Arder con lo real: fotografía contemporánea entre la historia y lo político
"This book is about images like this, about heterogeneous photographic artifacts that merge and "burn with reality". The sharing of these works produced in recent years, mainly in Argentina, does not intend to set up a historical course but to point out towards a historicized, transve...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Spanish |
| Veröffentlicht: |
Ciudad Autónoma de Buenos Aires
Fundación Alfonso y Luz Castillo, Arte x Arte
diciembre de 2021
|
| Ausgabe: | Primera edición |
| Schriftenreihe: | Colección Pretéritos imperfectos
5 |
| Schlagworte: | |
| Zusammenfassung: | "This book is about images like this, about heterogeneous photographic artifacts that merge and "burn with reality". The sharing of these works produced in recent years, mainly in Argentina, does not intend to set up a historical course but to point out towards a historicized, transversal, multiple photograph, inclined to the political and crossed by discontinuities and differences. The unique displays of these images, their details and visual strategies, allow us to look at the relationships of photography with the world, recent history, politics, violence. Surrounding images with words not to explain them: to join with them to the precise inquiry of the time that they propose. To point us to a possible path - in that way so improbable in which the images indicate - and to follow that path. Thinking about the visual poetics of each series, interspersing them and putting in relation their historical dimension, their material imprint, the craftsmanship or sophisticated of their artifacts. It is precisely as artifacts - that is, constructed objects - that these works visually question the idea of photographic record, while not fail to underscore their critical adherence to the world they are approaching and their potential to deploy a present intervention." (HKB Translation) --Page 21 |
| Beschreibung: | 202 Seiten Illustrationen 24 cm |
| ISBN: | 9789874811066 9874811064 |
Internformat
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| 245 | 1 | 0 | |a Arder con lo real |b fotografía contemporánea entre la historia y lo político |c Natalia Fortuny |
| 250 | |a Primera edición | ||
| 264 | 1 | |a Ciudad Autónoma de Buenos Aires |b Fundación Alfonso y Luz Castillo, Arte x Arte |c diciembre de 2021 | |
| 300 | |a 202 Seiten |b Illustrationen |c 24 cm | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Colección Pretéritos imperfectos |v 5 | |
| 505 | 8 | |a Introducción -- I. PAISAJES -- Dos veces Julio -- Lechos fotográficos -- Los cielos del exilio -- El campo / El bosque -- II. SUPERFICIES -- Las pieles de la guerra -- Restos y trazos -- Pervivencia del collage -- III. ARTEFACTOS -- Aparatos del tiempo | |
| 520 | 3 | |a "This book is about images like this, about heterogeneous photographic artifacts that merge and "burn with reality". The sharing of these works produced in recent years, mainly in Argentina, does not intend to set up a historical course but to point out towards a historicized, transversal, multiple photograph, inclined to the political and crossed by discontinuities and differences. The unique displays of these images, their details and visual strategies, allow us to look at the relationships of photography with the world, recent history, politics, violence. Surrounding images with words not to explain them: to join with them to the precise inquiry of the time that they propose. To point us to a possible path - in that way so improbable in which the images indicate - and to follow that path. Thinking about the visual poetics of each series, interspersing them and putting in relation their historical dimension, their material imprint, the craftsmanship or sophisticated of their artifacts. It is precisely as artifacts - that is, constructed objects - that these works visually question the idea of photographic record, while not fail to underscore their critical adherence to the world they are approaching and their potential to deploy a present intervention." (HKB Translation) --Page 21 | |
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Datensatz im Suchindex
| _version_ | 1806959025602953216 |
|---|---|
| adam_text | |
| adam_txt | |
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| author | Fortuny, Natalia 1977- |
| author_GND | (DE-588)133796302 |
| author_facet | Fortuny, Natalia 1977- |
| author_role | aut |
| author_sort | Fortuny, Natalia 1977- |
| author_variant | n f nf |
| building | Verbundindex |
| bvnumber | BV048302600 |
| contents | Introducción -- I. PAISAJES -- Dos veces Julio -- Lechos fotográficos -- Los cielos del exilio -- El campo / El bosque -- II. SUPERFICIES -- Las pieles de la guerra -- Restos y trazos -- Pervivencia del collage -- III. ARTEFACTOS -- Aparatos del tiempo |
| ctrlnum | (OCoLC)1334024394 (DE-599)BVBBV048302600 |
| edition | Primera edición |
| era | Geschichte 1994-2021 gnd |
| era_facet | Geschichte 1994-2021 |
| format | Book |
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| geographic | Argentinien (DE-588)4002890-2 gnd |
| geographic_facet | Argentinien |
| id | DE-604.BV048302600 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:07:00Z |
| indexdate | 2024-08-10T00:40:13Z |
| institution | BVB |
| isbn | 9789874811066 9874811064 |
| language | Spanish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033682355 |
| oclc_num | 1334024394 |
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| owner_facet | DE-255 |
| physical | 202 Seiten Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fundación Alfonso y Luz Castillo, Arte x Arte |
| record_format | marc |
| series | Colección Pretéritos imperfectos |
| series2 | Colección Pretéritos imperfectos |
| spelling | Fortuny, Natalia 1977- Verfasser (DE-588)133796302 aut Arder con lo real fotografía contemporánea entre la historia y lo político Natalia Fortuny Primera edición Ciudad Autónoma de Buenos Aires Fundación Alfonso y Luz Castillo, Arte x Arte diciembre de 2021 202 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Colección Pretéritos imperfectos 5 Introducción -- I. PAISAJES -- Dos veces Julio -- Lechos fotográficos -- Los cielos del exilio -- El campo / El bosque -- II. SUPERFICIES -- Las pieles de la guerra -- Restos y trazos -- Pervivencia del collage -- III. ARTEFACTOS -- Aparatos del tiempo "This book is about images like this, about heterogeneous photographic artifacts that merge and "burn with reality". The sharing of these works produced in recent years, mainly in Argentina, does not intend to set up a historical course but to point out towards a historicized, transversal, multiple photograph, inclined to the political and crossed by discontinuities and differences. The unique displays of these images, their details and visual strategies, allow us to look at the relationships of photography with the world, recent history, politics, violence. Surrounding images with words not to explain them: to join with them to the precise inquiry of the time that they propose. To point us to a possible path - in that way so improbable in which the images indicate - and to follow that path. Thinking about the visual poetics of each series, interspersing them and putting in relation their historical dimension, their material imprint, the craftsmanship or sophisticated of their artifacts. It is precisely as artifacts - that is, constructed objects - that these works visually question the idea of photographic record, while not fail to underscore their critical adherence to the world they are approaching and their potential to deploy a present intervention." (HKB Translation) --Page 21 Geschichte 1994-2021 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Bildtheorie (DE-588)7731060-3 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf Photography / Social aspects / Argentina Documentary photography / History / Argentina Documentary photography Photography / Social aspects Argentina History Argentinien (DE-588)4002890-2 g Fotografie (DE-588)4045895-7 s Politik (DE-588)4046514-7 s Bildtheorie (DE-588)7731060-3 s Geschichte 1994-2021 z DE-604 Colección Pretéritos imperfectos 5 (DE-604)BV049087571 5 |
| spellingShingle | Fortuny, Natalia 1977- Arder con lo real fotografía contemporánea entre la historia y lo político Colección Pretéritos imperfectos Introducción -- I. PAISAJES -- Dos veces Julio -- Lechos fotográficos -- Los cielos del exilio -- El campo / El bosque -- II. SUPERFICIES -- Las pieles de la guerra -- Restos y trazos -- Pervivencia del collage -- III. ARTEFACTOS -- Aparatos del tiempo Politik (DE-588)4046514-7 gnd Fotografie (DE-588)4045895-7 gnd Bildtheorie (DE-588)7731060-3 gnd |
| subject_GND | (DE-588)4046514-7 (DE-588)4045895-7 (DE-588)7731060-3 (DE-588)4002890-2 |
| title | Arder con lo real fotografía contemporánea entre la historia y lo político |
| title_auth | Arder con lo real fotografía contemporánea entre la historia y lo político |
| title_exact_search | Arder con lo real fotografía contemporánea entre la historia y lo político |
| title_exact_search_txtP | Arder con lo real fotografía contemporánea entre la historia y lo político |
| title_full | Arder con lo real fotografía contemporánea entre la historia y lo político Natalia Fortuny |
| title_fullStr | Arder con lo real fotografía contemporánea entre la historia y lo político Natalia Fortuny |
| title_full_unstemmed | Arder con lo real fotografía contemporánea entre la historia y lo político Natalia Fortuny |
| title_short | Arder con lo real |
| title_sort | arder con lo real fotografia contemporanea entre la historia y lo politico |
| title_sub | fotografía contemporánea entre la historia y lo político |
| topic | Politik (DE-588)4046514-7 gnd Fotografie (DE-588)4045895-7 gnd Bildtheorie (DE-588)7731060-3 gnd |
| topic_facet | Politik Fotografie Bildtheorie Argentinien |
| volume_link | (DE-604)BV049087571 |
| work_keys_str_mv | AT fortunynatalia arderconlorealfotografiacontemporaneaentrelahistoriaylopolitico |