Post-TV: Piracy, Cord-Cutting, and the Future of Television
In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have "cut the cord," abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have "cut the cord," abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences.In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment.A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (360 pages) |
| ISBN: | 9781442666184 |
| DOI: | 10.3138/9781442666184 |
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| spelling | Strangelove, Michael Verfasser aut Post-TV Piracy, Cord-Cutting, and the Future of Television Michael Strangelove Toronto University of Toronto Press [2018] © 2015 1 online resource (360 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) In the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have "cut the cord," abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences.In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment.A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want In English BUSINESS & ECONOMICS / E-Commerce / General (see also COMPUTERS / Electronic Commerce) bisacsh Internet Social aspects Television viewers Effect of technological innovations on Television Social aspects https://doi.org/10.3138/9781442666184 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Strangelove, Michael Post-TV Piracy, Cord-Cutting, and the Future of Television BUSINESS & ECONOMICS / E-Commerce / General (see also COMPUTERS / Electronic Commerce) bisacsh Internet Social aspects Television viewers Effect of technological innovations on Television Social aspects |
| title | Post-TV Piracy, Cord-Cutting, and the Future of Television |
| title_auth | Post-TV Piracy, Cord-Cutting, and the Future of Television |
| title_exact_search | Post-TV Piracy, Cord-Cutting, and the Future of Television |
| title_exact_search_txtP | Post-TV Piracy, Cord-Cutting, and the Future of Television |
| title_full | Post-TV Piracy, Cord-Cutting, and the Future of Television Michael Strangelove |
| title_fullStr | Post-TV Piracy, Cord-Cutting, and the Future of Television Michael Strangelove |
| title_full_unstemmed | Post-TV Piracy, Cord-Cutting, and the Future of Television Michael Strangelove |
| title_short | Post-TV |
| title_sort | post tv piracy cord cutting and the future of television |
| title_sub | Piracy, Cord-Cutting, and the Future of Television |
| topic | BUSINESS & ECONOMICS / E-Commerce / General (see also COMPUTERS / Electronic Commerce) bisacsh Internet Social aspects Television viewers Effect of technological innovations on Television Social aspects |
| topic_facet | BUSINESS & ECONOMICS / E-Commerce / General (see also COMPUTERS / Electronic Commerce) Internet Social aspects Television viewers Effect of technological innovations on Television Social aspects |
| url | https://doi.org/10.3138/9781442666184 |
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