Anastas Jovanović - photographer of the new Slovak political representation:
This essay looks into the very beginnings of paper photography in the Austrian Empire. It focuses on two salted paper portraits of two most iconic figures of the Slovak National Revival in the mid-19th century, Ľudovít Štúr and Jozef M. Hurban. Created around 1849 by Anastas Jovanović, a Serbian pho...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
14 April 2022
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| Online-Zugang: | Volltext |
| Zusammenfassung: | This essay looks into the very beginnings of paper photography in the Austrian Empire. It focuses on two salted paper portraits of two most iconic figures of the Slovak National Revival in the mid-19th century, Ľudovít Štúr and Jozef M. Hurban. Created around 1849 by Anastas Jovanović, a Serbian photographer and lithographer based in Vienna, both portraits are the earliest paper photographs today preserved in Slovak collections. The article elucidates not only the salted paper prints’ authorship, origin, ownership and material characteristics, but also the notion of reproduction and circulation of images during the revolutionary years of 1848 and 1849 and by the advent of photography on paper in Central Europe at the same time. Special attention is paid to social and cultural contacts between Slovaks and Serbs around 1848 as a key factor to the photographs’ production. |
| Beschreibung: | 1 Online-Ressource (18 Seiten) Illustrationen |
| ISSN: | 2190-3328 |
| DOI: | 10.11588/riha.2022.1.87886 |
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| issn | 2190-3328 |
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| spelling | Trnková, Petra 1976- Verfasser (DE-588)137458509 aut Anastas Jovanović - photographer of the new Slovak political representation Petra Trnková 14 April 2022 1 Online-Ressource (18 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier This essay looks into the very beginnings of paper photography in the Austrian Empire. It focuses on two salted paper portraits of two most iconic figures of the Slovak National Revival in the mid-19th century, Ľudovít Štúr and Jozef M. Hurban. Created around 1849 by Anastas Jovanović, a Serbian photographer and lithographer based in Vienna, both portraits are the earliest paper photographs today preserved in Slovak collections. The article elucidates not only the salted paper prints’ authorship, origin, ownership and material characteristics, but also the notion of reproduction and circulation of images during the revolutionary years of 1848 and 1849 and by the advent of photography on paper in Central Europe at the same time. Special attention is paid to social and cultural contacts between Slovaks and Serbs around 1848 as a key factor to the photographs’ production. number:273 year:2022 RIHA Journal München, 2022 273 (2022) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X https://doi.org/10.11588/riha.2022.1.87886 Verlag kostenfrei Volltext |
| spellingShingle | Trnková, Petra 1976- Anastas Jovanović - photographer of the new Slovak political representation |
| title | Anastas Jovanović - photographer of the new Slovak political representation |
| title_auth | Anastas Jovanović - photographer of the new Slovak political representation |
| title_exact_search | Anastas Jovanović - photographer of the new Slovak political representation |
| title_exact_search_txtP | Anastas Jovanović - photographer of the new Slovak political representation |
| title_full | Anastas Jovanović - photographer of the new Slovak political representation Petra Trnková |
| title_fullStr | Anastas Jovanović - photographer of the new Slovak political representation Petra Trnková |
| title_full_unstemmed | Anastas Jovanović - photographer of the new Slovak political representation Petra Trnková |
| title_short | Anastas Jovanović - photographer of the new Slovak political representation |
| title_sort | anastas jovanovic photographer of the new slovak political representation |
| url | https://doi.org/10.11588/riha.2022.1.87886 |
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