Cinematic articulation in motion graphics:
"This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Routledge studies in media theory and practice
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvi, 211 Seiten Illustrationen |
| ISBN: | 9781032037004 9781032037011 |
Internformat
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| 490 | 0 | |a Routledge studies in media theory and practice | |
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| 520 | 3 | |a "This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"-- | |
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| 653 | 0 | |a Motion pictures / Semiotics | |
| 653 | 0 | |a Animation (Cinematography) | |
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Datensatz im Suchindex
| _version_ | 1823041328697573376 |
|---|---|
| adam_text |
Contents Acknowledgments List ofFigures ix xi Introduction 1 Theoretical Approach 3 Avoiding ‘Narrative’Assumptions 6 Scope ofAnalysis 11 1 The ‘Cinematic Sign’ 21 1.1 The ‘Natural’ and the ‘Encoded’ 24 1.2 Depiction (Diagnostic) and Denotation (Symbolic) 27 2 Refractive Judgment 33 2.1 Poetry and Articulation 36 2.2 Refraction 38 2.3 Re-Articulation 45 3 Interpreting Cinematics 53 3.1 Ambivalent Perceptions 54 3.2 Motion Perception: Kinesis 57 4 Synchronization 71 4.1 Ordering Statements 75 4.2 The Unity of Sound and Image 78 S The Presentation 5.1 Time 88 5.1.1 The Modulation of the Shot 92 87
viii Contents 5.1.2 Expressing Duration 96 5.2 Motion 99 5.2.1 The Datastream 100 5.2.2 Deleuze’s ‘Perception—Image’ 102 5.3 Windowing 104 5.4 Space 109 5.4.1 GraphicSpace 112 5.4.2 Multiscreen Projection 114 5.4.3 Physical Space 119 6 Diagnostic 127 6.1 EntanglementWith the Symbolic 131 6.2 The Diagnostic Modality 134 6.3 Against Realism as Diagnostic 138 6.4 Causal Identifications 142 7 Symbolic 149 7.1 The‘Lexical Function’ 150 7.1.1 Text: -.Image Composites 155 7.1.2 The‘Reading-Image’ 160 7.2 The‘Material Function’ 163 7.3 Materiality and Technical Failure 165 7.3.1 Distortion 168 7.3.2 Misregistration 171 7.3.3 Hardware Failure 171 7.3.4 Misalignment 173 7.3.5 Data Manipulation 174 7.4 Derivative Sign-Functions 175 7.4.1 Cinematic Realism 175 7.4.2 ‘Narrative Function’ 179 7.5 Poeisis 183 Afterword: Cinema and Motion Graphics 189 The Cinematic 189 Perception and Signification 191 Bibliographic Reference Sheet Index 196 207 |
| adam_txt |
Contents Acknowledgments List ofFigures ix xi Introduction 1 Theoretical Approach 3 Avoiding ‘Narrative’Assumptions 6 Scope ofAnalysis 11 1 The ‘Cinematic Sign’ 21 1.1 The ‘Natural’ and the ‘Encoded’ 24 1.2 Depiction (Diagnostic) and Denotation (Symbolic) 27 2 Refractive Judgment 33 2.1 Poetry and Articulation 36 2.2 Refraction 38 2.3 Re-Articulation 45 3 Interpreting Cinematics 53 3.1 Ambivalent Perceptions 54 3.2 Motion Perception: Kinesis 57 4 Synchronization 71 4.1 Ordering Statements 75 4.2 The Unity of Sound and Image 78 S The Presentation 5.1 Time 88 5.1.1 The Modulation of the Shot 92 87
viii Contents 5.1.2 Expressing Duration 96 5.2 Motion 99 5.2.1 The Datastream 100 5.2.2 Deleuze’s ‘Perception—Image’ 102 5.3 Windowing 104 5.4 Space 109 5.4.1 GraphicSpace 112 5.4.2 Multiscreen Projection 114 5.4.3 Physical Space 119 6 Diagnostic 127 6.1 EntanglementWith the Symbolic 131 6.2 The Diagnostic Modality 134 6.3 Against Realism as Diagnostic 138 6.4 Causal Identifications 142 7 Symbolic 149 7.1 The‘Lexical Function’ 150 7.1.1 Text: -.Image Composites 155 7.1.2 The‘Reading-Image’ 160 7.2 The‘Material Function’ 163 7.3 Materiality and Technical Failure 165 7.3.1 Distortion 168 7.3.2 Misregistration 171 7.3.3 Hardware Failure 171 7.3.4 Misalignment 173 7.3.5 Data Manipulation 174 7.4 Derivative Sign-Functions 175 7.4.1 Cinematic Realism 175 7.4.2 ‘Narrative Function’ 179 7.5 Poeisis 183 Afterword: Cinema and Motion Graphics 189 The Cinematic 189 Perception and Signification 191 Bibliographic Reference Sheet Index 196 207 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T20:10:24Z |
| indexdate | 2025-02-03T13:01:32Z |
| institution | BVB |
| isbn | 9781032037004 9781032037011 |
| language | English |
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| spelling | Betancourt, Michael 1970- Verfasser (DE-588)130662496 aut Cinematic articulation in motion graphics Michael Betancourt London ; New York Routledge, Taylor & Francis Group 2022 xvi, 211 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge studies in media theory and practice Includes bibliographical references and index "This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"-- Filmanalyse (DE-588)4140882-2 gnd rswk-swf Motion pictures / Semiotics Animation (Cinematography) Graphic design (Typography) Filmanalyse (DE-588)4140882-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-18859-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033692941&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Cinematic articulation in motion graphics |
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