Clementi and the woman at the piano: virtuosity and the marketing of music in eighteenth-century London
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
[2022]
|
| Schriftenreihe: | Oxford University studies in the Enlightenment
2022:06 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xx, 313 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781800856257 |
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Datensatz im Suchindex
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| adam_text | Contents List of musical examples xi List of tables xiii List of figures XV Preface Chapter 1: Clementiand the Enlightenment xvii 1 Introduction 1 Clementi’s interests 6 Clementi as “Beethoven’s skeleton” 13 Clementi and the work-concept 19 Discussing eighteenth-century virtuosity 23 Chapter 2: Mozart’s insult and the irritations of virtuosity 31 Post-Enlightenment responses to difficulty 31 Reconsidering Mozart on Clementi 35 “Virtuosity” versus “difficulty” 54 Cultural and rhetorical responses to difficult music 59 Charlatans and virtuosi: “Est-ce ironie, ou vérité?” 66 Chapter 3: Keyboard performance and gender in eighteenth-century London 73 Introduction 73 Women (and men) at the keyboard in eighteenth-century England: an overview 75 vii
Contents viii Reading regulatory texts: ideologies of behavior gø “Perpetual babyism”: compulsory passivity at the keyboard 94 Resistance, doubt, and the anxiety of performance 103 Conduct books reflect a changing ideology: 1740 -1840 109 The reading woman, the performing woman: “misreading” and “misplaying” 112 Chapter 4: Clementi’s “Black joke” П9 The “Black joke” and bawdiness П9 A crude in-joke? 131 Radical pianism? 132 Before Clementi’s Op. 2 136 After Clementi’s Op. 2 141 Chapter 5: Male theoria and female praxis 151 Introduction 151 An overview of English keyboard culture in the late 1770s 155 Male theoria, female praxis, and the accompanied sonata 168 Difficult music and the male gaze 172 Clementi and counterpoint 183 Novelty and shame in post-Op. 2 keyboard culture 190 Chapter 6: Clementi in the marketplace and the Conservatoire 195 Introduction 195 Clementi’s revisions 197 Topical diversity and the legitimization of pleasure in Op. 37 210 Helping to conquer difficulty: the music-master and his “chest of tools” 227 Clementi’s students and dedicatees 232 The father (also) of French pianism 234 Clementi’s European reputation in the 1800s: from Zurich to Paris 239
Contents ix The importance of fingering: French pianism of the “Clementi epoch” 244 “Un chant aussi suave”: Clementi in France in the nineteenth century 249 Conclusion: Clementi’s coin 259 Appendix: ideological differences regarding keyboard practicing/music education in thirty-six conduct books and treatises, 1741-1829 269 Bibliography 281 Index 309
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| adam_txt |
Contents List of musical examples xi List of tables xiii List of figures XV Preface Chapter 1: Clementiand the Enlightenment xvii 1 Introduction 1 Clementi’s interests 6 Clementi as “Beethoven’s skeleton” 13 Clementi and the work-concept 19 Discussing eighteenth-century virtuosity 23 Chapter 2: Mozart’s insult and the irritations of virtuosity 31 Post-Enlightenment responses to difficulty 31 Reconsidering Mozart on Clementi 35 “Virtuosity” versus “difficulty” 54 Cultural and rhetorical responses to difficult music 59 Charlatans and virtuosi: “Est-ce ironie, ou vérité?” 66 Chapter 3: Keyboard performance and gender in eighteenth-century London 73 Introduction 73 Women (and men) at the keyboard in eighteenth-century England: an overview 75 vii
Contents viii Reading regulatory texts: ideologies of behavior gø “Perpetual babyism”: compulsory passivity at the keyboard 94 Resistance, doubt, and the anxiety of performance 103 Conduct books reflect a changing ideology: 1740 -1840 109 The reading woman, the performing woman: “misreading” and “misplaying” 112 Chapter 4: Clementi’s “Black joke” П9 The “Black joke” and bawdiness П9 A crude in-joke? 131 Radical pianism? 132 Before Clementi’s Op. 2 136 After Clementi’s Op. 2 141 Chapter 5: Male theoria and female praxis 151 Introduction 151 An overview of English keyboard culture in the late 1770s 155 Male theoria, female praxis, and the accompanied sonata 168 Difficult music and the male gaze 172 Clementi and counterpoint 183 Novelty and shame in post-Op. 2 keyboard culture 190 Chapter 6: Clementi in the marketplace and the Conservatoire 195 Introduction 195 Clementi’s revisions 197 Topical diversity and the legitimization of pleasure in Op. 37 210 Helping to conquer difficulty: the music-master and his “chest of tools” 227 Clementi’s students and dedicatees 232 The father (also) of French pianism 234 Clementi’s European reputation in the 1800s: from Zurich to Paris 239
Contents ix The importance of fingering: French pianism of the “Clementi epoch” 244 “Un chant aussi suave”: Clementi in France in the nineteenth century 249 Conclusion: Clementi’s coin 259 Appendix: ideological differences regarding keyboard practicing/music education in thirty-six conduct books and treatises, 1741-1829 269 Bibliography 281 Index 309 |
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| spelling | Helyard, Erin Verfasser (DE-588)1263689213 aut Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London Erin Helyard Liverpool Liverpool University Press [2022] xx, 313 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford University studies in the Enlightenment 2022:06 bicssc / Theory of music & musicology bicssc / Keyboard instruments Piano music - History and criticism - 18th century Piano music - Social aspects - History - 18th century - England - London Women pianists - History - 18th century - England - London Oxford University studies in the Enlightenment 2022:06 (DE-604)BV041784894 2022,6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033699869&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Helyard, Erin Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London Oxford University studies in the Enlightenment bicssc / Theory of music & musicology bicssc / Keyboard instruments Piano music - History and criticism - 18th century Piano music - Social aspects - History - 18th century - England - London Women pianists - History - 18th century - England - London |
| title | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London |
| title_auth | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London |
| title_exact_search | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London |
| title_exact_search_txtP | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London |
| title_full | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London Erin Helyard |
| title_fullStr | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London Erin Helyard |
| title_full_unstemmed | Clementi and the woman at the piano virtuosity and the marketing of music in eighteenth-century London Erin Helyard |
| title_short | Clementi and the woman at the piano |
| title_sort | clementi and the woman at the piano virtuosity and the marketing of music in eighteenth century london |
| title_sub | virtuosity and the marketing of music in eighteenth-century London |
| topic | bicssc / Theory of music & musicology bicssc / Keyboard instruments Piano music - History and criticism - 18th century Piano music - Social aspects - History - 18th century - England - London Women pianists - History - 18th century - England - London |
| topic_facet | bicssc / Theory of music & musicology bicssc / Keyboard instruments Piano music - History and criticism - 18th century Piano music - Social aspects - History - 18th century - England - London Women pianists - History - 18th century - England - London |
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