Singing to the lyre in Renaissance Italy: memory, performance, and oral poetry
"A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by perfo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2020
|
| Schlagworte: | |
| Online-Zugang: | DE-Y3 DE-Y2 URL des Erstveröffentlichers |
| Zusammenfassung: | "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"-- |
| Beschreibung: | 1 Online-Ressource (xii, 473 Seiten) Illustrationen, Faksimiles |
| ISBN: | 9781108768887 |
| DOI: | 10.1017/9781108768887 |
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| spelling | Wilson, Blake Verfasser (DE-588)1036855252 aut Singing to the lyre in Renaissance Italy memory, performance, and oral poetry Blake Wilson Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2020 1 Online-Ressource (xii, 473 Seiten) Illustrationen, Faksimiles txt rdacontent c rdamedia cr rdacarrier "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"-- Geschichte 1400-1560 gnd rswk-swf Spielmann (DE-588)4182275-4 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Mündlichkeit (DE-588)1041938012 gnd rswk-swf Lyra (DE-588)4168390-0 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Vocal music / Italy / 15th century / History and criticism Vocal music / Italy / 500-1400 / History and criticism Italian poetry / 15th century / History and criticism Italian poetry / To 1400 / History and criticism Folk poetry, Italian / History and criticism Italy / Civilization / 1268-1559 Humanism / Italy Civilization Folk poetry, Italian Humanism Italian poetry Vocal music Italy To 1559 Criticism, interpretation, etc Italien (DE-588)4027833-5 g Lied (DE-588)4035669-3 s Spielmann (DE-588)4182275-4 s Lyra (DE-588)4168390-0 s Mündlichkeit (DE-588)1041938012 s Geschichte 1400-1560 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-108-48807-5 https://doi.org/10.1017/9781108768887 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wilson, Blake Singing to the lyre in Renaissance Italy memory, performance, and oral poetry Spielmann (DE-588)4182275-4 gnd Lied (DE-588)4035669-3 gnd Mündlichkeit (DE-588)1041938012 gnd Lyra (DE-588)4168390-0 gnd |
| subject_GND | (DE-588)4182275-4 (DE-588)4035669-3 (DE-588)1041938012 (DE-588)4168390-0 (DE-588)4027833-5 |
| title | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry |
| title_auth | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry |
| title_exact_search | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry |
| title_exact_search_txtP | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry |
| title_full | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry Blake Wilson |
| title_fullStr | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry Blake Wilson |
| title_full_unstemmed | Singing to the lyre in Renaissance Italy memory, performance, and oral poetry Blake Wilson |
| title_short | Singing to the lyre in Renaissance Italy |
| title_sort | singing to the lyre in renaissance italy memory performance and oral poetry |
| title_sub | memory, performance, and oral poetry |
| topic | Spielmann (DE-588)4182275-4 gnd Lied (DE-588)4035669-3 gnd Mündlichkeit (DE-588)1041938012 gnd Lyra (DE-588)4168390-0 gnd |
| topic_facet | Spielmann Lied Mündlichkeit Lyra Italien |
| url | https://doi.org/10.1017/9781108768887 |
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