Grafted arts: art making and taking in the struggle for Western India, 1760-1910
Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Paul Mellon Centre for Studies in British Art
2022
|
| Schlagworte: | |
| Zusammenfassung: | Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"—a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives—Maratha and British, artist and patron, soldier and collector—this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"—disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely—remain instigators of nationalist agitation today. |
| Beschreibung: | VIII, 298 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm |
| ISBN: | 9781913107284 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048302407 | ||
| 003 | DE-604 | ||
| 005 | 20220921 | ||
| 007 | t | ||
| 008 | 220628s2022 ac|| |||| 00||| eng d | ||
| 020 | |a 9781913107284 |c hardback |9 978-1-913107-28-4 | ||
| 035 | |a (OCoLC)1336714573 | ||
| 035 | |a (DE-599)BVBBV048302407 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-12 |a DE-255 | ||
| 084 | |a NQ 9410 |0 (DE-625)129164: |2 rvk | ||
| 100 | 1 | |a Shaffer, Holly |e Verfasser |0 (DE-588)1266604650 |4 aut | |
| 245 | 1 | 0 | |a Grafted arts |b art making and taking in the struggle for Western India, 1760-1910 |c Holly Shaffer |
| 264 | 1 | |a London |b Paul Mellon Centre for Studies in British Art |c 2022 | |
| 264 | 2 | |a New Haven ; London |b Yale University Press | |
| 300 | |a VIII, 298 Seiten |b Illustrationen, Karte, Porträts (teilweise farbig) |c 27 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"—a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives—Maratha and British, artist and patron, soldier and collector—this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"—disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely—remain instigators of nationalist agitation today. | |
| 610 | 2 | 7 | |a Marathenkonföderation |0 (DE-588)4364897-6 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a East India Company |g London |0 (DE-588)2052078-5 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1760-1910 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kolonialismus |0 (DE-588)4073624-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstproduktion |0 (DE-588)4166043-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Indien |z West |0 (DE-588)4095954-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Indien |z West |0 (DE-588)4095954-5 |D g |
| 689 | 0 | 1 | |a Marathenkonföderation |0 (DE-588)4364897-6 |D b |
| 689 | 0 | 2 | |a East India Company |g London |0 (DE-588)2052078-5 |D b |
| 689 | 0 | 3 | |a Kolonialismus |0 (DE-588)4073624-6 |D s |
| 689 | 0 | 4 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 5 | |a Kunstproduktion |0 (DE-588)4166043-2 |D s |
| 689 | 0 | 6 | |a Geschichte 1760-1910 |A z |
| 689 | 0 | |5 DE-604 | |
| 710 | 2 | |a Paul Mellon Centre for Studies in British Art |0 (DE-588)1045454-8 |4 isb | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033682170 | ||
Datensatz im Suchindex
| _version_ | 1804184145481433088 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Shaffer, Holly |
| author_GND | (DE-588)1266604650 |
| author_facet | Shaffer, Holly |
| author_role | aut |
| author_sort | Shaffer, Holly |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV048302407 |
| classification_rvk | NQ 9410 |
| ctrlnum | (OCoLC)1336714573 (DE-599)BVBBV048302407 |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| era | Geschichte 1760-1910 gnd |
| era_facet | Geschichte 1760-1910 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03086nam a2200493 c 4500</leader><controlfield tag="001">BV048302407</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220921 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220628s2022 ac|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781913107284</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-913107-28-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1336714573</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048302407</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NQ 9410</subfield><subfield code="0">(DE-625)129164:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shaffer, Holly</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1266604650</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Grafted arts</subfield><subfield code="b">art making and taking in the struggle for Western India, 1760-1910</subfield><subfield code="c">Holly Shaffer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Paul Mellon Centre for Studies in British Art</subfield><subfield code="c">2022</subfield></datafield><datafield tag="264" ind1=" " ind2="2"><subfield code="a">New Haven ; London</subfield><subfield code="b">Yale University Press</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VIII, 298 Seiten</subfield><subfield code="b">Illustrationen, Karte, Porträts (teilweise farbig)</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"—a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives—Maratha and British, artist and patron, soldier and collector—this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"—disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely—remain instigators of nationalist agitation today.</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Marathenkonföderation</subfield><subfield code="0">(DE-588)4364897-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">East India Company</subfield><subfield code="g">London</subfield><subfield code="0">(DE-588)2052078-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1760-1910</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Indien</subfield><subfield code="z">West</subfield><subfield code="0">(DE-588)4095954-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Indien</subfield><subfield code="z">West</subfield><subfield code="0">(DE-588)4095954-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Marathenkonföderation</subfield><subfield code="0">(DE-588)4364897-6</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">East India Company</subfield><subfield code="g">London</subfield><subfield code="0">(DE-588)2052078-5</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kolonialismus</subfield><subfield code="0">(DE-588)4073624-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1760-1910</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Paul Mellon Centre for Studies in British Art</subfield><subfield code="0">(DE-588)1045454-8</subfield><subfield code="4">isb</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033682170</subfield></datafield></record></collection> |
| geographic | Indien West (DE-588)4095954-5 gnd |
| geographic_facet | Indien West |
| id | DE-604.BV048302407 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:06:57Z |
| indexdate | 2024-07-10T09:34:41Z |
| institution | BVB |
| institution_GND | (DE-588)1045454-8 |
| isbn | 9781913107284 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033682170 |
| oclc_num | 1336714573 |
| open_access_boolean | |
| owner | DE-11 DE-12 DE-255 |
| owner_facet | DE-11 DE-12 DE-255 |
| physical | VIII, 298 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Paul Mellon Centre for Studies in British Art |
| record_format | marc |
| spelling | Shaffer, Holly Verfasser (DE-588)1266604650 aut Grafted arts art making and taking in the struggle for Western India, 1760-1910 Holly Shaffer London Paul Mellon Centre for Studies in British Art 2022 New Haven ; London Yale University Press VIII, 298 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"—a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives—Maratha and British, artist and patron, soldier and collector—this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"—disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely—remain instigators of nationalist agitation today. Marathenkonföderation (DE-588)4364897-6 gnd rswk-swf East India Company London (DE-588)2052078-5 gnd rswk-swf Geschichte 1760-1910 gnd rswk-swf Kolonialismus (DE-588)4073624-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Indien West (DE-588)4095954-5 gnd rswk-swf Indien West (DE-588)4095954-5 g Marathenkonföderation (DE-588)4364897-6 b East India Company London (DE-588)2052078-5 b Kolonialismus (DE-588)4073624-6 s Kunst (DE-588)4114333-4 s Kunstproduktion (DE-588)4166043-2 s Geschichte 1760-1910 z DE-604 Paul Mellon Centre for Studies in British Art (DE-588)1045454-8 isb |
| spellingShingle | Shaffer, Holly Grafted arts art making and taking in the struggle for Western India, 1760-1910 Marathenkonföderation (DE-588)4364897-6 gnd East India Company London (DE-588)2052078-5 gnd Kolonialismus (DE-588)4073624-6 gnd Kunst (DE-588)4114333-4 gnd Kunstproduktion (DE-588)4166043-2 gnd |
| subject_GND | (DE-588)4364897-6 (DE-588)2052078-5 (DE-588)4073624-6 (DE-588)4114333-4 (DE-588)4166043-2 (DE-588)4095954-5 |
| title | Grafted arts art making and taking in the struggle for Western India, 1760-1910 |
| title_auth | Grafted arts art making and taking in the struggle for Western India, 1760-1910 |
| title_exact_search | Grafted arts art making and taking in the struggle for Western India, 1760-1910 |
| title_exact_search_txtP | Grafted arts art making and taking in the struggle for Western India, 1760-1910 |
| title_full | Grafted arts art making and taking in the struggle for Western India, 1760-1910 Holly Shaffer |
| title_fullStr | Grafted arts art making and taking in the struggle for Western India, 1760-1910 Holly Shaffer |
| title_full_unstemmed | Grafted arts art making and taking in the struggle for Western India, 1760-1910 Holly Shaffer |
| title_short | Grafted arts |
| title_sort | grafted arts art making and taking in the struggle for western india 1760 1910 |
| title_sub | art making and taking in the struggle for Western India, 1760-1910 |
| topic | Marathenkonföderation (DE-588)4364897-6 gnd East India Company London (DE-588)2052078-5 gnd Kolonialismus (DE-588)4073624-6 gnd Kunst (DE-588)4114333-4 gnd Kunstproduktion (DE-588)4166043-2 gnd |
| topic_facet | Marathenkonföderation East India Company London Kolonialismus Kunst Kunstproduktion Indien West |
| work_keys_str_mv | AT shafferholly graftedartsartmakingandtakinginthestruggleforwesternindia17601910 AT paulmelloncentreforstudiesinbritishart graftedartsartmakingandtakinginthestruggleforwesternindia17601910 |