All for beauty: makeup and hairdressing in Hollywood's studio era
"Ever wonder why so many stars and featured players, male or female, in movies of Hollywood's "Golden Age" look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty, organized as a chronologic...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick ; Camden ; Newark
Rutgers University Press
[2022]
|
| Schriftenreihe: | Techniques of the moving image
|
| Schlagworte: | |
| Zusammenfassung: | "Ever wonder why so many stars and featured players, male or female, in movies of Hollywood's "Golden Age" look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty, organized as a chronological industrial history, examines how and why makeup and hairdressing evolved as crafts designed partly to maintain the white flawlessness of men and women as a value in the studio era. Through what came to be known as beauty makeup in film after film, decade after decade, the crafts and their extensive artistry were used to cue spectators to admire certain characters and to ignore or dismiss others largely based on appearance. All for Beauty pays particular attention to the labor force, exploring the power and influence of cosmetics inventor and manufacturer Max Factor and the Westmore dynasty of makeup artists but also the contributions of others, many of them women, whose names are far less known. At the end of the complex, exciting, and at times dismaying chronicle, it is likely that readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating not just fictional characters but stars as emblems of an idealized and undeniably mesmerizing visual perfection"-- |
| Beschreibung: | vii, 314 Seiten Illustrationen 24 cm |
| ISBN: | 9781978831377 9780813563589 |
Internformat
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| 020 | |a 9780813563589 |c (paperback) |9 978-0-8135-6358-9 | ||
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| 082 | 0 | |a 791.43027 | |
| 100 | 1 | |a McLean, Adrienne L. |d 1967- |e Verfasser |0 (DE-588)1014393310 |4 aut | |
| 245 | 1 | 0 | |a All for beauty |b makeup and hairdressing in Hollywood's studio era |c Adrienne L. McLean |
| 264 | 1 | |a New Brunswick ; Camden ; Newark |b Rutgers University Press |c [2022] | |
| 300 | |a vii, 314 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Techniques of the moving image | |
| 505 | 8 | |a (from table of contents) Introduction: Art and science in the service of loveliness -- Makeup and hairdressing as studio crafts : the silent period -- The classical period : craft identity and the labor force -- The classical period : department practices and the commerce of expertise -- Cosmetics, coiffures, and characterization -- Epilogue: Trophy faces -- Appendix | |
| 520 | 3 | |a "Ever wonder why so many stars and featured players, male or female, in movies of Hollywood's "Golden Age" look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty, organized as a chronological industrial history, examines how and why makeup and hairdressing evolved as crafts designed partly to maintain the white flawlessness of men and women as a value in the studio era. Through what came to be known as beauty makeup in film after film, decade after decade, the crafts and their extensive artistry were used to cue spectators to admire certain characters and to ignore or dismiss others largely based on appearance. All for Beauty pays particular attention to the labor force, exploring the power and influence of cosmetics inventor and manufacturer Max Factor and the Westmore dynasty of makeup artists but also the contributions of others, many of them women, whose names are far less known. At the end of the complex, exciting, and at times dismaying chronicle, it is likely that readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating not just fictional characters but stars as emblems of an idealized and undeniably mesmerizing visual perfection"-- | |
| 653 | 0 | |a Film makeup | |
| 653 | 0 | |a Film hairstyling | |
| 653 | 0 | |a Makeup artists / California / Los Angeles / Biography | |
| 653 | 0 | |a Beauty operators / California / Los Angeles / Biography | |
| 653 | 0 | |a Motion pictures / Production and direction / California / Los Angeles / History / 20th century | |
| 653 | 0 | |a Motion pictures / California / Los Angeles / History | |
| 653 | 0 | |a Maquillage (Cinéma) | |
| 653 | 0 | |a Cinéma / Production et réalisation / Californie / Los Angeles / Histoire / 20e siècle | |
| 653 | 0 | |a Cinéma / Californie / Los Angeles / Histoire | |
| 653 | 0 | |a Beauty operators | |
| 653 | 0 | |a Film hairstyling | |
| 653 | 0 | |a Film makeup | |
| 653 | 0 | |a Makeup artists | |
| 653 | 0 | |a Motion pictures | |
| 653 | 0 | |a Motion pictures / Production and direction | |
| 653 | 2 | |a California / Los Angeles | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a Biographies | |
| 653 | 6 | |a History | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-0-8135-6360-2 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-8135-7519-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, MOBI |z 9781978807990 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033754801 | ||
Datensatz im Suchindex
| _version_ | 1804184253364174848 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | McLean, Adrienne L. 1967- |
| author_GND | (DE-588)1014393310 |
| author_facet | McLean, Adrienne L. 1967- |
| author_role | aut |
| author_sort | McLean, Adrienne L. 1967- |
| author_variant | a l m al alm |
| building | Verbundindex |
| bvnumber | BV048375852 |
| contents | (from table of contents) Introduction: Art and science in the service of loveliness -- Makeup and hairdressing as studio crafts : the silent period -- The classical period : craft identity and the labor force -- The classical period : department practices and the commerce of expertise -- Cosmetics, coiffures, and characterization -- Epilogue: Trophy faces -- Appendix |
| ctrlnum | (OCoLC)1347218229 (DE-599)BVBBV048375852 |
| dewey-full | 791.43027 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43027 |
| dewey-search | 791.43027 |
| dewey-sort | 3791.43027 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| id | DE-604.BV048375852 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:17:14Z |
| indexdate | 2024-07-10T09:36:24Z |
| institution | BVB |
| isbn | 9781978831377 9780813563589 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033754801 |
| oclc_num | 1347218229 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | vii, 314 Seiten Illustrationen 24 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Rutgers University Press |
| record_format | marc |
| series2 | Techniques of the moving image |
| spelling | McLean, Adrienne L. 1967- Verfasser (DE-588)1014393310 aut All for beauty makeup and hairdressing in Hollywood's studio era Adrienne L. McLean New Brunswick ; Camden ; Newark Rutgers University Press [2022] vii, 314 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Techniques of the moving image (from table of contents) Introduction: Art and science in the service of loveliness -- Makeup and hairdressing as studio crafts : the silent period -- The classical period : craft identity and the labor force -- The classical period : department practices and the commerce of expertise -- Cosmetics, coiffures, and characterization -- Epilogue: Trophy faces -- Appendix "Ever wonder why so many stars and featured players, male or female, in movies of Hollywood's "Golden Age" look like they just stepped out of a beauty parlor even if the story places them in a jungle, a hospital bed, or the ancient past? All for Beauty, organized as a chronological industrial history, examines how and why makeup and hairdressing evolved as crafts designed partly to maintain the white flawlessness of men and women as a value in the studio era. Through what came to be known as beauty makeup in film after film, decade after decade, the crafts and their extensive artistry were used to cue spectators to admire certain characters and to ignore or dismiss others largely based on appearance. All for Beauty pays particular attention to the labor force, exploring the power and influence of cosmetics inventor and manufacturer Max Factor and the Westmore dynasty of makeup artists but also the contributions of others, many of them women, whose names are far less known. At the end of the complex, exciting, and at times dismaying chronicle, it is likely that readers will never again watch Hollywood films without thinking about the roles of makeup and hairdressing in creating not just fictional characters but stars as emblems of an idealized and undeniably mesmerizing visual perfection"-- Film makeup Film hairstyling Makeup artists / California / Los Angeles / Biography Beauty operators / California / Los Angeles / Biography Motion pictures / Production and direction / California / Los Angeles / History / 20th century Motion pictures / California / Los Angeles / History Maquillage (Cinéma) Cinéma / Production et réalisation / Californie / Los Angeles / Histoire / 20e siècle Cinéma / Californie / Los Angeles / Histoire Beauty operators Makeup artists Motion pictures Motion pictures / Production and direction California / Los Angeles 1900-1999 Biographies History Erscheint auch als Online-Ausgabe, PDF 978-0-8135-6360-2 Erscheint auch als Online-Ausgabe, EPUB 978-0-8135-7519-3 Erscheint auch als Online-Ausgabe, MOBI 9781978807990 |
| spellingShingle | McLean, Adrienne L. 1967- All for beauty makeup and hairdressing in Hollywood's studio era (from table of contents) Introduction: Art and science in the service of loveliness -- Makeup and hairdressing as studio crafts : the silent period -- The classical period : craft identity and the labor force -- The classical period : department practices and the commerce of expertise -- Cosmetics, coiffures, and characterization -- Epilogue: Trophy faces -- Appendix |
| title | All for beauty makeup and hairdressing in Hollywood's studio era |
| title_auth | All for beauty makeup and hairdressing in Hollywood's studio era |
| title_exact_search | All for beauty makeup and hairdressing in Hollywood's studio era |
| title_exact_search_txtP | All for beauty makeup and hairdressing in Hollywood's studio era |
| title_full | All for beauty makeup and hairdressing in Hollywood's studio era Adrienne L. McLean |
| title_fullStr | All for beauty makeup and hairdressing in Hollywood's studio era Adrienne L. McLean |
| title_full_unstemmed | All for beauty makeup and hairdressing in Hollywood's studio era Adrienne L. McLean |
| title_short | All for beauty |
| title_sort | all for beauty makeup and hairdressing in hollywood s studio era |
| title_sub | makeup and hairdressing in Hollywood's studio era |
| work_keys_str_mv | AT mcleanadriennel allforbeautymakeupandhairdressinginhollywoodsstudioera |