Touring Performance and Global Exchange 1850-1960: Making Tracks
List of IllustrationsNotes on Contributors AcknowledgmentsEditors' IntroductionEditors' Introduction: Kate Flaherty and Gilli Bush-BaileyVanishing Acts and Making Tracks1: Diana James and Inawinytji Williamson Kungkarangkalpa: Travelling Women of the Seven Sisters Songline Part One: Epheme...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Ausgabe: | First edition |
| Schriftenreihe: | Routledge advances in theatre and performance
|
| Schlagworte: | |
| Online-Zugang: | UBM01 Volltext |
| Zusammenfassung: | List of IllustrationsNotes on Contributors AcknowledgmentsEditors' IntroductionEditors' Introduction: Kate Flaherty and Gilli Bush-BaileyVanishing Acts and Making Tracks1: Diana James and Inawinytji Williamson Kungkarangkalpa: Travelling Women of the Seven Sisters Songline Part One: Ephemerality and creative methodology2: Joanne Tompkins and Liyang XiaMid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields3: Jacky Bratton and Gilli Bush-Bailey Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)4: Anna-Sophie Jürgens Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 19005: Jane Woollard (University of Tasmania)Tracks, Knots, Stage Tact and Boots: A ReflectionPart Two: Peril, illness and ageing6: Marlis Schweitzer "It was a most beautiful moonlit night--7: Peta Tait Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts8: Janice Norwood Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter9: Kerry Murphy "Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond10: Laura Ginters "Let me come to Athens [/Lamplough], shelter me, accept me in your home":Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.Part Three: Reversing flows / Cross currents11: Kate Flaherty Fanny Kemble, Slavery, and Transatlantic Commodity Trade12: Katherine K. PrestonWomen Take Control: Managers of English-Language Opera Companies in Late 19th-Century America13: Sarah Balkin Transporting Humour: Artemus Ward and American Comedy in Britain14: Gillian ArrighiAustralian Child Actors on Early Twentieth-century Touring Circuits15: Mark Houlahan Crossing the Ditch: Trans-Tasman Stages 1841-189616: Veronica Kelly (University of Queensland) Between the "theatre game" and anthropology: international and indigenous black women entertainers perform modernity in Australia 1950s-1960s |
| Beschreibung: | 1 Online-Ressource (320 Seiten) |
| ISBN: | 9781003055860 1003055869 9781000509366 1000509362 9781000509359 1000509354 |
| DOI: | 10.4324/9781003055860 |
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| spelling | Touring Performance and Global Exchange 1850-1960 Making Tracks edited by Gilli Bush-Bailey, Kate Flaherty First edition London ; New York Routledge, Taylor & Francis Group 2021 1 Online-Ressource (320 Seiten) txt rdacontent c rdamedia cr rdacarrier Routledge advances in theatre and performance List of IllustrationsNotes on Contributors AcknowledgmentsEditors' IntroductionEditors' Introduction: Kate Flaherty and Gilli Bush-BaileyVanishing Acts and Making Tracks1: Diana James and Inawinytji Williamson Kungkarangkalpa: Travelling Women of the Seven Sisters Songline Part One: Ephemerality and creative methodology2: Joanne Tompkins and Liyang XiaMid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields3: Jacky Bratton and Gilli Bush-Bailey Bodies of Evidence: The unremarkable history of Emma Stanley (1816-1881)4: Anna-Sophie Jürgens Lady Clowns: Clown-Ballerinas, Dancing "Clownesses" and Female Clowns on the Popular Stage around 19005: Jane Woollard (University of Tasmania)Tracks, Knots, Stage Tact and Boots: A ReflectionPart Two: Peril, illness and ageing6: Marlis Schweitzer "It was a most beautiful moonlit night--7: Peta Tait Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts8: Janice Norwood Reading Race, Repertoire and Transcontinental Reception through Madame Celeste's Colonial Encounter9: Kerry Murphy "Covent Garden on Wheels" Thomas Quinlan's Operatic tours of 1912-1914 and beyond10: Laura Ginters "Let me come to Athens [/Lamplough], shelter me, accept me in your home":Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia.Part Three: Reversing flows / Cross currents11: Kate Flaherty Fanny Kemble, Slavery, and Transatlantic Commodity Trade12: Katherine K. PrestonWomen Take Control: Managers of English-Language Opera Companies in Late 19th-Century America13: Sarah Balkin Transporting Humour: Artemus Ward and American Comedy in Britain14: Gillian ArrighiAustralian Child Actors on Early Twentieth-century Touring Circuits15: Mark Houlahan Crossing the Ditch: Trans-Tasman Stages 1841-189616: Veronica Kelly (University of Queensland) Between the "theatre game" and anthropology: international and indigenous black women entertainers perform modernity in Australia 1950s-1960s Theater / History / 19th century / Australia Theater / History / 20th century / Australia Traveling theater / History / 19th century / Australia Traveling theater / History / 20th century / Australia PERFORMING ARTS / Theater / History & Criticism HISTORY / Australia & New Zealand Bush-Bailey, Gilli (DE-588)1167940881 edt Flaherty, Kate edt Erscheint auch als Druck-Ausgabe https://doi.org/10.4324/9781003055860 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Touring Performance and Global Exchange 1850-1960 Making Tracks |
| title | Touring Performance and Global Exchange 1850-1960 Making Tracks |
| title_auth | Touring Performance and Global Exchange 1850-1960 Making Tracks |
| title_exact_search | Touring Performance and Global Exchange 1850-1960 Making Tracks |
| title_exact_search_txtP | Touring Performance and Global Exchange 1850-1960 Making Tracks |
| title_full | Touring Performance and Global Exchange 1850-1960 Making Tracks edited by Gilli Bush-Bailey, Kate Flaherty |
| title_fullStr | Touring Performance and Global Exchange 1850-1960 Making Tracks edited by Gilli Bush-Bailey, Kate Flaherty |
| title_full_unstemmed | Touring Performance and Global Exchange 1850-1960 Making Tracks edited by Gilli Bush-Bailey, Kate Flaherty |
| title_short | Touring Performance and Global Exchange 1850-1960 |
| title_sort | touring performance and global exchange 1850 1960 making tracks |
| title_sub | Making Tracks |
| url | https://doi.org/10.4324/9781003055860 |
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