The double: identity and difference in art since 1900
"The Double: Identity and Difference in Art Since 1900 is the first major exhibition to consider how and why artists have employed doubled formats to explore perceptual, conceptual, and psychological themes. Presenting more than 120 works made between the beginning of the 20th century and today...
Gespeichert in:
Hauptverfasser: | , , , , , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Washington
National Gallery of Art
[2022]
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Schlagworte: | |
Zusammenfassung: | "The Double: Identity and Difference in Art Since 1900 is the first major exhibition to consider how and why artists have employed doubled formats to explore perceptual, conceptual, and psychological themes. Presenting more than 120 works made between the beginning of the 20th century and today, this expansive show is organized in four parts: seeing double; reversal; dilemma structures; and the doubled and divided self. Among major themes, artists in the exhibition explore questions of identity and difference--the difference between the original work and a copy, the identity of the art with the artist, and especially self-identity as defined by our own unconscious, by society, as well as by race, gender, sexuality, and other forms of differentiation. Spanning the East Building's Atrium and Concourse galleries, the exhibition assembles a range of remarkable sculptures, paintings, videos, photographs, and works on paper by some 90 artists, including Janine Antoni, Diane Arbus, Alighiero Boetti, Mel Bochner, Marcel Duchamp, Gilbert and George, Félix González-Torres, Arshile Gorky, Renée Green, Eva Hesse, Roni Horn, Graciela Iturbide, Joan Jonas, Kerry James Marshall, Jasper Johns, Rashid Johnson, Seydou Keïta, Sherrie Levine, Glenn Ligon, Henri Matisse, Josiah McElheny, Nam June Paik, Howardena Pindell, Adrian Piper, Robert Rauschenberg, Frank Stella, and Andy Warhol. Related programming, performances, and a fully illustrated companion book will expand upon the exhibition's themes. The publication is made possible by the generous support of the Roy Lichtenstein Foundation, Helen Frankenthaler Foundation, John F. Wieland, Jr., and anonymous donors." -- National Gallery of Art website |
Beschreibung: | Exhibition organized by the National Gallery of Art, Washington. - Genaue Ausstellungsdaten ermittelt: National Gallery of Art, July 10-October 31, 2022. - Includes bibliographical references and index |
Beschreibung: | 287 Seiten Illustrationen 28 cm |
ISBN: | 9780691236179 0691236178 |
Internformat
MARC
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245 | 1 | 0 | |a The double |b identity and difference in art since 1900 |c James Meyer ; with W.J.T. Mitchell, Andrew Solomon, Julia Bryan-Wilson, Shawn Michelle Smith, Tom Gunning, Hillel Schwartz |
264 | 1 | |a Washington |b National Gallery of Art |c [2022] | |
300 | |a 287 Seiten |b Illustrationen |c 28 cm | ||
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337 | |b n |2 rdamedia | ||
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500 | |a Exhibition organized by the National Gallery of Art, Washington. - Genaue Ausstellungsdaten ermittelt: National Gallery of Art, July 10-October 31, 2022. - Includes bibliographical references and index | ||
520 | 3 | |a "The Double: Identity and Difference in Art Since 1900 is the first major exhibition to consider how and why artists have employed doubled formats to explore perceptual, conceptual, and psychological themes. Presenting more than 120 works made between the beginning of the 20th century and today, this expansive show is organized in four parts: seeing double; reversal; dilemma structures; and the doubled and divided self. Among major themes, artists in the exhibition explore questions of identity and difference--the difference between the original work and a copy, the identity of the art with the artist, and especially self-identity as defined by our own unconscious, by society, as well as by race, gender, sexuality, and other forms of differentiation. Spanning the East Building's Atrium and Concourse galleries, the exhibition assembles a range of remarkable sculptures, paintings, videos, photographs, and works on paper by some 90 artists, including Janine Antoni, Diane Arbus, Alighiero Boetti, Mel Bochner, Marcel Duchamp, Gilbert and George, Félix González-Torres, Arshile Gorky, Renée Green, Eva Hesse, Roni Horn, Graciela Iturbide, Joan Jonas, Kerry James Marshall, Jasper Johns, Rashid Johnson, Seydou Keïta, Sherrie Levine, Glenn Ligon, Henri Matisse, Josiah McElheny, Nam June Paik, Howardena Pindell, Adrian Piper, Robert Rauschenberg, Frank Stella, and Andy Warhol. Related programming, performances, and a fully illustrated companion book will expand upon the exhibition's themes. The publication is made possible by the generous support of the Roy Lichtenstein Foundation, Helen Frankenthaler Foundation, John F. Wieland, Jr., and anonymous donors." -- National Gallery of Art website | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Meyer, James Sampson 1962- Mitchell, W. J. T. 1942- Solomon, Andrew 1963- Bryan-Wilson, Julia 1973- Smith, Shawn Michelle 1965- Gunning, Tom 1949- Schwartz, Hillel 1948- |
author_GND | (DE-588)132235730 (DE-588)124557120 (DE-588)123214351 (DE-588)140184740 (DE-588)135931843 (DE-588)138290024 (DE-588)1090494955 |
author_facet | Meyer, James Sampson 1962- Mitchell, W. J. T. 1942- Solomon, Andrew 1963- Bryan-Wilson, Julia 1973- Smith, Shawn Michelle 1965- Gunning, Tom 1949- Schwartz, Hillel 1948- |
author_role | aut aut aut aut aut aut aut |
author_sort | Meyer, James Sampson 1962- |
author_variant | j s m js jsm w j t m wjt wjtm a s as j b w jbw s m s sm sms t g tg h s hs |
building | Verbundindex |
bvnumber | BV048302599 |
callnumber-first | N - Fine Arts |
callnumber-label | N8217 |
callnumber-raw | N8217.D7 |
callnumber-search | N8217.D7 |
callnumber-sort | N 48217 D7 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 65820 LH 65020 |
ctrlnum | (OCoLC)1319432637 (DE-599)KXP1804121924 |
dewey-full | 704.942 |
dewey-hundreds | 700 - The arts |
dewey-ones | 704 - Special topics in fine and decorative arts |
dewey-raw | 704.942 |
dewey-search | 704.942 |
dewey-sort | 3704.942 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1900- gnd |
era_facet | Geschichte 1900- |
format | Book |
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genre | (DE-588)4135467-9 Ausstellungskatalog National Gallery of Art 10.07.2022-31.10.2022 Washington, DC gnd-content |
genre_facet | Ausstellungskatalog National Gallery of Art 10.07.2022-31.10.2022 Washington, DC |
id | DE-604.BV048302599 |
illustrated | Illustrated |
index_date | 2024-07-03T20:07:00Z |
indexdate | 2025-01-31T19:05:24Z |
institution | BVB |
institution_GND | (DE-588)1003319-1 |
isbn | 9780691236179 0691236178 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033682354 |
oclc_num | 1319432637 |
open_access_boolean | |
owner | DE-255 DE-Y3 |
owner_facet | DE-255 DE-Y3 |
physical | 287 Seiten Illustrationen 28 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | National Gallery of Art |
record_format | marc |
spelling | The double (Ausstellungskatalog) The double identity and difference in art since 1900 James Meyer ; with W.J.T. Mitchell, Andrew Solomon, Julia Bryan-Wilson, Shawn Michelle Smith, Tom Gunning, Hillel Schwartz Washington National Gallery of Art [2022] 287 Seiten Illustrationen 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Exhibition organized by the National Gallery of Art, Washington. - Genaue Ausstellungsdaten ermittelt: National Gallery of Art, July 10-October 31, 2022. - Includes bibliographical references and index "The Double: Identity and Difference in Art Since 1900 is the first major exhibition to consider how and why artists have employed doubled formats to explore perceptual, conceptual, and psychological themes. Presenting more than 120 works made between the beginning of the 20th century and today, this expansive show is organized in four parts: seeing double; reversal; dilemma structures; and the doubled and divided self. Among major themes, artists in the exhibition explore questions of identity and difference--the difference between the original work and a copy, the identity of the art with the artist, and especially self-identity as defined by our own unconscious, by society, as well as by race, gender, sexuality, and other forms of differentiation. Spanning the East Building's Atrium and Concourse galleries, the exhibition assembles a range of remarkable sculptures, paintings, videos, photographs, and works on paper by some 90 artists, including Janine Antoni, Diane Arbus, Alighiero Boetti, Mel Bochner, Marcel Duchamp, Gilbert and George, Félix González-Torres, Arshile Gorky, Renée Green, Eva Hesse, Roni Horn, Graciela Iturbide, Joan Jonas, Kerry James Marshall, Jasper Johns, Rashid Johnson, Seydou Keïta, Sherrie Levine, Glenn Ligon, Henri Matisse, Josiah McElheny, Nam June Paik, Howardena Pindell, Adrian Piper, Robert Rauschenberg, Frank Stella, and Andy Warhol. Related programming, performances, and a fully illustrated companion book will expand upon the exhibition's themes. The publication is made possible by the generous support of the Roy Lichtenstein Foundation, Helen Frankenthaler Foundation, John F. Wieland, Jr., and anonymous donors." -- National Gallery of Art website Geschichte 1900- gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Doppelgänger (DE-588)4136043-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Doubles in art / Exhibitions Art, Modern / 20th century / Exhibitions Art, Modern Doubles in art Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog National Gallery of Art 10.07.2022-31.10.2022 Washington, DC gnd-content Kunst (DE-588)4114333-4 s Doppelgänger (DE-588)4136043-6 s Identität (DE-588)4026482-8 s Geschichte 1900- z DE-604 Meyer, James Sampson 1962- (DE-588)132235730 aut Mitchell, W. J. T. 1942- (DE-588)124557120 aut Solomon, Andrew 1963- (DE-588)123214351 aut Bryan-Wilson, Julia 1973- (DE-588)140184740 aut Smith, Shawn Michelle 1965- (DE-588)135931843 aut Gunning, Tom 1949- (DE-588)138290024 aut Schwartz, Hillel 1948- (DE-588)1090494955 aut National Gallery of Art (Washington, DC) (DE-588)1003319-1 isb his |
spellingShingle | Meyer, James Sampson 1962- Mitchell, W. J. T. 1942- Solomon, Andrew 1963- Bryan-Wilson, Julia 1973- Smith, Shawn Michelle 1965- Gunning, Tom 1949- Schwartz, Hillel 1948- The double identity and difference in art since 1900 Identität (DE-588)4026482-8 gnd Doppelgänger (DE-588)4136043-6 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4026482-8 (DE-588)4136043-6 (DE-588)4114333-4 (DE-588)4135467-9 |
title | The double identity and difference in art since 1900 |
title_alt | The double (Ausstellungskatalog) |
title_auth | The double identity and difference in art since 1900 |
title_exact_search | The double identity and difference in art since 1900 |
title_exact_search_txtP | The double identity and difference in art since 1900 |
title_full | The double identity and difference in art since 1900 James Meyer ; with W.J.T. Mitchell, Andrew Solomon, Julia Bryan-Wilson, Shawn Michelle Smith, Tom Gunning, Hillel Schwartz |
title_fullStr | The double identity and difference in art since 1900 James Meyer ; with W.J.T. Mitchell, Andrew Solomon, Julia Bryan-Wilson, Shawn Michelle Smith, Tom Gunning, Hillel Schwartz |
title_full_unstemmed | The double identity and difference in art since 1900 James Meyer ; with W.J.T. Mitchell, Andrew Solomon, Julia Bryan-Wilson, Shawn Michelle Smith, Tom Gunning, Hillel Schwartz |
title_short | The double |
title_sort | the double identity and difference in art since 1900 |
title_sub | identity and difference in art since 1900 |
topic | Identität (DE-588)4026482-8 gnd Doppelgänger (DE-588)4136043-6 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Identität Doppelgänger Kunst Ausstellungskatalog National Gallery of Art 10.07.2022-31.10.2022 Washington, DC |
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