Musical history as seen through contemporary eyes: essays in honor of H. Robert Cohen
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Wien
Hollitzer Wissenschaftsverlag
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 525 Seiten 24 cm x 17 cm |
| ISBN: | 9783990129739 3990129732 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | CONTENTS INTRODUCTION Musical Documentation of a “Forgotten Century” and Beyond 13 THE MUSICAL PRESS Malena Kuss A Ditty for a Friend: Honoring H. Robert Cohen through the Work of Zoila Lapique Becali (b. 1930), Doyenne of Cuba’s Musical Press 25 Zoila Lapique Becali Nineteenth-Century Music in Cuban Periodicals (1822—1868) 29 Marten Noorduin The International Tours of Charles Hallé as Viewed in the Contemporary Press 45 Elvidio Šurian Appunti sulla musica sacra in Italia nel Novecento 57 Benjamin Knysak “That Derty Review”: John C. Freund from Oxford to New York 61 Ruth Henderson Max Strakosch’s Rediscovered Memoir 83 Max Strakosch Notes of Max Strakosch 85 Richard Kitson Ursula Greville, Philip Heseltine and The Sackbut (London, 1920-1934) 109 Antonio Baldassarre Serving “German music” and “the Great Empire of the Germans”: The German Periodical Musik im Kriege 125
BERLIOZ, FRANCE AND VERDI Peter Bloom Berlioz and the Panthéon—Then and Now 183 Catherine Massip Hector Berlioz (... et les autres) dans l’Illustration de Bade et d’Alsace (1858—1867) Joost van 201 Gemert A Multifaceted Debate: French, German and Dutch Views on Gregorian Chant in Nineteenth-Century Periodicals 217 W. Atlas The Binfields and the Dulckens: The English Concertina in mid-Nineteenth-Century Paris (and Brussels) 237 P. Locke André Messager’s Lesp tites Míchu and the Marvels of French Light Opera: A Review and Appreciation 259 H. Roberts Recalled to Life: The Grands Opéras of Charles Gounod 281 A. Ward “Oui, j’existe”: Marie Bobillier and the French Musical Sources in Robert Eitner’s Quellen-Lexikon 301 Allan Ralph John Jennifer Peter Sühring Der Scherz des Falstaff war nicht sein letztes Wort. Verdis Sakralmusik 321 MUSIC ICONOGRAPHY Zdravko Blažeković The Early Years of the Répertoire International d’Iconographie Musicale 345 Florence Gétreau Three Founders of Music Iconography in France: Geneviève Thibault de Chambure, Albert Pomme de Mirimonde, and François Lesure 381
Luisa Cymbron Bringing the S. Carlos Theater into the Home: Opera, Illustrated Journalism and Sound Transmission Technologies in Late Nineteenth-Century Lisbon 413 Frits Zwart To the Cinema with Willem Mengelberg: A Meeting with Stokowski and Tchaikovsky 433 Tatjana Marković “Oriental” memories: Stevan Stojanovic Mokranjac’s ballad Lem Edim 445 POPULAR MUSICS AND R-PROJECTS Μ. Ehrenburg If You Want to Learn to Play Jazz, Pick Up That Magazine or A Critical (Re)Introduction to Pedagogical Content Published in the Jazz Press, 1914—1947 John 469 Emile Wennekes Bob, Boris, and Boudewijn: H. Robert Cohen’s international footsteps elucidated through three singer-songwriters 487 Barbara Dobbs Mackenzie A Tale of Two R-Project Directors 501 Jean-Michel Nectoux, Don Roberts Words of Thanks 513 TABULA GRATULATORIA 517 BIBLIOGRAPHY OF H. ROBERT COHEN 521
|
| adam_txt |
CONTENTS INTRODUCTION Musical Documentation of a “Forgotten Century” and Beyond 13 THE MUSICAL PRESS Malena Kuss A Ditty for a Friend: Honoring H. Robert Cohen through the Work of Zoila Lapique Becali (b. 1930), Doyenne of Cuba’s Musical Press 25 Zoila Lapique Becali Nineteenth-Century Music in Cuban Periodicals (1822—1868) 29 Marten Noorduin The International Tours of Charles Hallé as Viewed in the Contemporary Press 45 Elvidio Šurian Appunti sulla musica sacra in Italia nel Novecento 57 Benjamin Knysak “That Derty Review”: John C. Freund from Oxford to New York 61 Ruth Henderson Max Strakosch’s Rediscovered Memoir 83 Max Strakosch Notes of Max Strakosch 85 Richard Kitson Ursula Greville, Philip Heseltine and The Sackbut (London, 1920-1934) 109 Antonio Baldassarre Serving “German music” and “the Great Empire of the Germans”: The German Periodical Musik im Kriege 125
BERLIOZ, FRANCE AND VERDI Peter Bloom Berlioz and the Panthéon—Then and Now 183 Catherine Massip Hector Berlioz (. et les autres) dans l’Illustration de Bade et d’Alsace (1858—1867) Joost van 201 Gemert A Multifaceted Debate: French, German and Dutch Views on Gregorian Chant in Nineteenth-Century Periodicals 217 W. Atlas The Binfields and the Dulckens: The English Concertina in mid-Nineteenth-Century Paris (and Brussels) 237 P. Locke André Messager’s Lesp'tites Míchu and the Marvels of French Light Opera: A Review and Appreciation 259 H. Roberts Recalled to Life: The Grands Opéras of Charles Gounod 281 A. Ward “Oui, j’existe”: Marie Bobillier and the French Musical Sources in Robert Eitner’s Quellen-Lexikon 301 Allan Ralph John Jennifer Peter Sühring Der Scherz des Falstaff war nicht sein letztes Wort. Verdis Sakralmusik 321 MUSIC ICONOGRAPHY Zdravko Blažeković The Early Years of the Répertoire International d’Iconographie Musicale 345 Florence Gétreau Three Founders of Music Iconography in France: Geneviève Thibault de Chambure, Albert Pomme de Mirimonde, and François Lesure 381
Luisa Cymbron Bringing the S. Carlos Theater into the Home: Opera, Illustrated Journalism and Sound Transmission Technologies in Late Nineteenth-Century Lisbon 413 Frits Zwart To the Cinema with Willem Mengelberg: A Meeting with Stokowski and Tchaikovsky 433 Tatjana Marković “Oriental” memories: Stevan Stojanovic Mokranjac’s ballad Lem Edim 445 POPULAR MUSICS AND R-PROJECTS Μ. Ehrenburg If You Want to Learn to Play Jazz, Pick Up That Magazine or A Critical (Re)Introduction to Pedagogical Content Published in the Jazz Press, 1914—1947 John 469 Emile Wennekes Bob, Boris, and Boudewijn: H. Robert Cohen’s international footsteps elucidated through three singer-songwriters 487 Barbara Dobbs Mackenzie A Tale of Two R-Project Directors 501 Jean-Michel Nectoux, Don Roberts Words of Thanks 513 TABULA GRATULATORIA 517 BIBLIOGRAPHY OF H. ROBERT COHEN 521 |
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| title | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen |
| title_auth | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen |
| title_exact_search | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen |
| title_exact_search_txtP | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen |
| title_full | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen edited by Benjamin Knysak and Zdravko Blažeković |
| title_fullStr | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen edited by Benjamin Knysak and Zdravko Blažeković |
| title_full_unstemmed | Musical history as seen through contemporary eyes essays in honor of H. Robert Cohen edited by Benjamin Knysak and Zdravko Blažeković |
| title_short | Musical history as seen through contemporary eyes |
| title_sort | musical history as seen through contemporary eyes essays in honor of h robert cohen |
| title_sub | essays in honor of H. Robert Cohen |
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