Cinematic abstraction as a means of conveying ideological messages in The Man with the movie camera:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
1992
|
| Beschreibung: | Part one. From Potemkin to the Elbe |
| ISBN: | 0-415-07818-0 |
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Datensatz im Suchindex
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| spelling | Petrić, Vlada 1928-2010 (DE-588)172306124 aut Cinematic abstraction as a means of conveying ideological messages in The Man with the movie camera Vlada Petric 1992 txt rdacontent n rdamedia nc rdacarrier Part one. From Potemkin to the Elbe pages:90-112 The red screen / ed. by Anna Lawton 1. publ. London u.a., 1992 Seite 90-112 (DE-604)BV006703574 0-415-07818-0 |
| spellingShingle | Petrić, Vlada 1928-2010 Cinematic abstraction as a means of conveying ideological messages in The Man with the movie camera |
| title | Cinematic abstraction as a means of conveying ideological messages in The Man with the movie camera |
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