Art and posthistory: conversations on the end of aesthetics
"From 1995 until just before his death, Arthur C. Danto engaged in and recorded frequent conversations with prominent Italian philosopher and art critic Demetrio Paparoni. Their talks ranged widely over topics from American Pop Art to Minimalism, from abstraction to appropriationism, from posth...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2022]
|
| Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts
|
| Schlagworte: | |
| Zusammenfassung: | "From 1995 until just before his death, Arthur C. Danto engaged in and recorded frequent conversations with prominent Italian philosopher and art critic Demetrio Paparoni. Their talks ranged widely over topics from American Pop Art to Minimalism, from abstraction to appropriationism, from posthistorical art to the end of aesthetics, revealing the central core of Danto's thought on topics that shaped and continue to shape questions about the meaning and future of contemporary art. The text is very rich: in one paragraph, for example, Danto talks about a Franz Kline exhibition in the context of Richard Diebenkorn, the radically different techniques used for the paintings and drawings, and the mechanical processes Kline used that enlisted the participation of an animator or colorist as indicative of the lack of importance he gave to the idea of individual artist as creator. The book reveals the intellectual excitement of Danto in person, speculating in a freewheeling rather than analytical style. On several occasions Danto and Paparoni were joined by Danto's partner Barbara Westman, an artist and illustrator credited with many New Yorker covers, and by artist Mimmo Paladino and philosopher Mario Perniola, enlivening the discussion further"-- |
| Beschreibung: | LXVI, 110 Seiten Illustrationen 23 cm |
| ISBN: | 9780231204767 0231204760 9780231204774 0231204779 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048306790 | ||
| 003 | DE-604 | ||
| 005 | 20221201 | ||
| 007 | t | ||
| 008 | 220630s2022 a||| b||| 00||| eng d | ||
| 020 | |a 9780231204767 |9 978-0-231-20476-7 | ||
| 020 | |a 0231204760 |9 0231204760 | ||
| 020 | |a 9780231204774 |9 9780231204774 | ||
| 020 | |a 0231204779 |9 0231204779 | ||
| 035 | |a (OCoLC)1344247795 | ||
| 035 | |a (DE-599)BVBBV048306790 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-Y3 | ||
| 100 | 1 | |a Danto, Arthur Coleman |d 1924-2013 |0 (DE-588)118523724 |4 aut | |
| 245 | 1 | 0 | |a Art and posthistory |b conversations on the end of aesthetics |c Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky |
| 264 | 1 | |a New York |b Columbia University Press |c [2022] | |
| 300 | |a LXVI, 110 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 520 | 3 | |a "From 1995 until just before his death, Arthur C. Danto engaged in and recorded frequent conversations with prominent Italian philosopher and art critic Demetrio Paparoni. Their talks ranged widely over topics from American Pop Art to Minimalism, from abstraction to appropriationism, from posthistorical art to the end of aesthetics, revealing the central core of Danto's thought on topics that shaped and continue to shape questions about the meaning and future of contemporary art. The text is very rich: in one paragraph, for example, Danto talks about a Franz Kline exhibition in the context of Richard Diebenkorn, the radically different techniques used for the paintings and drawings, and the mechanical processes Kline used that enlisted the participation of an animator or colorist as indicative of the lack of importance he gave to the idea of individual artist as creator. The book reveals the intellectual excitement of Danto in person, speculating in a freewheeling rather than analytical style. On several occasions Danto and Paparoni were joined by Danto's partner Barbara Westman, an artist and illustrator credited with many New Yorker covers, and by artist Mimmo Paladino and philosopher Mario Perniola, enlivening the discussion further"-- | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Aesthetics | |
| 653 | 0 | |a Aesthetics | |
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Paparoni, Demetrio |d 1954- |0 (DE-588)131337289 |4 aut | |
| 700 | 1 | |a Schwabsky, Barry |0 (DE-588)137431368 |4 wpr | |
| 776 | 0 | 8 | |i Online version |a Danto, Arthur C., 1924-2013 |t Art and posthistory |d New York : Columbia University Press, 2022 |z 9780231555692 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033686475 | ||
Datensatz im Suchindex
| _version_ | 1804184153219923968 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Danto, Arthur Coleman 1924-2013 Paparoni, Demetrio 1954- |
| author_GND | (DE-588)118523724 (DE-588)131337289 (DE-588)137431368 |
| author_facet | Danto, Arthur Coleman 1924-2013 Paparoni, Demetrio 1954- |
| author_role | aut aut |
| author_sort | Danto, Arthur Coleman 1924-2013 |
| author_variant | a c d ac acd d p dp |
| building | Verbundindex |
| bvnumber | BV048306790 |
| ctrlnum | (OCoLC)1344247795 (DE-599)BVBBV048306790 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02871nam a2200433 c 4500</leader><controlfield tag="001">BV048306790</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221201 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220630s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231204767</subfield><subfield code="9">978-0-231-20476-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231204760</subfield><subfield code="9">0231204760</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231204774</subfield><subfield code="9">9780231204774</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231204779</subfield><subfield code="9">0231204779</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344247795</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048306790</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Danto, Arthur Coleman</subfield><subfield code="d">1924-2013</subfield><subfield code="0">(DE-588)118523724</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art and posthistory</subfield><subfield code="b">conversations on the end of aesthetics</subfield><subfield code="c">Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">LXVI, 110 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Columbia themes in philosophy, social criticism, and the arts</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"From 1995 until just before his death, Arthur C. Danto engaged in and recorded frequent conversations with prominent Italian philosopher and art critic Demetrio Paparoni. Their talks ranged widely over topics from American Pop Art to Minimalism, from abstraction to appropriationism, from posthistorical art to the end of aesthetics, revealing the central core of Danto's thought on topics that shaped and continue to shape questions about the meaning and future of contemporary art. The text is very rich: in one paragraph, for example, Danto talks about a Franz Kline exhibition in the context of Richard Diebenkorn, the radically different techniques used for the paintings and drawings, and the mechanical processes Kline used that enlisted the participation of an animator or colorist as indicative of the lack of importance he gave to the idea of individual artist as creator. The book reveals the intellectual excitement of Danto in person, speculating in a freewheeling rather than analytical style. On several occasions Danto and Paparoni were joined by Danto's partner Barbara Westman, an artist and illustrator credited with many New Yorker covers, and by artist Mimmo Paladino and philosopher Mario Perniola, enlivening the discussion further"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Paparoni, Demetrio</subfield><subfield code="d">1954-</subfield><subfield code="0">(DE-588)131337289</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Schwabsky, Barry</subfield><subfield code="0">(DE-588)137431368</subfield><subfield code="4">wpr</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Danto, Arthur C., 1924-2013</subfield><subfield code="t">Art and posthistory</subfield><subfield code="d">New York : Columbia University Press, 2022</subfield><subfield code="z">9780231555692</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033686475</subfield></datafield></record></collection> |
| id | DE-604.BV048306790 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:08:25Z |
| indexdate | 2024-07-10T09:34:48Z |
| institution | BVB |
| isbn | 9780231204767 0231204760 9780231204774 0231204779 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033686475 |
| oclc_num | 1344247795 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-Y3 |
| owner_facet | DE-19 DE-BY-UBM DE-Y3 |
| physical | LXVI, 110 Seiten Illustrationen 23 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Columbia themes in philosophy, social criticism, and the arts |
| spelling | Danto, Arthur Coleman 1924-2013 (DE-588)118523724 aut Art and posthistory conversations on the end of aesthetics Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky New York Columbia University Press [2022] LXVI, 110 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Columbia themes in philosophy, social criticism, and the arts "From 1995 until just before his death, Arthur C. Danto engaged in and recorded frequent conversations with prominent Italian philosopher and art critic Demetrio Paparoni. Their talks ranged widely over topics from American Pop Art to Minimalism, from abstraction to appropriationism, from posthistorical art to the end of aesthetics, revealing the central core of Danto's thought on topics that shaped and continue to shape questions about the meaning and future of contemporary art. The text is very rich: in one paragraph, for example, Danto talks about a Franz Kline exhibition in the context of Richard Diebenkorn, the radically different techniques used for the paintings and drawings, and the mechanical processes Kline used that enlisted the participation of an animator or colorist as indicative of the lack of importance he gave to the idea of individual artist as creator. The book reveals the intellectual excitement of Danto in person, speculating in a freewheeling rather than analytical style. On several occasions Danto and Paparoni were joined by Danto's partner Barbara Westman, an artist and illustrator credited with many New Yorker covers, and by artist Mimmo Paladino and philosopher Mario Perniola, enlivening the discussion further"-- Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Aesthetics Ästhetik (DE-588)4000626-8 s Kunst (DE-588)4114333-4 s DE-604 Paparoni, Demetrio 1954- (DE-588)131337289 aut Schwabsky, Barry (DE-588)137431368 wpr Online version Danto, Arthur C., 1924-2013 Art and posthistory New York : Columbia University Press, 2022 9780231555692 |
| spellingShingle | Danto, Arthur Coleman 1924-2013 Paparoni, Demetrio 1954- Art and posthistory conversations on the end of aesthetics Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 |
| title | Art and posthistory conversations on the end of aesthetics |
| title_auth | Art and posthistory conversations on the end of aesthetics |
| title_exact_search | Art and posthistory conversations on the end of aesthetics |
| title_exact_search_txtP | Art and posthistory conversations on the end of aesthetics |
| title_full | Art and posthistory conversations on the end of aesthetics Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky |
| title_fullStr | Art and posthistory conversations on the end of aesthetics Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky |
| title_full_unstemmed | Art and posthistory conversations on the end of aesthetics Arthur C. Danto and Demetrio Paparoni ; foreword by Barry Schwabsky |
| title_short | Art and posthistory |
| title_sort | art and posthistory conversations on the end of aesthetics |
| title_sub | conversations on the end of aesthetics |
| topic | Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kunst Ästhetik |
| work_keys_str_mv | AT dantoarthurcoleman artandposthistoryconversationsontheendofaesthetics AT paparonidemetrio artandposthistoryconversationsontheendofaesthetics AT schwabskybarry artandposthistoryconversationsontheendofaesthetics |