Politics and truth in Hölderlin: Hyperion and the choreographic project of modernity
While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, New York
Camden House
2021
|
| Schriftenreihe: | Studies in German literature, linguistics, and culture
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBW01 Volltext |
| Zusammenfassung: | While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance |
| Beschreibung: | 1 Online-Ressource (xi, 321 Seiten) |
| ISBN: | 9781800102149 |
| DOI: | 10.1017/9781800102149 |
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| 520 | |a While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance | ||
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| isbn | 9781800102149 |
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| spelling | Adler, Anthony Curtis 1972- (DE-588)1230435603 aut Politics and truth in Hölderlin Hyperion and the choreographic project of modernity Anthony Curtis Adler Rochester, New York Camden House 2021 1 Online-Ressource (xi, 321 Seiten) txt rdacontent c rdamedia cr rdacarrier Studies in German literature, linguistics, and culture While few would question the importance of Friedrich Hölderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hölderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hölderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hölderlin, anticipates forms of political life that have only been obscurely glimpsed; rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance Hölderlin, Friedrich / 1770-1843 / Hyperion Hölderlin, Friedrich 1770-1843 Hyperion (DE-588)4099236-6 gnd rswk-swf Hölderlin, Friedrich 1770-1843 Hyperion (DE-588)4099236-6 u DE-604 Erscheint auch als Druck-Ausgabe 978-1-64014-106-3 https://doi.org/10.1017/9781800102149 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Adler, Anthony Curtis 1972- Politics and truth in Hölderlin Hyperion and the choreographic project of modernity Hölderlin, Friedrich / 1770-1843 / Hyperion Hölderlin, Friedrich 1770-1843 Hyperion (DE-588)4099236-6 gnd |
| subject_GND | (DE-588)4099236-6 |
| title | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity |
| title_auth | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity |
| title_exact_search | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity |
| title_exact_search_txtP | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity |
| title_full | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity Anthony Curtis Adler |
| title_fullStr | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity Anthony Curtis Adler |
| title_full_unstemmed | Politics and truth in Hölderlin Hyperion and the choreographic project of modernity Anthony Curtis Adler |
| title_short | Politics and truth in Hölderlin |
| title_sort | politics and truth in holderlin hyperion and the choreographic project of modernity |
| title_sub | Hyperion and the choreographic project of modernity |
| topic | Hölderlin, Friedrich / 1770-1843 / Hyperion Hölderlin, Friedrich 1770-1843 Hyperion (DE-588)4099236-6 gnd |
| topic_facet | Hölderlin, Friedrich / 1770-1843 / Hyperion Hölderlin, Friedrich 1770-1843 Hyperion |
| url | https://doi.org/10.1017/9781800102149 |
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