Ulla Wiggen:
In the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances 9 Evenings...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Stockholm
Art and Theory Publishing
[2022]
|
| Schlagworte: | |
| Zusammenfassung: | In the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances 9 Evenings: Theatre & Engineering in New York assisting Öyvind Fahlström, whose radical view of art was of great importance to her. In 1969 she started painting humans and then made a series of portraits. She also became a licensed psychotherapist, which became her primary vocation until 2013 when she after an exhibition with her previous paintings at the Moderna Museet decided to resumed her artistry after 30 years break. Since then, her focus on the computer's interior and the human exterior has shifted to the inside of the human body and increasingly focused on the brain and iris of the eye |
| Beschreibung: | 107 Seiten |
| ISBN: | 9789198672060 9198672061 |
Internformat
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| 520 | 3 | |a In the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances 9 Evenings: Theatre & Engineering in New York assisting Öyvind Fahlström, whose radical view of art was of great importance to her. In 1969 she started painting humans and then made a series of portraits. She also became a licensed psychotherapist, which became her primary vocation until 2013 when she after an exhibition with her previous paintings at the Moderna Museet decided to resumed her artistry after 30 years break. Since then, her focus on the computer's interior and the human exterior has shifted to the inside of the human body and increasingly focused on the brain and iris of the eye | |
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| 700 | 1 | |a Considine, Caleb |d 1982- |0 (DE-588)1203573626 |4 wst | |
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Datensatz im Suchindex
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1969-2021 gnd |
| era_facet | Geschichte 1969-2021 |
| format | Book |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:16:48Z |
| indexdate | 2024-09-23T20:24:25Z |
| institution | BVB |
| isbn | 9789198672060 9198672061 |
| language | English |
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| physical | 107 Seiten |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Art and Theory Publishing |
| record_format | marc |
| spelling | Wiggen, Ulla 1942- (DE-588)1168269946 art Ulla Wiggen texts: Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, Caleb Considine Stockholm Art and Theory Publishing [2022] 107 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier In the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances 9 Evenings: Theatre & Engineering in New York assisting Öyvind Fahlström, whose radical view of art was of great importance to her. In 1969 she started painting humans and then made a series of portraits. She also became a licensed psychotherapist, which became her primary vocation until 2013 when she after an exhibition with her previous paintings at the Moderna Museet decided to resumed her artistry after 30 years break. Since then, her focus on the computer's interior and the human exterior has shifted to the inside of the human body and increasingly focused on the brain and iris of the eye Text englisch Wiggen, Ulla 1942- (DE-588)1168269946 gnd rswk-swf Geschichte 1969-2021 gnd rswk-swf Acrylmalerei (DE-588)4132048-7 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Wiggen, Ulla 1942- (DE-588)1168269946 p Acrylmalerei (DE-588)4132048-7 s Geschichte 1969-2021 z DE-604 Birnbaum, Daniel 1963- (DE-588)12150011X wst Cornell, Peter 1942- (DE-588)1076829651 wst Buchmann, Sabeth 1962- (DE-588)129762180 wst Considine, Caleb 1982- (DE-588)1203573626 wst |
| spellingShingle | Ulla Wiggen Wiggen, Ulla 1942- (DE-588)1168269946 gnd Acrylmalerei (DE-588)4132048-7 gnd |
| subject_GND | (DE-588)1168269946 (DE-588)4132048-7 (DE-588)4145395-5 |
| title | Ulla Wiggen |
| title_auth | Ulla Wiggen |
| title_exact_search | Ulla Wiggen |
| title_exact_search_txtP | Ulla Wiggen |
| title_full | Ulla Wiggen texts: Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, Caleb Considine |
| title_fullStr | Ulla Wiggen texts: Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, Caleb Considine |
| title_full_unstemmed | Ulla Wiggen texts: Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, Caleb Considine |
| title_short | Ulla Wiggen |
| title_sort | ulla wiggen |
| topic | Wiggen, Ulla 1942- (DE-588)1168269946 gnd Acrylmalerei (DE-588)4132048-7 gnd |
| topic_facet | Wiggen, Ulla 1942- Acrylmalerei Bildband |
| work_keys_str_mv | AT wiggenulla ullawiggen AT birnbaumdaniel ullawiggen AT cornellpeter ullawiggen AT buchmannsabeth ullawiggen AT considinecaleb ullawiggen |