Ferramonti: interpreting cultural behaviors and musical practices in a Southern-Italian internment camp
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2021]
|
| Schriftenreihe: | Italien in Geschichte und Gegenwart
Band 38 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.peterlang.com/view/product/97435?format=HC Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 228 Seiten Illustrationen 22 cm, 372 g |
| ISBN: | 9783631857335 3631857330 |
Internformat
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| 100 | 1 | |a Del Zoppo, Silvia |d 1986- |e Verfasser |0 (DE-588)1240321155 |4 aut | |
| 245 | 1 | 0 | |a Ferramonti |b interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |c Silvia Del Zoppo |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 228 Seiten |b Illustrationen |c 22 cm, 372 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Italien in Geschichte und Gegenwart |v Band 38 | |
| 502 | |b Dissertation |c Universität Heidelberg |d 2018 | ||
| 610 | 2 | 7 | |a Konzentrationslager Ferramonti |0 (DE-588)4197027-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musizieren |0 (DE-588)4170838-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Alltag |0 (DE-588)4001307-8 |2 gnd |9 rswk-swf |
| 653 | |a Behaviors | ||
| 653 | |a Camp | ||
| 653 | |a Christian | ||
| 653 | |a Cultural | ||
| 653 | |a DP-camp music | ||
| 653 | |a Fascist camps | ||
| 653 | |a Ferramonti | ||
| 653 | |a Holocaust music | ||
| 653 | |a Holocaust representations | ||
| 653 | |a Interned musicians | ||
| 653 | |a Internment | ||
| 653 | |a Interpreting | ||
| 653 | |a Italian | ||
| 653 | |a Jansen | ||
| 653 | |a Jewish musicians | ||
| 653 | |a Lageralltag | ||
| 653 | |a Lagermusik | ||
| 653 | |a Music | ||
| 653 | |a Musical | ||
| 653 | |a Persecuted music | ||
| 653 | |a Practices | ||
| 653 | |a Shoah music | ||
| 653 | |a Silvia | ||
| 653 | |a Southern | ||
| 653 | |a Zoppo | ||
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Datensatz im Suchindex
| _version_ | 1804184266253271040 |
|---|---|
| adam_text | CONTENTS
PREFACE
......................................................................................................
9
ACKNOWLEDGMENTS
.................................................................................
13
ZUSAMMENFASSUNG
.................................................................................
21
ABSTRACT
....................................................................................................
23
LIST
OF
FIGURES
.........................................................................................
25
INTRODUCTION
...........................................................................................
27
CHAPTER
1
LIMITS
OF
REPRESENTATION
AND
REPRESENTATION
OF
LIMITS
..................................................................................
31
1.1
A
SURVEY
OF
EXISTING
RESEARCH
...........................................
31
1.2
LAGERMUSIK
:
A
DEFINITION?
..............................................
37
1.3
SHOAH
REPRESENTATIONS
THROUGH
THE
ARTS
..........................
41
1.4
LOOKING
FOR MEANING:
A
HERMENEUTIC
APPROACH
.............
45
CHAPTER
2
ON
THE
FERRAMONTI
TRAIL
................................................
49
CHAPTER
3
HISTORICAL
INSIGHTS
...........................................................
57
3.1
DISCRIMINATION,
PERSECUTION
AND
INTERNMENT
....................
57
3.2
THE
PROMULGATION
OF
RACIAL
LAWS
IN
1938
........................
60
3.3
ASPECTS
OFTHE
PERSECUTION
OFJEWS
IN
ITALY
.......................
62
16
CONTENTS
3.4
FASCIST
PROPAGANDA
AND
CONSENSUS
IN
THE
SOUTH
OF
ITALY
........................................................................
66
3.5
THE
GEOGRAPHY
OF
FASCIST
INTERNMENT
CAMPS
BETWEEN
1940
AND
1943
......................................................................
69
CHAPTER
4
FERRAMONTI:
THE
HISTORY
OF
THE
CAMP
.......................
73
4.1
THE
BUILDING
OF
THE
CAMP
..................................................
73
4.2
A
STEAMBOAT
TO
PALESTINE
....................................................
75
4.3
AID
ORGANIZATIONS
...............................................................
76
4.4
THE
CAMP
BETWEEN
JANUARY
1942
AND
SEPTEMBER
1943
....
82
4.5
GENERAL
CAMP
RULES
AND
REGULATIONS
IN
FERRAMONTI
......
84
4.6
LIBERATION,
FORT
ONTARIO
AND
OTHER
DESTINATIONS
............
87
CHAPTER
5
CONCERT
SCHEDULE
AND
MUSICAL
PROGRAMS
AT
FERRAMONTI
.....................................................
89
5.1
MUSICAL
PERFORMANCES
IN
SONNENFELD
S
AND
LOPINOT
S
MEMOIRS
...............................................................................
89
5.2
CONCERT
PROGRAMS
IN
THE
KALK
ARCHIVE:
THE
EARLY
YEARS
..
98
CHAPTER
6
MUSICAL
PRACTICES
AND
EVERYDAY
LIFE
..........................
113
6.1
LIEDER,
SCHLAGER
AND
POPULAR
SONGS
...................................
113
6.2
JAZZ
AND
KABARETT
.................................................................
120
6.3
RADIO
BROADCASTING
AND
POPULAR
MUSIC
............................
123
6.4
VARIETY
SHOWS
AND
THE
CONCERT
OF
THE
AUSTRIANS
IN
1944
..................................................................................
125
6.5
THE
FERRAMONTI
SCHULE
AND
MUSICAL
EDUCATION
IN
THE
CAMP
....................................................................................
129
CONTENTS
17
6.6
AFTER LIBERATION:
THE
CHARITY
CONCERT
IN
COSENZA
..........
132
6.7
MUSICAL
PERFORMANCES
ON
JEWISH
FEASTS
............................
135
CHAPTER
7
MUSICAL
INSTRUMENTS
IN
THE
CAMP
.............................
139
7.1
A
GIFT
FROM
MENSA
DEI
BAMBINI:
THE
GRAND
PIANO
........
139
7.2
CALABRIAN
LUTHERIE
ON
DEMAND
.......................................
141
7.3
A
REED
WAR
GOOD
..........................................................
143
CHAPTER
8
THE
INTERNED
MUSICIANS:
A
SMALL
PORTRAIT
GALLERY
...
147
8.1
ADLER,
MICHAEL
(SUBOTICA,
OCTOBER
5,1924)
...................
148
8.2
BEHRENS,
WALTER
(KARLSRUHE,
JANUARY
30,
1901)
..................................................................................
148
8.3
EISENHARDT,
MANFRED
(BRESLAU,
DECEMBER
27,1912)
.....
150
8.4
ENGLANDER,
SAMUEL
(DOBJE,
JUNE
19,1913)
.....................
149
8.5
FALK
HOFFMANN,
ANITA
(BAD
GODESBERG
(BONN),
JANUARY
15,
1906)
..............................................................
154
8.6
FINGER
WEISZ,
LIVIA
(BUDAPEST,
OCTOBER
25,1908)
.........
150
8.7
FRIZ,
LEO
(MIRSKI,
LAV)
(ZAGREB,
JUNE
21,1893)
..............
150
8.8
GILDINGORIN
(GORIN),
PAUL
(LEIPZIG,
JULY
19,1916)
.........
155
8.9
GLATTAUER,
VIKTOR
(VIENNA,
JANUARY
19,1909)
.................
157
8.10
GORNICKI,
MOISZE
(ZGIERZ,
JUNE
13,1919)
.......................
157
8.11
GRIINSTEIN,
JOSEF
(CINOVES,
OCTOBER
19,1919)
................
159
8.12
KLEIN,
OSCAR
(GRAZ,
JANUARY
5,1930)
...............................
159
8.13
LAQUEUR
SILBERSTEIN,
ELLY
(BRIEG,
FEBRUARY
13,1901)
.....
162
8.14
LEVITCH,
LEON
(BELGRADE,
JULY
7,1923)
.............................
164
8.15
LIPOVICZ,
LESZEK
(WARSAW,
FEBRUARY
27,1924)
...............
166
18
CONTENTS
8.16
MARTON,
RUDOLF
(SARAJEVO,
NOVEMBER
11,1916)
.............
166
8.17
MESSERSCHMIDT,
ADOLF
(BERLIN,
MARCH
10,1890)
.............
167
8.18
METZGER,
JEREMIAS,
(PRZEMYSL,
JUNE
2,1903)
....................
167
8.19
PERL,
LAZAR
(BRATISLAVA,
DECEMBER
6,1919)
.....................
168
8.20
SCHIFF
LAZAR,
ANNY
(VIENNA,
DECEMBER
17(27),
1921)
....
168
8.21
SONNENFELD,
KURT
(VIENNA,
FEBRUARY
24,
1921)
...............
168
8.22
STEINBRECHER,
ELLEN
(BERLIN,
MARCH
17,1924)
..................
170
8.23
STEINFELD,
SIGBERT
(BERLIN,
JANUARY
13,
1909)
...................
170
8.24
STERNBERG,
LADISLAV
(BRCKO,
JULY
3,1914)
........................
173
8.25
THALER,
ISAK
(BOHORODCHANY,
JANUARY
17,1902)
..............
175
8.26
WEISS,
BRUNO
(BRCKO,
NOVEMBER
22,1909)
.....................
177
8.27
ZINS,
BOGDAN
(STANISLAWOW,
NOVEMBER
21,1905)
..........
177
CHAPTER
9
IN
RESPONSE
TO
THE
APORIAS
OF
INTERNMENT
CAMPS:
MUSICAL
PRACTICES
AS
CULTURAL
BEHAVIORS
.....
181
9.1
MUSIC
AND
INTERNMENT:
COMPARISONS
AND
CONTRASTS
WITH
OTHER
CAMPS
.............................................................
181
9.2
MUSICAL
PERFORMANCES
IN
FERRAMONTI:
SPECIFIC
FEATURES
................................................................
186
9.3
BEYOND
MUSIC:
OTHER
CULTURAL
PRACTICES
AND
VISUAL
SOURCES
................................................................................
189
9.4
THE
SHOAH
THROUGH
MUSIC
AND
LITERATURE:
AMID
REPRESENTATION
AND
COMMEMORATION
.............................
190
9.5
EVADING
THE
PARADOXES
OF
THE
AUSCHWITZ
PARADIGM:
AESTHETIC
PERSPECTIVES
ON
MUSIC
IN
CAPTIVITY
.............................................................................
192
CONTENTS
19
APPENDICES
..............................................................................................
199
BIBLIOGRAPHY
............................................................................................
211
|
| adam_txt |
CONTENTS
PREFACE
.
9
ACKNOWLEDGMENTS
.
13
ZUSAMMENFASSUNG
.
21
ABSTRACT
.
23
LIST
OF
FIGURES
.
25
INTRODUCTION
.
27
CHAPTER
1
LIMITS
OF
REPRESENTATION
AND
REPRESENTATION
OF
LIMITS
.
31
1.1
A
SURVEY
OF
EXISTING
RESEARCH
.
31
1.2
"
LAGERMUSIK
"
:
A
DEFINITION?
.
37
1.3
SHOAH
REPRESENTATIONS
THROUGH
THE
ARTS
.
41
1.4
LOOKING
FOR MEANING:
A
HERMENEUTIC
APPROACH
.
45
CHAPTER
2
ON
THE
FERRAMONTI
TRAIL
.
49
CHAPTER
3
HISTORICAL
INSIGHTS
.
57
3.1
DISCRIMINATION,
PERSECUTION
AND
INTERNMENT
.
57
3.2
THE
PROMULGATION
OF
RACIAL
LAWS
IN
1938
.
60
3.3
ASPECTS
OFTHE
PERSECUTION
OFJEWS
IN
ITALY
.
62
16
CONTENTS
3.4
FASCIST
PROPAGANDA
AND
CONSENSUS
IN
THE
SOUTH
OF
ITALY
.
66
3.5
THE
GEOGRAPHY
OF
FASCIST
INTERNMENT
CAMPS
BETWEEN
1940
AND
1943
.
69
CHAPTER
4
FERRAMONTI:
THE
HISTORY
OF
THE
CAMP
.
73
4.1
THE
BUILDING
OF
THE
CAMP
.
73
4.2
A
STEAMBOAT
TO
PALESTINE
.
75
4.3
AID
ORGANIZATIONS
.
76
4.4
THE
CAMP
BETWEEN
JANUARY
1942
AND
SEPTEMBER
1943
.
82
4.5
GENERAL
CAMP
RULES
AND
REGULATIONS
IN
FERRAMONTI
.
84
4.6
LIBERATION,
FORT
ONTARIO
AND
OTHER
DESTINATIONS
.
87
CHAPTER
5
CONCERT
SCHEDULE
AND
MUSICAL
PROGRAMS
AT
FERRAMONTI
.
89
5.1
MUSICAL
PERFORMANCES
IN
SONNENFELD
'
S
AND
LOPINOT
'
S
MEMOIRS
.
89
5.2
CONCERT
PROGRAMS
IN
THE
KALK
ARCHIVE:
THE
EARLY
YEARS
.
98
CHAPTER
6
MUSICAL
PRACTICES
AND
EVERYDAY
LIFE
.
113
6.1
LIEDER,
SCHLAGER
AND
POPULAR
SONGS
.
113
6.2
JAZZ
AND
KABARETT
.
120
6.3
RADIO
BROADCASTING
AND
POPULAR
MUSIC
.
123
6.4
VARIETY
SHOWS
AND
THE
CONCERT
OF
THE
AUSTRIANS
IN
1944
.
125
6.5
THE
FERRAMONTI
SCHULE
AND
MUSICAL
EDUCATION
IN
THE
CAMP
.
129
CONTENTS
17
6.6
AFTER LIBERATION:
THE
CHARITY
CONCERT
IN
COSENZA
.
132
6.7
MUSICAL
PERFORMANCES
ON
JEWISH
FEASTS
.
135
CHAPTER
7
MUSICAL
INSTRUMENTS
IN
THE
CAMP
.
139
7.1
A
GIFT
FROM
MENSA
DEI
BAMBINI:
THE
GRAND
PIANO
.
139
7.2
CALABRIAN
LUTHERIE
ON
DEMAND
.
141
7.3
A
"
REED
"
WAR
GOOD
.
143
CHAPTER
8
THE
INTERNED
MUSICIANS:
A
SMALL
PORTRAIT
GALLERY
.
147
8.1
ADLER,
MICHAEL
(SUBOTICA,
OCTOBER
5,1924)
.
148
8.2
BEHRENS,
WALTER
(KARLSRUHE,
JANUARY
30,
1901)
.
148
8.3
EISENHARDT,
MANFRED
(BRESLAU,
DECEMBER
27,1912)
.
150
8.4
ENGLANDER,
SAMUEL
(DOBJE,
JUNE
19,1913)
.
149
8.5
FALK
HOFFMANN,
ANITA
(BAD
GODESBERG
(BONN),
JANUARY
15,
1906)
.
154
8.6
FINGER
WEISZ,
LIVIA
(BUDAPEST,
OCTOBER
25,1908)
.
150
8.7
FRIZ,
LEO
(MIRSKI,
LAV)
(ZAGREB,
JUNE
21,1893)
.
150
8.8
GILDINGORIN
(GORIN),
PAUL
(LEIPZIG,
JULY
19,1916)
.
155
8.9
GLATTAUER,
VIKTOR
(VIENNA,
JANUARY
19,1909)
.
157
8.10
GORNICKI,
MOISZE
(ZGIERZ,
JUNE
13,1919)
.
157
8.11
GRIINSTEIN,
JOSEF
(CINOVES,
OCTOBER
19,1919)
.
159
8.12
KLEIN,
OSCAR
(GRAZ,
JANUARY
5,1930)
.
159
8.13
LAQUEUR
SILBERSTEIN,
ELLY
(BRIEG,
FEBRUARY
13,1901)
.
162
8.14
LEVITCH,
LEON
(BELGRADE,
JULY
7,1923)
.
164
8.15
LIPOVICZ,
LESZEK
(WARSAW,
FEBRUARY
27,1924)
.
166
18
CONTENTS
8.16
MARTON,
RUDOLF
(SARAJEVO,
NOVEMBER
11,1916)
.
166
8.17
MESSERSCHMIDT,
ADOLF
(BERLIN,
MARCH
10,1890)
.
167
8.18
METZGER,
JEREMIAS,
(PRZEMYSL,
JUNE
2,1903)
.
167
8.19
PERL,
LAZAR
(BRATISLAVA,
DECEMBER
6,1919)
.
168
8.20
SCHIFF
LAZAR,
ANNY
(VIENNA,
DECEMBER
17(27),
1921)
.
168
8.21
SONNENFELD,
KURT
(VIENNA,
FEBRUARY
24,
1921)
.
168
8.22
STEINBRECHER,
ELLEN
(BERLIN,
MARCH
17,1924)
.
170
8.23
STEINFELD,
SIGBERT
(BERLIN,
JANUARY
13,
1909)
.
170
8.24
STERNBERG,
LADISLAV
(BRCKO,
JULY
3,1914)
.
173
8.25
THALER,
ISAK
(BOHORODCHANY,
JANUARY
17,1902)
.
175
8.26
WEISS,
BRUNO
(BRCKO,
NOVEMBER
22,1909)
.
177
8.27
ZINS,
BOGDAN
(STANISLAWOW,
NOVEMBER
21,1905)
.
177
CHAPTER
9
IN
RESPONSE
TO
THE
APORIAS
OF
INTERNMENT
CAMPS:
MUSICAL
PRACTICES
AS
CULTURAL
BEHAVIORS
.
181
9.1
MUSIC
AND
INTERNMENT:
COMPARISONS
AND
CONTRASTS
WITH
OTHER
CAMPS
.
181
9.2
MUSICAL
PERFORMANCES
IN
FERRAMONTI:
SPECIFIC
FEATURES
.
186
9.3
BEYOND
MUSIC:
OTHER
CULTURAL
PRACTICES
AND
VISUAL
SOURCES
.
189
9.4
THE
SHOAH
THROUGH
MUSIC
AND
LITERATURE:
AMID
REPRESENTATION
AND
COMMEMORATION
.
190
9.5
EVADING
THE
PARADOXES
OF
THE
AUSCHWITZ
PARADIGM:
AESTHETIC
PERSPECTIVES
ON
MUSIC
IN
CAPTIVITY
.
192
CONTENTS
19
APPENDICES
.
199
BIBLIOGRAPHY
.
211 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Del Zoppo, Silvia 1986- |
| author_GND | (DE-588)1240321155 |
| author_facet | Del Zoppo, Silvia 1986- |
| author_role | aut |
| author_sort | Del Zoppo, Silvia 1986- |
| author_variant | z s d zs zsd |
| building | Verbundindex |
| bvnumber | BV048383586 |
| ctrlnum | (OCoLC)1266252419 (DE-599)DNB1240502060 |
| dewey-full | 780.09405317 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.09405317 |
| dewey-search | 780.09405317 |
| dewey-sort | 3780.09405317 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV048383586 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:19:36Z |
| indexdate | 2024-07-10T09:36:36Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
| isbn | 9783631857335 3631857330 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033762393 |
| oclc_num | 1266252419 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 228 Seiten Illustrationen 22 cm, 372 g |
| psigel | BSB_NED_20220808 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Peter Lang |
| record_format | marc |
| series | Italien in Geschichte und Gegenwart |
| series2 | Italien in Geschichte und Gegenwart |
| spelling | Del Zoppo, Silvia 1986- Verfasser (DE-588)1240321155 aut Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp Silvia Del Zoppo Berlin ; Bern ; Bruxelles Peter Lang [2021] © 2021 228 Seiten Illustrationen 22 cm, 372 g txt rdacontent n rdamedia nc rdacarrier Italien in Geschichte und Gegenwart Band 38 Dissertation Universität Heidelberg 2018 Konzentrationslager Ferramonti (DE-588)4197027-5 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Alltag (DE-588)4001307-8 gnd rswk-swf Behaviors Camp Christian Cultural DP-camp music Fascist camps Ferramonti Holocaust music Holocaust representations Interned musicians Internment Interpreting Italian Jansen Jewish musicians Lageralltag Lagermusik Music Musical Persecuted music Practices Shoah music Silvia Southern Zoppo (DE-588)4113937-9 Hochschulschrift gnd-content Konzentrationslager Ferramonti (DE-588)4197027-5 b Alltag (DE-588)4001307-8 s Kultur (DE-588)4125698-0 s Musizieren (DE-588)4170838-6 s DNB Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-86353-4 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-86354-1 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-86355-8 Italien in Geschichte und Gegenwart Band 38 (DE-604)BV009857942 38 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=d3b5592e51244ca9806f1a8e811f6fed&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/97435?format=HC B:DE-101 application/pdf https://d-nb.info/1240502060/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033762393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20220202 DE-101 https://d-nb.info/provenance/plan#dnb 2\p dnb 20220202 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Del Zoppo, Silvia 1986- Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp Italien in Geschichte und Gegenwart Konzentrationslager Ferramonti (DE-588)4197027-5 gnd Musizieren (DE-588)4170838-6 gnd Kultur (DE-588)4125698-0 gnd Alltag (DE-588)4001307-8 gnd |
| subject_GND | (DE-588)4197027-5 (DE-588)4170838-6 (DE-588)4125698-0 (DE-588)4001307-8 (DE-588)4113937-9 |
| title | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |
| title_auth | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |
| title_exact_search | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |
| title_exact_search_txtP | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |
| title_full | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp Silvia Del Zoppo |
| title_fullStr | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp Silvia Del Zoppo |
| title_full_unstemmed | Ferramonti interpreting cultural behaviors and musical practices in a Southern-Italian internment camp Silvia Del Zoppo |
| title_short | Ferramonti |
| title_sort | ferramonti interpreting cultural behaviors and musical practices in a southern italian internment camp |
| title_sub | interpreting cultural behaviors and musical practices in a Southern-Italian internment camp |
| topic | Konzentrationslager Ferramonti (DE-588)4197027-5 gnd Musizieren (DE-588)4170838-6 gnd Kultur (DE-588)4125698-0 gnd Alltag (DE-588)4001307-8 gnd |
| topic_facet | Konzentrationslager Ferramonti Musizieren Kultur Alltag Hochschulschrift |
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| volume_link | (DE-604)BV009857942 |
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