Aaron Copland's Hollywood film scores:
One of the most influential and beloved American composers, Aaron Copland played a critical role in shaping what is often recognized as the "American sound." He is best known for achieving this through his works for the concert hall and ballet. Yet his film scores, though less familiar now...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Rochester, NY
University of Rochester Press
2020
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Schriftenreihe: | Eastman studies in music
169 |
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | One of the most influential and beloved American composers, Aaron Copland played a critical role in shaping what is often recognized as the "American sound." He is best known for achieving this through his works for the concert hall and ballet. Yet his film scores, though less familiar nowadays, were equally influential. Between 1939 and 1949, Copland composed the music for five major Hollywood films: Lewis Milestone's Of Mice and Men (1939), Sam Wood's Our Town (1940), Lewis Milestone's The North Star (1943) and The Red Pony (1949), and William Wyler's The Heiress (1949). These were high-prestige projects, based on literary works by such respected figures as Henry James, Lillian Hellman, and John Steinbeck. Using the film medium to introduce the moviegoing public to modern musical styles, Copland challenged Hollywood's traditional uses of music in film. His innovative approaches enhanced important national themes running through these films while also contributing to Hollywood's transformation as the Great Depression gave way to wartime tribulation and, eventually, postwar prosperity and Red Scare paranoia. Aaron Copland's Hollywood Film Scores explores Copland's scores, interviews, and lectures, tracing his legacy and lasting influence on Hollywood's sound |
Beschreibung: | Setting the Standard: Hollywood's Studio System -- Breaking with Tradition: Copland's Theories on Film Music -- Scoring Morality: Of Mice and Men (1939) -- Keeping It Simple: Our Town (1940) -- "Doing His Bit": The North Star (1943) -- Sophisticated Simplicity: The Red Pony (1949) -- Silence and Sound: The Heiress (1949) -- Hearing the Shift: Copland's Lasting Impact on Hollywood |
Beschreibung: | 1 Online-Ressource (201 Seiten) |
ISBN: | 9781787449121 |
DOI: | 10.1017/9781787449121 |
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index_date | 2024-07-03T20:13:49Z |
indexdate | 2024-07-10T09:35:50Z |
institution | BVB |
isbn | 9781787449121 |
language | English |
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publisher | University of Rochester Press |
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series2 | Eastman studies in music 169 |
spelling | Musegades, Paula ca. 20./21. Jh. (DE-588)1042491402 aut Aaron Copland's Hollywood film scores Paula Musegades Rochester, NY University of Rochester Press 2020 1 Online-Ressource (201 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music 169 Setting the Standard: Hollywood's Studio System -- Breaking with Tradition: Copland's Theories on Film Music -- Scoring Morality: Of Mice and Men (1939) -- Keeping It Simple: Our Town (1940) -- "Doing His Bit": The North Star (1943) -- Sophisticated Simplicity: The Red Pony (1949) -- Silence and Sound: The Heiress (1949) -- Hearing the Shift: Copland's Lasting Impact on Hollywood One of the most influential and beloved American composers, Aaron Copland played a critical role in shaping what is often recognized as the "American sound." He is best known for achieving this through his works for the concert hall and ballet. Yet his film scores, though less familiar nowadays, were equally influential. Between 1939 and 1949, Copland composed the music for five major Hollywood films: Lewis Milestone's Of Mice and Men (1939), Sam Wood's Our Town (1940), Lewis Milestone's The North Star (1943) and The Red Pony (1949), and William Wyler's The Heiress (1949). These were high-prestige projects, based on literary works by such respected figures as Henry James, Lillian Hellman, and John Steinbeck. Using the film medium to introduce the moviegoing public to modern musical styles, Copland challenged Hollywood's traditional uses of music in film. His innovative approaches enhanced important national themes running through these films while also contributing to Hollywood's transformation as the Great Depression gave way to wartime tribulation and, eventually, postwar prosperity and Red Scare paranoia. Aaron Copland's Hollywood Film Scores explores Copland's scores, interviews, and lectures, tracing his legacy and lasting influence on Hollywood's sound Copland, Aaron / 1900-1990 / Motion picture music Copland, Aaron 1900-1990 (DE-588)118986481 gnd rswk-swf Geschichte 1939-1949 gnd rswk-swf Motion picture music / United States / 20th century / History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Copland, Aaron 1900-1990 (DE-588)118986481 p Filmmusik (DE-588)4017129-2 s Geschichte 1939-1949 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-991-3 https://doi.org/10.1017/9781787449121 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Musegades, Paula ca. 20./21. Jh Aaron Copland's Hollywood film scores Copland, Aaron / 1900-1990 / Motion picture music Copland, Aaron 1900-1990 (DE-588)118986481 gnd Motion picture music / United States / 20th century / History and criticism Filmmusik (DE-588)4017129-2 gnd |
subject_GND | (DE-588)118986481 (DE-588)4017129-2 |
title | Aaron Copland's Hollywood film scores |
title_auth | Aaron Copland's Hollywood film scores |
title_exact_search | Aaron Copland's Hollywood film scores |
title_exact_search_txtP | Aaron Copland's Hollywood film scores |
title_full | Aaron Copland's Hollywood film scores Paula Musegades |
title_fullStr | Aaron Copland's Hollywood film scores Paula Musegades |
title_full_unstemmed | Aaron Copland's Hollywood film scores Paula Musegades |
title_short | Aaron Copland's Hollywood film scores |
title_sort | aaron copland s hollywood film scores |
topic | Copland, Aaron / 1900-1990 / Motion picture music Copland, Aaron 1900-1990 (DE-588)118986481 gnd Motion picture music / United States / 20th century / History and criticism Filmmusik (DE-588)4017129-2 gnd |
topic_facet | Copland, Aaron / 1900-1990 / Motion picture music Copland, Aaron 1900-1990 Motion picture music / United States / 20th century / History and criticism Filmmusik |
url | https://doi.org/10.1017/9781787449121 |
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