilda Tellioğlu, Martin Kaltenbrunner (Eds.) |
| title_fullStr | Embodied gestures Enrique Tomás, Hilda Tellioğlu, Martin Kaltenbrunner (Eds.) |
| title_full_unstemmed | Embodied gestures Enrique Tomás, Hilda Tellioğlu, Martin Kaltenbrunner (Eds.) |
| title_short | Embodied gestures |
| title_sort | embodied gestures |
| topic | Leiblichkeit (DE-588)4114388-7 gnd Ausdruck (DE-588)4003698-4 gnd Musikerlebnis (DE-588)4170819-2 gnd Körpersprache (DE-588)4114248-2 gnd |
| topic_facet | Leiblichkeit Ausdruck Musikerlebnis Körpersprache |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=51a6e8993580459290aeedcae1cd5402&prov=M&dok_var=1&dok_ext=htm http://deposit.dnb.de/cgi-bin/dokserv?id=51a6e8993580459290aeedcae1cd5402&prov=M&dok_var=2&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033762910&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT tomasenrique embodiedgestures AT gorbachthomas embodiedgestures AT telliogluhilda embodiedgestures AT kaltenbrunnermartin embodiedgestures |