Kinesic humor: literature, embodied cognition, and the dynamics of gesture
"Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cogn...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
Schriftenreihe: | Cognition and poetics series
|
Schlagworte: | |
Zusammenfassung: | "Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors-including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal-in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written"-- |
Beschreibung: | 208 pages 25 cm |
ISBN: | 9780190930066 0190930063 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048305411 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 220630s2021 b||| 00||| eng d | ||
020 | |a 9780190930066 |9 9780190930066 | ||
020 | |a 0190930063 |9 0190930063 | ||
035 | |a (DE-599)BVBBV048305411 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-521 | ||
100 | 1 | |a Bolens, Guillemette |e Verfasser |4 aut | |
245 | 1 | 0 | |a Kinesic humor |b literature, embodied cognition, and the dynamics of gesture |c Guillemette Bolens |
264 | 1 | |a New York, NY |b Oxford University Press |c [2021] | |
300 | |a 208 pages |c 25 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Cognition and poetics series | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
505 | 8 | |a Machine generated contents note | |
520 | 3 | |a "Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors-including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal-in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written"-- | |
653 | 0 | |a Gesture in literature | |
653 | 0 | |a Cognition in literature | |
653 | 0 | |a Body language in literature | |
653 | 0 | |a Humor in literature | |
653 | 0 | |a Cognition dans la littérature | |
653 | 0 | |a Langage du corps dans la littérature | |
653 | 0 | |a Body language in literature | |
653 | 0 | |a Cognition in literature | |
653 | 0 | |a Gesture in literature | |
653 | 0 | |a Humor in literature | |
776 | 0 | 8 | |i Online version |a Bolens, Guillemette |t Literature, embodied cognition, and the dynamics of gesture |d New York, NY : Oxford University Press, 2021 |z 9780190930080 |
999 | |a oai:aleph.bib-bvb.de:BVB01-033685116 |
Datensatz im Suchindex
_version_ | 1804184150829170688 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Bolens, Guillemette |
author_facet | Bolens, Guillemette |
author_role | aut |
author_sort | Bolens, Guillemette |
author_variant | g b gb |
building | Verbundindex |
bvnumber | BV048305411 |
contents | Machine generated contents note |
ctrlnum | (DE-599)BVBBV048305411 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03381nam a2200493 c 4500</leader><controlfield tag="001">BV048305411</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220630s2021 b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190930066</subfield><subfield code="9">9780190930066</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0190930063</subfield><subfield code="9">0190930063</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048305411</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-521</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bolens, Guillemette</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Kinesic humor</subfield><subfield code="b">literature, embodied cognition, and the dynamics of gesture</subfield><subfield code="c">Guillemette Bolens</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">208 pages</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cognition and poetics series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Machine generated contents note</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors-including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal-in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written"--</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Gesture in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cognition in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Body language in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Humor in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cognition dans la littérature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Langage du corps dans la littérature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Body language in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cognition in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Gesture in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Humor in literature</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Bolens, Guillemette</subfield><subfield code="t">Literature, embodied cognition, and the dynamics of gesture</subfield><subfield code="d">New York, NY : Oxford University Press, 2021</subfield><subfield code="z">9780190930080</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033685116</subfield></datafield></record></collection> |
id | DE-604.BV048305411 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:07:58Z |
indexdate | 2024-07-10T09:34:46Z |
institution | BVB |
isbn | 9780190930066 0190930063 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033685116 |
open_access_boolean | |
owner | DE-521 |
owner_facet | DE-521 |
physical | 208 pages 25 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Oxford University Press |
record_format | marc |
series2 | Cognition and poetics series |
spelling | Bolens, Guillemette Verfasser aut Kinesic humor literature, embodied cognition, and the dynamics of gesture Guillemette Bolens New York, NY Oxford University Press [2021] 208 pages 25 cm txt rdacontent n rdamedia nc rdacarrier Cognition and poetics series Machine generated contents note "Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in the ability to feel, perceive, and move (called sensorimotricity). The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors-including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal-in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written"-- Gesture in literature Cognition in literature Body language in literature Humor in literature Cognition dans la littérature Langage du corps dans la littérature Online version Bolens, Guillemette Literature, embodied cognition, and the dynamics of gesture New York, NY : Oxford University Press, 2021 9780190930080 |
spellingShingle | Bolens, Guillemette Kinesic humor literature, embodied cognition, and the dynamics of gesture Machine generated contents note |
title | Kinesic humor literature, embodied cognition, and the dynamics of gesture |
title_auth | Kinesic humor literature, embodied cognition, and the dynamics of gesture |
title_exact_search | Kinesic humor literature, embodied cognition, and the dynamics of gesture |
title_exact_search_txtP | Kinesic humor literature, embodied cognition, and the dynamics of gesture |
title_full | Kinesic humor literature, embodied cognition, and the dynamics of gesture Guillemette Bolens |
title_fullStr | Kinesic humor literature, embodied cognition, and the dynamics of gesture Guillemette Bolens |
title_full_unstemmed | Kinesic humor literature, embodied cognition, and the dynamics of gesture Guillemette Bolens |
title_short | Kinesic humor |
title_sort | kinesic humor literature embodied cognition and the dynamics of gesture |
title_sub | literature, embodied cognition, and the dynamics of gesture |
work_keys_str_mv | AT bolensguillemette kinesichumorliteratureembodiedcognitionandthedynamicsofgesture |