The birth and death of the author: a multi-authored history of authorship in print
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge auto/biography studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 189 Seiten |
| ISBN: | 9780367539832 |
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Datensatz im Suchindex
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Contents List of Figures Acknowledgements List of Contributors vii ix xi Introduction: The Begetting and Forgetting of the Author ANDREW J. POWER 1 Fifteenth Century: Fathering Chaucer: Thoreau, Hoccleve, Lydgate, and the Invention of the First English Author 1 32 ANDREW GALLOWAY 2 Sixteenth Century: Shakespeare, Marlowe, and Traces of Authorship 54 RORY LOUGHNANE 3 Seventeenth Century: Authorial Identity and Print in John Taylor’s Common Whore and Arrant Thiefe Pamphlets 79 EDEL SEMPLE 4 Eighteenth Century: Samuel Richardson’s ‘Murdering Pen’ and the End of the Novel 98 NATASHA SIMONOVA 5 Nineteenth Century: Melville’s ‘Bartleby’ and the Préfiguration of the Author’s Own Preference Not to Write WILLIAM E. ENGEL 117
vi Contents 6 Twentieth Century: La Mort de l’Auteur: James Joyce and the Birth of Writing 144 BRAD TUGGLE 7 Twenty-First Century: ‘Who Is That Knocking on Your Door?’: Authorship, Print, and the Multimodal Comics of Grant Morrison in the Digital Age 156 DARRAGH GREENE Bibliography Index 173 187
The Birth and Death of the Author The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print author ship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversa tion with the critical history of the author up to and beyond the crisis of Barthes’s ‘Death of the Author’. As a multi-authored history of authorship itself, each subsequent chap ter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus, they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, ‘the Water Poet’ (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin). Andrew J. Power is Assistant Professor of English
in the Department of English Language and Literature, University of Sharjah, UAE. He took his BA (hons) and PhD in English at Trinity College Dublin (1999; 2006) and has since held posts at the University of Cyprus and Saint Louis University - Madrid Campus. He is the editor of Late Shakespeare, 1608-1613 (2012), of Early Shakespeare, 1588-1594 (2020), and of a Yearbook of English Studies special issue on Caroline Literature (2014). His forthcoming monograph is entitled Stages of Madness: Sin, Sick ness, and Seneca in Shakespearean Tragedy. |
| adam_txt |
Contents List of Figures Acknowledgements List of Contributors vii ix xi Introduction: The Begetting and Forgetting of the Author ANDREW J. POWER 1 Fifteenth Century: Fathering Chaucer: Thoreau, Hoccleve, Lydgate, and the Invention of the First English Author 1 32 ANDREW GALLOWAY 2 Sixteenth Century: Shakespeare, Marlowe, and Traces of Authorship 54 RORY LOUGHNANE 3 Seventeenth Century: Authorial Identity and Print in John Taylor’s Common Whore and Arrant Thiefe Pamphlets 79 EDEL SEMPLE 4 Eighteenth Century: Samuel Richardson’s ‘Murdering Pen’ and the End of the Novel 98 NATASHA SIMONOVA 5 Nineteenth Century: Melville’s ‘Bartleby’ and the Préfiguration of the Author’s Own Preference Not to Write WILLIAM E. ENGEL 117
vi Contents 6 Twentieth Century: La Mort de l’Auteur: James Joyce and the Birth of Writing 144 BRAD TUGGLE 7 Twenty-First Century: ‘Who Is That Knocking on Your Door?’: Authorship, Print, and the Multimodal Comics of Grant Morrison in the Digital Age 156 DARRAGH GREENE Bibliography Index 173 187
The Birth and Death of the Author The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print author ship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversa tion with the critical history of the author up to and beyond the crisis of Barthes’s ‘Death of the Author’. As a multi-authored history of authorship itself, each subsequent chap ter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus, they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, ‘the Water Poet’ (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin). Andrew J. Power is Assistant Professor of English
in the Department of English Language and Literature, University of Sharjah, UAE. He took his BA (hons) and PhD in English at Trinity College Dublin (1999; 2006) and has since held posts at the University of Cyprus and Saint Louis University - Madrid Campus. He is the editor of Late Shakespeare, 1608-1613 (2012), of Early Shakespeare, 1588-1594 (2020), and of a Yearbook of English Studies special issue on Caroline Literature (2014). His forthcoming monograph is entitled Stages of Madness: Sin, Sick ness, and Seneca in Shakespearean Tragedy. |
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