Faking it!: the performance of forgery in Late Medieval and Early Modern culture
"Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Rena...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2023]
|
| Schriftenreihe: | Intersections
volume 84 |
| Schlagworte: | |
| Zusammenfassung: | "Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- |
| Beschreibung: | The present volume originates from the interantional conference "Faking it! : forgery and fabrication in late medieval and early modern culture". (Acknowledgements, S. VII). - Ort und Datum der Konferenz ermittelt |
| Beschreibung: | XVI, 362 Seiten Illustrationen |
| ISBN: | 9789004449480 |
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| 500 | |a The present volume originates from the interantional conference "Faking it! : forgery and fabrication in late medieval and early modern culture". (Acknowledgements, S. VII). - Ort und Datum der Konferenz ermittelt | ||
| 520 | 3 | |a "Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- | |
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| illustrated | Illustrated |
| index_date | 2024-07-03T20:11:15Z |
| indexdate | 2024-07-10T09:35:08Z |
| institution | BVB |
| isbn | 9789004449480 |
| language | English |
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| spelling | Faking it! the performance of forgery in Late Medieval and Early Modern culture edited by Philip Lavender, Matilda Amundsen Bergström Leiden ; Boston Brill [2023] XVI, 362 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Intersections volume 84 The present volume originates from the interantional conference "Faking it! : forgery and fabrication in late medieval and early modern culture". (Acknowledgements, S. VII). - Ort und Datum der Konferenz ermittelt "Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and Early Modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors include: Brian Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid D. Rowland, Camilla Russo, and Ksenija Tschetschik-Hammerl"-- Geschichte 1400-1800 gnd rswk-swf Fälscher (DE-588)4279659-3 gnd rswk-swf Fälschung (DE-588)4016247-3 gnd rswk-swf Kulturgut (DE-588)4139819-1 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 15.08.2019-17.08.2019 Göteborg gnd-content Fälschung (DE-588)4016247-3 s Fälscher (DE-588)4279659-3 s Kulturgut (DE-588)4139819-1 s Geschichte 1400-1800 z DE-604 Lavender, Philip (DE-588)1200374797 edt Amundsen Bergström, Matilda (DE-588)1282679457 edt Erscheint auch als Online-Ausgabe 978-90-04-10690-1 (DE-604)BV048866958 Intersections volume 84 (DE-604)BV013750348 84 |
| spellingShingle | Faking it! the performance of forgery in Late Medieval and Early Modern culture Intersections Fälscher (DE-588)4279659-3 gnd Fälschung (DE-588)4016247-3 gnd Kulturgut (DE-588)4139819-1 gnd |
| subject_GND | (DE-588)4279659-3 (DE-588)4016247-3 (DE-588)4139819-1 (DE-588)1071861417 |
| title | Faking it! the performance of forgery in Late Medieval and Early Modern culture |
| title_auth | Faking it! the performance of forgery in Late Medieval and Early Modern culture |
| title_exact_search | Faking it! the performance of forgery in Late Medieval and Early Modern culture |
| title_exact_search_txtP | Faking it! the performance of forgery in Late Medieval and Early Modern culture |
| title_full | Faking it! the performance of forgery in Late Medieval and Early Modern culture edited by Philip Lavender, Matilda Amundsen Bergström |
| title_fullStr | Faking it! the performance of forgery in Late Medieval and Early Modern culture edited by Philip Lavender, Matilda Amundsen Bergström |
| title_full_unstemmed | Faking it! the performance of forgery in Late Medieval and Early Modern culture edited by Philip Lavender, Matilda Amundsen Bergström |
| title_short | Faking it! |
| title_sort | faking it the performance of forgery in late medieval and early modern culture |
| title_sub | the performance of forgery in Late Medieval and Early Modern culture |
| topic | Fälscher (DE-588)4279659-3 gnd Fälschung (DE-588)4016247-3 gnd Kulturgut (DE-588)4139819-1 gnd |
| topic_facet | Fälscher Fälschung Kulturgut Konferenzschrift 15.08.2019-17.08.2019 Göteborg |
| volume_link | (DE-604)BV013750348 |
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