Just around Midnight: Rock and Roll and the Racial Imagination
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnigh...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 Volltext |
| Zusammenfassung: | By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (320 pages) 3 halftones, 5 music illustrations |
| ISBN: | 9780674973541 |
| DOI: | 10.4159/9780674973541 |
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| spelling | Hamilton, Jack Verfasser aut Just around Midnight Rock and Roll and the Racial Imagination Jack Hamilton Cambridge, MA Harvard University Press [2017] © 2016 1 online resource (320 pages) 3 halftones, 5 music illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive In English MUSIC / History & Criticism bisacsh African American rock musicians Music and race Great Britain History 20th century Music and race United States History 20th century Rock music Social aspects Rock music 1961-1970 History and criticism https://doi.org/10.4159/9780674973541 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hamilton, Jack Just around Midnight Rock and Roll and the Racial Imagination MUSIC / History & Criticism bisacsh African American rock musicians Music and race Great Britain History 20th century Music and race United States History 20th century Rock music Social aspects Rock music 1961-1970 History and criticism |
| title | Just around Midnight Rock and Roll and the Racial Imagination |
| title_auth | Just around Midnight Rock and Roll and the Racial Imagination |
| title_exact_search | Just around Midnight Rock and Roll and the Racial Imagination |
| title_exact_search_txtP | Just around Midnight Rock and Roll and the Racial Imagination |
| title_full | Just around Midnight Rock and Roll and the Racial Imagination Jack Hamilton |
| title_fullStr | Just around Midnight Rock and Roll and the Racial Imagination Jack Hamilton |
| title_full_unstemmed | Just around Midnight Rock and Roll and the Racial Imagination Jack Hamilton |
| title_short | Just around Midnight |
| title_sort | just around midnight rock and roll and the racial imagination |
| title_sub | Rock and Roll and the Racial Imagination |
| topic | MUSIC / History & Criticism bisacsh African American rock musicians Music and race Great Britain History 20th century Music and race United States History 20th century Rock music Social aspects Rock music 1961-1970 History and criticism |
| topic_facet | MUSIC / History & Criticism African American rock musicians Music and race Great Britain History 20th century Music and race United States History 20th century Rock music Social aspects Rock music 1961-1970 History and criticism |
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