The Time of the Image: A Philosophical Exploration of the Image in the Work of Bernard Stiegler
The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuz...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Köln
Herbert von Halem Verlag
2020
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| Ausgabe: | 1st ed |
| Schriftenreihe: | Klagenfurter Beiträge zur Visuellen Kultur
9 |
| Schlagworte: | |
| Online-Zugang: | DE-B1533 DE-860 DE-859 Volltext |
| Zusammenfassung: | The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuzzy aggregates that gives rise to imitations as both artistic and political force of resistance and as a new image of thought. This thesis is a philosophical exploration of the image as technics of access to the world in the age of the proliferation. It poses the question of the understanding of the role of the image in the constitution of the subject. How does the proliferation of the image constitute the subject? The question emerges in the situation of the endless proliferation of images that poses this necessity of the distinction between images used in art and images circulated in the culture industry. The line of the argument emerges from the condition of the image being connected to time: they are temporal objects. The crucial relationship between the image and time provides the possibility for the constitution of the subject. This relationship is recorded in images as the ›recorded memory‹. Images are remnants of time and any constitution is the imitation of what is left out as ›a missing dimension of time‹. As a blend of philosophy, cultural theory, and contemporary art this book is based on the reading of Bernard Stiegler's notion that ›technics precedes thought‹, the human is the product of technics, which leaves the formation (trans-individuation) as an open process. It also involves the re-reading of Husserl's understanding of memory, the question of ›derushage‹ (the first assembly in the process of montage) and the new mimesis. Case studies of Harun Farocki's project entitled Workers Leaving the Factory and Chris Marker's film La Jetée are included to sustain the argument that in the hyper-real world of globalisation imitation became the main force of ›acting out‹ |
| Beschreibung: | [1. Auflage]. - Online resource; title from title screen (viewed December 28, 2021) |
| Beschreibung: | 1 Online-Ressource (216 Seiten) 1 ill |
| ISBN: | 9783869625188 |
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| 520 | 3 | |a The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuzzy aggregates that gives rise to imitations as both artistic and political force of resistance and as a new image of thought. This thesis is a philosophical exploration of the image as technics of access to the world in the age of the proliferation. It poses the question of the understanding of the role of the image in the constitution of the subject. How does the proliferation of the image constitute the subject? The question emerges in the situation of the endless proliferation of images that poses this necessity of the distinction between images used in art and images circulated in the culture industry. | |
| 520 | 3 | |a The line of the argument emerges from the condition of the image being connected to time: they are temporal objects. The crucial relationship between the image and time provides the possibility for the constitution of the subject. This relationship is recorded in images as the ›recorded memory‹. Images are remnants of time and any constitution is the imitation of what is left out as ›a missing dimension of time‹. As a blend of philosophy, cultural theory, and contemporary art this book is based on the reading of Bernard Stiegler's notion that ›technics precedes thought‹, the human is the product of technics, which leaves the formation (trans-individuation) as an open process. It also involves the re-reading of Husserl's understanding of memory, the question of ›derushage‹ (the first assembly in the process of montage) and the new mimesis. | |
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| spelling | Azizov, Zeigam Verfasser aut The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler Zeigam Azizov 1st ed Köln Herbert von Halem Verlag 2020 1 Online-Ressource (216 Seiten) 1 ill txt rdacontent c rdamedia cr rdacarrier Klagenfurter Beiträge zur Visuellen Kultur 9 [1. Auflage]. - Online resource; title from title screen (viewed December 28, 2021) The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuzzy aggregates that gives rise to imitations as both artistic and political force of resistance and as a new image of thought. This thesis is a philosophical exploration of the image as technics of access to the world in the age of the proliferation. It poses the question of the understanding of the role of the image in the constitution of the subject. How does the proliferation of the image constitute the subject? The question emerges in the situation of the endless proliferation of images that poses this necessity of the distinction between images used in art and images circulated in the culture industry. The line of the argument emerges from the condition of the image being connected to time: they are temporal objects. The crucial relationship between the image and time provides the possibility for the constitution of the subject. This relationship is recorded in images as the ›recorded memory‹. Images are remnants of time and any constitution is the imitation of what is left out as ›a missing dimension of time‹. As a blend of philosophy, cultural theory, and contemporary art this book is based on the reading of Bernard Stiegler's notion that ›technics precedes thought‹, the human is the product of technics, which leaves the formation (trans-individuation) as an open process. It also involves the re-reading of Husserl's understanding of memory, the question of ›derushage‹ (the first assembly in the process of montage) and the new mimesis. Case studies of Harun Farocki's project entitled Workers Leaving the Factory and Chris Marker's film La Jetée are included to sustain the argument that in the hyper-real world of globalisation imitation became the main force of ›acting out‹ Stiegler, Bernard 1952-2020 (DE-588)132269414 gnd rswk-swf Image Bernard Stiegler Philosophy Zeit (DE-588)4067461-7 gnd rswk-swf Bildtheorie (DE-588)7731060-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Stiegler, Bernard 1952-2020 (DE-588)132269414 p Bildtheorie (DE-588)7731060-3 s Zeit (DE-588)4067461-7 s DE-604 Erscheint auch als Druck-Ausgabe 9783869625164 https://elibrary.utb.de/doi/book/10.1453/9783869625188 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Azizov, Zeigam The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler Stiegler, Bernard 1952-2020 (DE-588)132269414 gnd Image Bernard Stiegler Philosophy Zeit (DE-588)4067461-7 gnd Bildtheorie (DE-588)7731060-3 gnd |
| subject_GND | (DE-588)132269414 (DE-588)4067461-7 (DE-588)7731060-3 (DE-588)4113937-9 |
| title | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler |
| title_auth | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler |
| title_exact_search | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler |
| title_exact_search_txtP | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler |
| title_full | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler Zeigam Azizov |
| title_fullStr | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler Zeigam Azizov |
| title_full_unstemmed | The Time of the Image A Philosophical Exploration of the Image in the Work of Bernard Stiegler Zeigam Azizov |
| title_short | The Time of the Image |
| title_sort | the time of the image a philosophical exploration of the image in the work of bernard stiegler |
| title_sub | A Philosophical Exploration of the Image in the Work of Bernard Stiegler |
| topic | Stiegler, Bernard 1952-2020 (DE-588)132269414 gnd Image Bernard Stiegler Philosophy Zeit (DE-588)4067461-7 gnd Bildtheorie (DE-588)7731060-3 gnd |
| topic_facet | Stiegler, Bernard 1952-2020 Image Bernard Stiegler Philosophy Zeit Bildtheorie Hochschulschrift |
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