Edgar Wind and modern art: in defense of marginal anarchy
"This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in mode...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2022
|
Ausgabe: | Paperback edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, this book reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the Twentieth Century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed"-- |
Beschreibung: | xi, 253 Seiten Illustrationen 24 cm |
ISBN: | 9781350284272 9781501341755 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048315186 | ||
003 | DE-604 | ||
005 | 20230822 | ||
007 | t | ||
008 | 220706s2022 a||| b||| 00||| eng d | ||
020 | |a 9781350284272 |q Paperback |9 978-1-350-28427-2 | ||
020 | |a 9781501341755 |q Hardcover |9 978-1-5013-4175-5 | ||
035 | |a (OCoLC)1346089219 | ||
035 | |a (DE-599)BVBBV048315186 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-20 |a DE-188 | ||
084 | |a LH 63699 |0 (DE-625)94422: |2 rvk | ||
100 | 1 | |a Thomas, Ben |e Verfasser |0 (DE-588)188476253 |4 aut | |
245 | 1 | 0 | |a Edgar Wind and modern art |b in defense of marginal anarchy |c Ben Thomas |
250 | |a Paperback edition | ||
264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Bloomsbury Visual Arts |c 2022 | |
300 | |a xi, 253 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, this book reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the Twentieth Century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed"-- | |
600 | 1 | 7 | |a Shahn, Ben |d 1898-1969 |0 (DE-588)118764977 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Tchelitchew, Pavel |d 1898-1957 |0 (DE-588)119315602 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Kitaj, R. B. |d 1932-2007 |0 (DE-588)118562568 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Wind, Edgar |d 1900-1971 |0 (DE-588)119374552 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Moderne |0 (DE-588)4039827-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
653 | 1 | |a Wind, Edgar / 1900-1971 / Aesthetics | |
653 | 0 | |a Art, Modern / 20th century | |
689 | 0 | 0 | |a Wind, Edgar |d 1900-1971 |0 (DE-588)119374552 |D p |
689 | 0 | 1 | |a Moderne |0 (DE-588)4039827-4 |D s |
689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 3 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
689 | 0 | 4 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Tchelitchew, Pavel |d 1898-1957 |0 (DE-588)119315602 |D p |
689 | 1 | 1 | |a Shahn, Ben |d 1898-1969 |0 (DE-588)118764977 |D p |
689 | 1 | 2 | |a Kitaj, R. B. |d 1932-2007 |0 (DE-588)118562568 |D p |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5013-4174-8 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-5013-4173-1 |w (DE-604)BV047107263 |
856 | 4 | 2 | |m V:DE-576;B:DE-16 |q application/pdf |u http://swbplus.bsz-bw.de/bsz1727401689inh.htm |v 20210312193209 |3 Inhaltsverzeichnis |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033694688 |
Datensatz im Suchindex
_version_ | 1811034273028767744 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Thomas, Ben |
author_GND | (DE-588)188476253 |
author_facet | Thomas, Ben |
author_role | aut |
author_sort | Thomas, Ben |
author_variant | b t bt |
building | Verbundindex |
bvnumber | BV048315186 |
classification_rvk | LH 63699 |
ctrlnum | (OCoLC)1346089219 (DE-599)BVBBV048315186 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
edition | Paperback edition |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048315186</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230822</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220706s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350284272</subfield><subfield code="q">Paperback</subfield><subfield code="9">978-1-350-28427-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501341755</subfield><subfield code="q">Hardcover</subfield><subfield code="9">978-1-5013-4175-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1346089219</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048315186</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 63699</subfield><subfield code="0">(DE-625)94422:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Thomas, Ben</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)188476253</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Edgar Wind and modern art</subfield><subfield code="b">in defense of marginal anarchy</subfield><subfield code="c">Ben Thomas</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Visual Arts</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 253 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, this book reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the Twentieth Century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shahn, Ben</subfield><subfield code="d">1898-1969</subfield><subfield code="0">(DE-588)118764977</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tchelitchew, Pavel</subfield><subfield code="d">1898-1957</subfield><subfield code="0">(DE-588)119315602</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Kitaj, R. B.</subfield><subfield code="d">1932-2007</subfield><subfield code="0">(DE-588)118562568</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Wind, Edgar</subfield><subfield code="d">1900-1971</subfield><subfield code="0">(DE-588)119374552</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Wind, Edgar / 1900-1971 / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Modern / 20th century</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Wind, Edgar</subfield><subfield code="d">1900-1971</subfield><subfield code="0">(DE-588)119374552</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Tchelitchew, Pavel</subfield><subfield code="d">1898-1957</subfield><subfield code="0">(DE-588)119315602</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Shahn, Ben</subfield><subfield code="d">1898-1969</subfield><subfield code="0">(DE-588)118764977</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Kitaj, R. B.</subfield><subfield code="d">1932-2007</subfield><subfield code="0">(DE-588)118562568</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-5013-4174-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-5013-4173-1</subfield><subfield code="w">(DE-604)BV047107263</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;B:DE-16</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz1727401689inh.htm</subfield><subfield code="v">20210312193209</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033694688</subfield></datafield></record></collection> |
id | DE-604.BV048315186 |
illustrated | Illustrated |
index_date | 2024-07-03T20:10:32Z |
indexdate | 2024-09-24T00:14:31Z |
institution | BVB |
isbn | 9781350284272 9781501341755 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033694688 |
oclc_num | 1346089219 |
open_access_boolean | |
owner | DE-20 DE-188 |
owner_facet | DE-20 DE-188 |
physical | xi, 253 Seiten Illustrationen 24 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Bloomsbury Visual Arts |
record_format | marc |
spelling | Thomas, Ben Verfasser (DE-588)188476253 aut Edgar Wind and modern art in defense of marginal anarchy Ben Thomas Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2022 xi, 253 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, this book reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the Twentieth Century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed"-- Shahn, Ben 1898-1969 (DE-588)118764977 gnd rswk-swf Tchelitchew, Pavel 1898-1957 (DE-588)119315602 gnd rswk-swf Kitaj, R. B. 1932-2007 (DE-588)118562568 gnd rswk-swf Wind, Edgar 1900-1971 (DE-588)119374552 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Wind, Edgar / 1900-1971 / Aesthetics Art, Modern / 20th century Wind, Edgar 1900-1971 (DE-588)119374552 p Moderne (DE-588)4039827-4 s Kunst (DE-588)4114333-4 s Kunstkritik (DE-588)4033659-1 s Ästhetik (DE-588)4000626-8 s DE-604 Tchelitchew, Pavel 1898-1957 (DE-588)119315602 p Shahn, Ben 1898-1969 (DE-588)118764977 p Kitaj, R. B. 1932-2007 (DE-588)118562568 p Erscheint auch als Online-Ausgabe 978-1-5013-4174-8 Erscheint auch als Online-Ausgabe 978-1-5013-4173-1 (DE-604)BV047107263 V:DE-576;B:DE-16 application/pdf http://swbplus.bsz-bw.de/bsz1727401689inh.htm 20210312193209 Inhaltsverzeichnis |
spellingShingle | Thomas, Ben Edgar Wind and modern art in defense of marginal anarchy Shahn, Ben 1898-1969 (DE-588)118764977 gnd Tchelitchew, Pavel 1898-1957 (DE-588)119315602 gnd Kitaj, R. B. 1932-2007 (DE-588)118562568 gnd Wind, Edgar 1900-1971 (DE-588)119374552 gnd Moderne (DE-588)4039827-4 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)118764977 (DE-588)119315602 (DE-588)118562568 (DE-588)119374552 (DE-588)4039827-4 (DE-588)4033659-1 (DE-588)4000626-8 (DE-588)4114333-4 |
title | Edgar Wind and modern art in defense of marginal anarchy |
title_auth | Edgar Wind and modern art in defense of marginal anarchy |
title_exact_search | Edgar Wind and modern art in defense of marginal anarchy |
title_exact_search_txtP | Edgar Wind and modern art in defense of marginal anarchy |
title_full | Edgar Wind and modern art in defense of marginal anarchy Ben Thomas |
title_fullStr | Edgar Wind and modern art in defense of marginal anarchy Ben Thomas |
title_full_unstemmed | Edgar Wind and modern art in defense of marginal anarchy Ben Thomas |
title_short | Edgar Wind and modern art |
title_sort | edgar wind and modern art in defense of marginal anarchy |
title_sub | in defense of marginal anarchy |
topic | Shahn, Ben 1898-1969 (DE-588)118764977 gnd Tchelitchew, Pavel 1898-1957 (DE-588)119315602 gnd Kitaj, R. B. 1932-2007 (DE-588)118562568 gnd Wind, Edgar 1900-1971 (DE-588)119374552 gnd Moderne (DE-588)4039827-4 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Shahn, Ben 1898-1969 Tchelitchew, Pavel 1898-1957 Kitaj, R. B. 1932-2007 Wind, Edgar 1900-1971 Moderne Kunstkritik Ästhetik Kunst |
url | http://swbplus.bsz-bw.de/bsz1727401689inh.htm |
work_keys_str_mv | AT thomasben edgarwindandmodernartindefenseofmarginalanarchy |