King Lear: 2
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
The Modern Language Association of America
[2020]
|
| Schriftenreihe: | A new Variorum edition of Shakespeare
A new Variorum edition of Shakespeare |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, S. 1017 - 2066 Seiten |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS VO L U M E 2 Appendix IRREGULAR, DOUBTFUL, AND EMENDED ACCIDENTALS 1017 UNADOPTED CONJECTURES 1022 THE TEXTS 1042 The First Quarto (1608) 1043 The Quality of Printing in QI 1045 Press-Variants and Proof-Correction in QI 1048 Order of Printing and Compositor Identification 1055 Compositors 1059 Features of the QI Text 1062 “Aural Errors” 1063 Punctuation 1065 Prosody and Lineation 1067 Accessories 1070 The Copy for QI 1072 Theatrical Manuscript 1073 Reported Text 1076 Stenography 1077 Dictation and Memorial Reconstruction 1089 Shakespeare’s Rough Draft 1095 The Second Quarto (1619) 1110 The Printing of Q2 1110 Press-Variants and Proof-Correction in Q2 1115 The Date and Auspices of Q2 1115 Order of Printing and Compositor Identification 1118 The Third Quarto (1655) 1121 The First Folio (1623) 1122 v
Contents Order of Printing and Compositor Identification 1122 Press-Variants and Proof-Correction in Fl 1128 Features of the Fl Text 1132 The Absence of QI Passages 1133 Passages Not in QI 1139 Accessories 1147 The Copy for Fl 1151 Playbook Copy 1151 QI Copy 1153 Q2 Copy 1159 Scribal Transcript 1169 Revisions and Other Changes 1174 The Evolution of the Texts 1198 THE DATE OF COMPOSITION 1207 External Evidence 1207 Allusions to People and Events 1218 King and Court 1218 Other Contemporaries 1221 Meteorology 1222 Literary and Theatrical Milieu 1226 Stylistic Evidence 1229 Vocabulary Links between Plays 1230 Linguistic Features 1232 Verse Tests 1233 Shakespeare’s Development 1235 THE SOURCES 1240 Geoffrey of Monmouth 1240 The History of the Kings of Britain 1240 Comments on Shakespeare’s Use of Geoffrey 1245 Raphael Holinshed 1247 The Chronicles (1587) 1247 Comments on Shakespeare’s Use of Holinshed 1251 John Higgins 1254 The Tragœdye of Cordila (1574) 1254 Comments on Shakespeare’s Use of Higgins 1263 William Warner 1265 Albions England (1586) 1265 Comments on Shakespeare’s Use of Warner 1266 Edmund Spenser 1267 The Faerie Queene (1590) 1267 Comments on Shakespeare’s Use of Spenser 1269 vi
Contents Anonymous 1271 The True Chronicle History of King Leir and His Three Daughters (1605) 1271 Comments on Shakespeare’s Use of The True Chronicle History of King Leir 1328 Sir Philip Sidney 1345 The Countesse of Pembrokes Arcadia (1590) 1345 Comments on Shakespeare’s Use of Sidney’s Arcadia 1358 Samuel Harsnett 1364 A Declaration of Egregious Popish Impostures (1603) 1364 Comments on Shakespeare’s Use of Harsnett’s Declaration 1374 Michel de Montaigne 1384 The Essayes, Tr. John Florio (1603) 1384 Comments on Shakespeare’s Use of Florio’s Montaigne 1390 On Shakespeare’s Use of Montaigne in General 1390 On Shakespeare’s Use of Montaigne in King Lear 1391 Other Versions and Analogues of the Lear Story 1393 Gesta Romanorum 1393 Layamon, Brut 1393 Robert Fabyan, Gerard Legh 1394 William Camden, Remaines (1605) 1394 Ballad, “King Leir, and his three daughters” 1395 Archetypes and Folk Tales 1402 Folk Tales 1402 More General Archetypes 1407 Medieval and Renaissance Plays (Including Shakespeare’s) 1409 Medieval Drama 1409 Renaissance Plays 1415 Shakespeare’s Earlier Plays 1418 Earlier Non-Dramatic Literature 1425 Classical Greek and Latin 1425 The Bible 1428 Job 1428 Nebuchadnezzar 1429 Other Old Testament Figures and Events 1430 The Prodigal 1430 Apocalypse 1431 Biblical Influence Generally 1431 Medieval and Renaissance Writers 1432 Possible Analogues from Contemporary Events 1436 Annesley, Allen, Hansby, Dudley, Lambert, Shakespeare 1436 vii
Contents Queens Katharine, Mary, Mary Queen of Scots (and Darnley) James, Union, and Kingship 1443 General Comments 1444 CRITICISM 1448 General Assessments 1448 Genre 1470 Themes and Significance i486 Moral, Religious, Philosophical i486 Psychological 1537 Historical, Cultural, Political 1548 Drame à Clef 1581 Technique 1587 Structure 1587 Stagecraft and Dramaturgy 1600 Language and Style 1609 Characters 1624 Albany 1624 Cordelia 1630 Cornwall 1647 Edgar 1649 Edmund 1671 Fool 1686 France 1701 Gloster 1703 Gonorill 1712 Kent 1725 Lear 1733 Regan 1768 Steward 1770 Others 1772 STAGE HISTORY 1774 Seventeenth-Century Performances 1774 The Text on the Stage, 1681-2000 1788 The Versions 1789 Transpositions and Omissions 1804 Transpositions 1804 Omissions 1807 Quarto Lines 1807 Small Scenes 1809 Controversial Material 1811 Act 5 1817 Minor Omissions 1823 viii 1441
Contents King Lear in Performance 1681-2000 1833 Films, Adaptations, and Offshoots 1861 MUSIC 1864 The Use of Music in General 1864 Vocal Music 1865 Fooles had nere lesse wit in a yeare (680-3) 1865 Then they for sudden ioy did weep (687-91) 1866 Hee that has a little tine witte (1729-32) 1869 Blesse thy fiue wits, Toms a cold (1839) 1871 Thorough the sharpe hathorne blowes the cold wind (1827-8; cf. 1878-9) 1872 Swithald footed . . . arint thee (1900-3) 1872 Child Rowland, to the darkė towne come (1966-8) 1973 Come ore the broome Bessy to mee (2014+8) 1873 Sleepest or wakest. . . take no harme (2014+19-+21) 1874 Instrumental Music 1874 Operatic Versions 1875 Bibliography Index 1975 1877
|
| adam_txt |
CONTENTS VO L U M E 2 Appendix IRREGULAR, DOUBTFUL, AND EMENDED ACCIDENTALS 1017 UNADOPTED CONJECTURES 1022 THE TEXTS 1042 The First Quarto (1608) 1043 The Quality of Printing in QI 1045 Press-Variants and Proof-Correction in QI 1048 Order of Printing and Compositor Identification 1055 Compositors 1059 Features of the QI Text 1062 “Aural Errors” 1063 Punctuation 1065 Prosody and Lineation 1067 Accessories 1070 The Copy for QI 1072 Theatrical Manuscript 1073 Reported Text 1076 Stenography 1077 Dictation and Memorial Reconstruction 1089 Shakespeare’s Rough Draft 1095 The Second Quarto (1619) 1110 The Printing of Q2 1110 Press-Variants and Proof-Correction in Q2 1115 The Date and Auspices of Q2 1115 Order of Printing and Compositor Identification 1118 The Third Quarto (1655) 1121 The First Folio (1623) 1122 v
Contents Order of Printing and Compositor Identification 1122 Press-Variants and Proof-Correction in Fl 1128 Features of the Fl Text 1132 The Absence of QI Passages 1133 Passages Not in QI 1139 Accessories 1147 The Copy for Fl 1151 Playbook Copy 1151 QI Copy 1153 Q2 Copy 1159 Scribal Transcript 1169 Revisions and Other Changes 1174 The Evolution of the Texts 1198 THE DATE OF COMPOSITION 1207 External Evidence 1207 Allusions to People and Events 1218 King and Court 1218 Other Contemporaries 1221 Meteorology 1222 Literary and Theatrical Milieu 1226 Stylistic Evidence 1229 Vocabulary Links between Plays 1230 Linguistic Features 1232 Verse Tests 1233 Shakespeare’s Development 1235 THE SOURCES 1240 Geoffrey of Monmouth 1240 The History of the Kings of Britain 1240 Comments on Shakespeare’s Use of Geoffrey 1245 Raphael Holinshed 1247 The Chronicles (1587) 1247 Comments on Shakespeare’s Use of Holinshed 1251 John Higgins 1254 The Tragœdye of Cordila (1574) 1254 Comments on Shakespeare’s Use of Higgins 1263 William Warner 1265 Albions England (1586) 1265 Comments on Shakespeare’s Use of Warner 1266 Edmund Spenser 1267 The Faerie Queene (1590) 1267 Comments on Shakespeare’s Use of Spenser 1269 vi
Contents Anonymous 1271 The True Chronicle History of King Leir and His Three Daughters (1605) 1271 Comments on Shakespeare’s Use of The True Chronicle History of King Leir 1328 Sir Philip Sidney 1345 The Countesse of Pembrokes Arcadia (1590) 1345 Comments on Shakespeare’s Use of Sidney’s Arcadia 1358 Samuel Harsnett 1364 A Declaration of Egregious Popish Impostures (1603) 1364 Comments on Shakespeare’s Use of Harsnett’s Declaration 1374 Michel de Montaigne 1384 The Essayes, Tr. John Florio (1603) 1384 Comments on Shakespeare’s Use of Florio’s Montaigne 1390 On Shakespeare’s Use of Montaigne in General 1390 On Shakespeare’s Use of Montaigne in King Lear 1391 Other Versions and Analogues of the Lear Story 1393 Gesta Romanorum 1393 Layamon, Brut 1393 Robert Fabyan, Gerard Legh 1394 William Camden, Remaines (1605) 1394 Ballad, “King Leir, and his three daughters” 1395 Archetypes and Folk Tales 1402 Folk Tales 1402 More General Archetypes 1407 Medieval and Renaissance Plays (Including Shakespeare’s) 1409 Medieval Drama 1409 Renaissance Plays 1415 Shakespeare’s Earlier Plays 1418 Earlier Non-Dramatic Literature 1425 Classical Greek and Latin 1425 The Bible 1428 Job 1428 Nebuchadnezzar 1429 Other Old Testament Figures and Events 1430 The Prodigal 1430 Apocalypse 1431 Biblical Influence Generally 1431 Medieval and Renaissance Writers 1432 Possible Analogues from Contemporary Events 1436 Annesley, Allen, Hansby, Dudley, Lambert, Shakespeare 1436 vii
Contents Queens Katharine, Mary, Mary Queen of Scots (and Darnley) James, Union, and Kingship 1443 General Comments 1444 CRITICISM 1448 General Assessments 1448 Genre 1470 Themes and Significance i486 Moral, Religious, Philosophical i486 Psychological 1537 Historical, Cultural, Political 1548 Drame à Clef 1581 Technique 1587 Structure 1587 Stagecraft and Dramaturgy 1600 Language and Style 1609 Characters 1624 Albany 1624 Cordelia 1630 Cornwall 1647 Edgar 1649 Edmund 1671 Fool 1686 France 1701 Gloster 1703 Gonorill 1712 Kent 1725 Lear 1733 Regan 1768 Steward 1770 Others 1772 STAGE HISTORY 1774 Seventeenth-Century Performances 1774 The Text on the Stage, 1681-2000 1788 The Versions 1789 Transpositions and Omissions 1804 Transpositions 1804 Omissions 1807 Quarto Lines 1807 Small Scenes 1809 Controversial Material 1811 Act 5 1817 Minor Omissions 1823 viii 1441
Contents King Lear in Performance 1681-2000 1833 Films, Adaptations, and Offshoots 1861 MUSIC 1864 The Use of Music in General 1864 Vocal Music 1865 Fooles had nere lesse wit in a yeare (680-3) 1865 Then they for sudden ioy did weep (687-91) 1866 Hee that has a little tine witte (1729-32) 1869 Blesse thy fiue wits, Toms a cold (1839) 1871 Thorough the sharpe hathorne blowes the cold wind (1827-8; cf. 1878-9) 1872 Swithald footed . . . arint thee (1900-3) 1872 Child Rowland, to the darkė towne come (1966-8) 1973 Come ore the broome Bessy to mee (2014+8) 1873 Sleepest or wakest. . . take no harme (2014+19-+21) 1874 Instrumental Music 1874 Operatic Versions 1875 Bibliography Index 1975 1877 |
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