The wood engravers' self-portrait: the Dalziel Archive and Victorian illustration
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxi, 386 Seiten Illustrationen 28 cm |
| ISBN: | 9781526156662 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of figures Acknowledgements page vi xxi Introduction: Approaching engravings: medium and the parasite i i A wordless memoir: the illustrator as archivist շi Part I The Dalziel family and their ‘woodpecker’ employees, 1839-93 61 2 ‘The print of [her] feet’ (Wordsworth): the wood engravers’ self-portrait 3 Ruskin’s sinisterity: disjointed hands and brains, and the division of art labour 63 109 4 Barnaby Rudge and ‘the atmosphere of letters’ (Craik): apprenticeship, education and employment 142 5 Ghostwriting the line of the other: Wilkie Collins’s After Dark and Dalziel’s freelance engravers 175 6 ‘This midnight forger’ (Trollope): signatures, authorship and relations between engravers and draughtspeople 201 Partii Medium and technique at Dalziel Brothers 7 Off with her head!’ (Carroll): execution, technical violence and the discipline of visual culture 235 237 8 ‘These many ingenious adaptations of photography’ (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron 273 9 ‘A peculiar brilliancy of black’ (DeVinne): the colour of monochrome, and Thomas Dalziel’s The May Queen 303 10 Speed, print, news 323 11 Conclusion: Greedy rats 347 Bibliography Index of names 374 381
The wood engravers’ self-portrait tells the story of Dalziel Brothers, the leading image-makers of Victorian Britain. Between 1839 and 1893, the Dalziel firm made around 54,000 illustrations, collecting these in albums that constitute a unique visual memoir. This is the first major study of the Dalziels. It combines in-depth archival research with a distinctive methodology, incorporating detailed examination of printmaking techniques, an analysis of word-image relations in illustration, and a creative-critical approach. Dalziel’s output includes engravings of global influence - such as the illustrations to Lewis Carroll’s Alice books, novels by Charles Dickens, and landmark Pre-Raphaelite prints. The artists also made intricate and fascinating unknown works, which range from brilliant scientific illustrations, to keep-fit diagrams and Cadbury’s advertisements. The wood engravers’ self-portrait tells the multifarious stories of the Dalziel artists and employees, based on the author’s extensive research in the Dalziel Archive, conducted in partnership with the British Museum. As well as exploring the Dalziel family and the works they made, this study addresses the challenges of uncovering and understanding creative work made by low-paid and supposedly mechanical artists (such as the precarious freelance engravers hired by Dalziel). It investigates the image firm’s role in shaping aspects of Victorian culture that continue to have a strong ánd ambivalent legacy, from the fast and wide circulation of wood engravings, to the visualisation of gendered and imperialist texts. It
contributes to current theoretical and methodological investigations of mass print culture and word-image relations.
|
| adam_txt |
Contents List of figures Acknowledgements page vi xxi Introduction: Approaching engravings: medium and the parasite i i A wordless memoir: the illustrator as archivist շi Part I The Dalziel family and their ‘woodpecker’ employees, 1839-93 61 2 ‘The print of [her] feet’ (Wordsworth): the wood engravers’ self-portrait 3 Ruskin’s sinisterity: disjointed hands and brains, and the division of art labour 63 109 4 Barnaby Rudge and ‘the atmosphere of letters’ (Craik): apprenticeship, education and employment 142 5 Ghostwriting the line of the other: Wilkie Collins’s After Dark and Dalziel’s freelance engravers 175 6 ‘This midnight forger’ (Trollope): signatures, authorship and relations between engravers and draughtspeople 201 Partii Medium and technique at Dalziel Brothers 7 Off with her head!’ (Carroll): execution, technical violence and the discipline of visual culture 235 237 8 ‘These many ingenious adaptations of photography’ (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron 273 9 ‘A peculiar brilliancy of black’ (DeVinne): the colour of monochrome, and Thomas Dalziel’s The May Queen 303 10 Speed, print, news 323 11 Conclusion: Greedy rats 347 Bibliography Index of names 374 381
The wood engravers’ self-portrait tells the story of Dalziel Brothers, the leading image-makers of Victorian Britain. Between 1839 and 1893, the Dalziel firm made around 54,000 illustrations, collecting these in albums that constitute a unique visual memoir. This is the first major study of the Dalziels. It combines in-depth archival research with a distinctive methodology, incorporating detailed examination of printmaking techniques, an analysis of word-image relations in illustration, and a creative-critical approach. Dalziel’s output includes engravings of global influence - such as the illustrations to Lewis Carroll’s Alice books, novels by Charles Dickens, and landmark Pre-Raphaelite prints. The artists also made intricate and fascinating unknown works, which range from brilliant scientific illustrations, to keep-fit diagrams and Cadbury’s advertisements. The wood engravers’ self-portrait tells the multifarious stories of the Dalziel artists and employees, based on the author’s extensive research in the Dalziel Archive, conducted in partnership with the British Museum. As well as exploring the Dalziel family and the works they made, this study addresses the challenges of uncovering and understanding creative work made by low-paid and supposedly mechanical artists (such as the precarious freelance engravers hired by Dalziel). It investigates the image firm’s role in shaping aspects of Victorian culture that continue to have a strong ánd ambivalent legacy, from the fast and wide circulation of wood engravings, to the visualisation of gendered and imperialist texts. It
contributes to current theoretical and methodological investigations of mass print culture and word-image relations. |
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| era | Geschichte 1830-1900 gnd |
| era_facet | Geschichte 1830-1900 |
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| spelling | Stevens, Bethan Verfasser (DE-588)135589231 aut The wood engravers' self-portrait the Dalziel Archive and Victorian illustration Bethan Stevens Manchester Manchester University Press 2022 xxi, 386 Seiten Illustrationen 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Dalziel, George 1815-1902 (DE-588)102371258X gnd rswk-swf Dalziel, Edward 1817-1905 (DE-588)1023713373 gnd rswk-swf Geschichte 1830-1900 gnd rswk-swf Holzstich (DE-588)4125166-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Dalziel Brothers / History Wood-engravers / England / History / 19th century Illustration of books / England / 19th century Graveurs sur bois / Angleterre / Histoire / 19e siècle Illustration des livres / Angleterre / 19e siècle Dalziel Brothers Illustration of books Wood-engravers England 1800-1899 History Dalziel, George 1815-1902 (DE-588)102371258X p Dalziel, Edward 1817-1905 (DE-588)1023713373 p Großbritannien (DE-588)4022153-2 g Holzstich (DE-588)4125166-0 s Geschichte 1830-1900 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033685669&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033685669&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Stevens, Bethan The wood engravers' self-portrait the Dalziel Archive and Victorian illustration Dalziel, George 1815-1902 (DE-588)102371258X gnd Dalziel, Edward 1817-1905 (DE-588)1023713373 gnd Holzstich (DE-588)4125166-0 gnd |
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| title | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration |
| title_auth | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration |
| title_exact_search | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration |
| title_exact_search_txtP | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration |
| title_full | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration Bethan Stevens |
| title_fullStr | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration Bethan Stevens |
| title_full_unstemmed | The wood engravers' self-portrait the Dalziel Archive and Victorian illustration Bethan Stevens |
| title_short | The wood engravers' self-portrait |
| title_sort | the wood engravers self portrait the dalziel archive and victorian illustration |
| title_sub | the Dalziel Archive and Victorian illustration |
| topic | Dalziel, George 1815-1902 (DE-588)102371258X gnd Dalziel, Edward 1817-1905 (DE-588)1023713373 gnd Holzstich (DE-588)4125166-0 gnd |
| topic_facet | Dalziel, George 1815-1902 Dalziel, Edward 1817-1905 Holzstich Großbritannien |
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