Sting in the tale: art, hoax, and provocation
"Stealthily occupying the remote corners of history, literature, and art are curious fabrications that straddle the lines between fact, fiction, and wild imagination -- non-existent people and poets, Edgar Allan Poe's hot-air-balloon to the Moon hoax, crypto-scientific objects like fake sk...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Angeles, CA
DoppelHouse Press
2021
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| Schlagworte: | |
| Zusammenfassung: | "Stealthily occupying the remote corners of history, literature, and art are curious fabrications that straddle the lines between fact, fiction, and wild imagination -- non-existent people and poets, Edgar Allan Poe's hot-air-balloon to the Moon hoax, crypto-scientific objects like fake skeletons, psycho-geography, faked inventions, and staged anthropological evidence. From the intriguing Cottingley fairy photographs, "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology and the Codex Seraphinianus, an encyclopedia of an imaginary world, "fictive art" (the author's term) continues to reframe assumptions made by its contemporaneous culture. The shift from the early information age to our "infocalypse" era of rampant misinformation has made this genre of art with a sting in its tale an especially radical form. Cataloging historical projects and those from the late 20th and early 21st century that probe this confusion, LaFarge foregrounds the medium's potential for run-away creativity. At its center, fictive art is secured as fact by creating series of evidentiary objects and by employing the language and display methods of history and science. Using documentary photographs and videos, created historical artifacts and relics, explanatory texts and didactics, lectures, events, and expert opinions in technical language, artists have created constellations of manufactured evidence attesting to their artwork's central narrative. This dissimulation is temporary in most cases, often surprisingly revealed in a self-outing moment; other times, it is found out. With all the attendant consequences of mistrust, outrage, and rejection, what we can learn from fictive art practitioners both past and present bears on the fragile trust that builds societies, and that when broken, brings them to the brink of chaos." -- |
| Beschreibung: | xxiii, 390 Seiten Illustrationen 23 cm |
| ISBN: | 9781733957953 1733957952 |
Internformat
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Datensatz im Suchindex
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| any_adam_object_boolean | |
| author | LaFarge, Antoinette ca. 20. Jh |
| author2 | Cohen, G. D. Paterson, Carrie |
| author2_role | aui edt |
| author2_variant | g d c gd gdc c p cp |
| author_GND | (DE-588)1199374539 |
| author_facet | LaFarge, Antoinette ca. 20. Jh Cohen, G. D. Paterson, Carrie |
| author_role | aut |
| author_sort | LaFarge, Antoinette ca. 20. Jh |
| author_variant | a l al |
| building | Verbundindex |
| bvnumber | BV048380548 |
| ctrlnum | (OCoLC)1344247757 (DE-599)BVBBV048380548 |
| era | Geschichte 1960-2020 gnd |
| era_facet | Geschichte 1960-2020 |
| format | Book |
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| id | DE-604.BV048380548 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:18:38Z |
| indexdate | 2024-07-10T09:36:31Z |
| institution | BVB |
| isbn | 9781733957953 1733957952 |
| language | English |
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| oclc_num | 1344247757 |
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| owner_facet | DE-B170 |
| physical | xxiii, 390 Seiten Illustrationen 23 cm |
| publishDate | 2021 |
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| publisher | DoppelHouse Press |
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| spelling | LaFarge, Antoinette ca. 20. Jh. Verfasser (DE-588)1199374539 aut Sting in the tale art, hoax, and provocation Antoinette LaFarge Los Angeles, CA DoppelHouse Press 2021 xxiii, 390 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier "Stealthily occupying the remote corners of history, literature, and art are curious fabrications that straddle the lines between fact, fiction, and wild imagination -- non-existent people and poets, Edgar Allan Poe's hot-air-balloon to the Moon hoax, crypto-scientific objects like fake skeletons, psycho-geography, faked inventions, and staged anthropological evidence. From the intriguing Cottingley fairy photographs, "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology and the Codex Seraphinianus, an encyclopedia of an imaginary world, "fictive art" (the author's term) continues to reframe assumptions made by its contemporaneous culture. The shift from the early information age to our "infocalypse" era of rampant misinformation has made this genre of art with a sting in its tale an especially radical form. Cataloging historical projects and those from the late 20th and early 21st century that probe this confusion, LaFarge foregrounds the medium's potential for run-away creativity. At its center, fictive art is secured as fact by creating series of evidentiary objects and by employing the language and display methods of history and science. Using documentary photographs and videos, created historical artifacts and relics, explanatory texts and didactics, lectures, events, and expert opinions in technical language, artists have created constellations of manufactured evidence attesting to their artwork's central narrative. This dissimulation is temporary in most cases, often surprisingly revealed in a self-outing moment; other times, it is found out. With all the attendant consequences of mistrust, outrage, and rejection, what we can learn from fictive art practitioners both past and present bears on the fragile trust that builds societies, and that when broken, brings them to the brink of chaos." -- Geschichte 1960-2020 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Conceptual art Arts / Forgeries Mimesis in art Truth Hoaxes Deception Impostors and imposture / History Aesthetics Art / Philosophy Art and society Art conceptuel Arts / Faux Mimêsis Vérité Canulars Tromperie Art / Philosophie Art et société Conceptual mimesis truth Impostors and imposture History Kunst (DE-588)4114333-4 s Fiktion (DE-588)4192723-0 s Geschichte 1960-2020 z DE-604 Cohen, G. D. aui Paterson, Carrie edt |
| spellingShingle | LaFarge, Antoinette ca. 20. Jh Sting in the tale art, hoax, and provocation Fiktion (DE-588)4192723-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4192723-0 (DE-588)4114333-4 |
| title | Sting in the tale art, hoax, and provocation |
| title_auth | Sting in the tale art, hoax, and provocation |
| title_exact_search | Sting in the tale art, hoax, and provocation |
| title_exact_search_txtP | Sting in the tale art, hoax, and provocation |
| title_full | Sting in the tale art, hoax, and provocation Antoinette LaFarge |
| title_fullStr | Sting in the tale art, hoax, and provocation Antoinette LaFarge |
| title_full_unstemmed | Sting in the tale art, hoax, and provocation Antoinette LaFarge |
| title_short | Sting in the tale |
| title_sort | sting in the tale art hoax and provocation |
| title_sub | art, hoax, and provocation |
| topic | Fiktion (DE-588)4192723-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Fiktion Kunst |
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