Kill the Documentary: A Letter to Filmmakers, Students, and Scholars
Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the N...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2022]
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| Schriftenreihe: | Investigating Visible Evidence: New Challenges for Documentary
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| Schlagworte: | |
| Online-Zugang: | FHA01 Volltext |
| Zusammenfassung: | Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the "pedigree of the real" and the "pornography of the real," they fail to activate their viewers' engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an "us-watching-them" mode that ultimately reinforces self-satisfaction and self-absorption.In place of the conventional documentary, Godmilow advocates for a "postrealist" cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780231554701 |
| DOI: | 10.7312/godm20276 |
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| spelling | Godmilow, Jill Verfasser aut Kill the Documentary A Letter to Filmmakers, Students, and Scholars Jill Godmilow New York, NY Columbia University Press [2022] © 2022 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Investigating Visible Evidence: New Challenges for Documentary Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the "pedigree of the real" and the "pornography of the real," they fail to activate their viewers' engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an "us-watching-them" mode that ultimately reinforces self-satisfaction and self-absorption.In place of the conventional documentary, Godmilow advocates for a "postrealist" cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films In English PERFORMING ARTS / Film / Genres / Documentary bisacsh Documentary films Philosophy Nichols, Bill Sonstige oth https://doi.org/10.7312/godm20276?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Godmilow, Jill Kill the Documentary A Letter to Filmmakers, Students, and Scholars PERFORMING ARTS / Film / Genres / Documentary bisacsh Documentary films Philosophy |
| title | Kill the Documentary A Letter to Filmmakers, Students, and Scholars |
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| title_full | Kill the Documentary A Letter to Filmmakers, Students, and Scholars Jill Godmilow |
| title_fullStr | Kill the Documentary A Letter to Filmmakers, Students, and Scholars Jill Godmilow |
| title_full_unstemmed | Kill the Documentary A Letter to Filmmakers, Students, and Scholars Jill Godmilow |
| title_short | Kill the Documentary |
| title_sort | kill the documentary a letter to filmmakers students and scholars |
| title_sub | A Letter to Filmmakers, Students, and Scholars |
| topic | PERFORMING ARTS / Film / Genres / Documentary bisacsh Documentary films Philosophy |
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