World's end:
Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long be...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Goldsmiths
2022
|
Schriftenreihe: | Spatial politics
|
Schlagworte: | |
Zusammenfassung: | Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called ?Bomb Culture,? formed by the threat of nuclear annihilation.0The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end |
Beschreibung: | 193 Seiten 21 cm |
ISBN: | 9781913380007 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048365923 | ||
003 | DE-604 | ||
005 | 20220831 | ||
007 | t | ||
008 | 220718s2022 b||| 00||| eng d | ||
020 | |a 9781913380007 |c hardback |9 978-1-913380-00-7 | ||
035 | |a (OCoLC)1344237455 | ||
035 | |a (DE-599)BVBBV048365923 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Gere, Charlie |e Verfasser |0 (DE-588)1028556985 |4 aut | |
245 | 1 | 0 | |a World's end |c Charlie Gere |
264 | 1 | |a London |b Goldsmiths |c 2022 | |
300 | |a 193 Seiten |c 21 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Spatial politics | |
520 | 3 | |a Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called ?Bomb Culture,? formed by the threat of nuclear annihilation.0The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end | |
648 | 7 | |a Sozialgeschichte |2 gnd |9 rswk-swf | |
651 | 7 | |a London |z West |0 (DE-588)4556554-5 |2 gnd |9 rswk-swf | |
653 | 1 | |a Gere, Charlie / https://isni.org/isni/0000000039498599 | |
653 | 2 | |a Worlds End (London, England) / History / 20th century | |
653 | 2 | |a Worlds End (London, England) / Social life and customs | |
653 | 0 | |a Manners and customs | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a History | |
689 | 0 | 0 | |a London |z West |0 (DE-588)4556554-5 |D g |
689 | 0 | 1 | |a Sozialgeschichte |A z |
689 | 0 | |5 DE-604 | |
940 | 1 | |q BSB_NED_20220831 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033745046 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 41 |
Datensatz im Suchindex
_version_ | 1804184236108808192 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Gere, Charlie |
author_GND | (DE-588)1028556985 |
author_facet | Gere, Charlie |
author_role | aut |
author_sort | Gere, Charlie |
author_variant | c g cg |
building | Verbundindex |
bvnumber | BV048365923 |
ctrlnum | (OCoLC)1344237455 (DE-599)BVBBV048365923 |
era | Sozialgeschichte gnd |
era_facet | Sozialgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02721nam a2200433 c 4500</leader><controlfield tag="001">BV048365923</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220831 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220718s2022 b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781913380007</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-913380-00-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344237455</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048365923</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gere, Charlie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1028556985</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">World's end</subfield><subfield code="c">Charlie Gere</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Goldsmiths</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">193 Seiten</subfield><subfield code="c">21 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Spatial politics</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called ?Bomb Culture,? formed by the threat of nuclear annihilation.0The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Sozialgeschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">London</subfield><subfield code="z">West</subfield><subfield code="0">(DE-588)4556554-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Gere, Charlie / https://isni.org/isni/0000000039498599</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Worlds End (London, England) / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Worlds End (London, England) / Social life and customs</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Manners and customs</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">London</subfield><subfield code="z">West</subfield><subfield code="0">(DE-588)4556554-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sozialgeschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220831</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033745046</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">41</subfield></datafield></record></collection> |
geographic | London West (DE-588)4556554-5 gnd |
geographic_facet | London West |
id | DE-604.BV048365923 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:15:27Z |
indexdate | 2024-07-10T09:36:08Z |
institution | BVB |
isbn | 9781913380007 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033745046 |
oclc_num | 1344237455 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 193 Seiten 21 cm |
psigel | BSB_NED_20220831 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Goldsmiths |
record_format | marc |
series2 | Spatial politics |
spelling | Gere, Charlie Verfasser (DE-588)1028556985 aut World's end Charlie Gere London Goldsmiths 2022 193 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier Spatial politics Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called ?Bomb Culture,? formed by the threat of nuclear annihilation.0The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end Sozialgeschichte gnd rswk-swf London West (DE-588)4556554-5 gnd rswk-swf Gere, Charlie / https://isni.org/isni/0000000039498599 Worlds End (London, England) / History / 20th century Worlds End (London, England) / Social life and customs Manners and customs 1900-1999 History London West (DE-588)4556554-5 g Sozialgeschichte z DE-604 |
spellingShingle | Gere, Charlie World's end |
subject_GND | (DE-588)4556554-5 |
title | World's end |
title_auth | World's end |
title_exact_search | World's end |
title_exact_search_txtP | World's end |
title_full | World's end Charlie Gere |
title_fullStr | World's end Charlie Gere |
title_full_unstemmed | World's end Charlie Gere |
title_short | World's end |
title_sort | world s end |
topic_facet | London West |
work_keys_str_mv | AT gerecharlie worldsend |