How to direct Shakespeare:
"You may be a student, or just starting out in the theatre profession, or an actor contemplating a switch to directing, or anyone dreaming of a life in the theatre. Know this: by developing and sharpening your skills on a Shakespeare text, you will be preparing yourself for your next production...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "You may be a student, or just starting out in the theatre profession, or an actor contemplating a switch to directing, or anyone dreaming of a life in the theatre. Know this: by developing and sharpening your skills on a Shakespeare text, you will be preparing yourself for your next production whatever or wherever that might be. Practical, inspirational and steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare guides you through each step of a production, from conception to final presentation to an audience. It includes close analysis of the text and provides strategies for focusing on the main action and structure; it considers dramatic energy and the world of the play, and illuminates these with examples drawn from a variety of Shakespeare's plays. It will assist you with creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal. And it walks you through the encounter with the audience as you open your production. Drawing on examples from his work as artistic director of The Royal Shakespeare Company and subsequent directing work that has taken him all over the world, Noble shows how every production is shaped by a vision of the world - the interplay of the writer's vision and the director's interpretation of it. How to Direct Shakespeare will inspire and equip you as you develop your vision for your next production"-- |
| Beschreibung: | xiii, 230 Seiten Illustrationen |
| ISBN: | 9781350231238 9781350231245 |
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Datensatz im Suchindex
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Contents List ofFigures xi Acknowledgements and Thanks xii Introduction 1 1 You 9 2 Him із 3 The Director and the Text 17 Part One: The World (Who’s Who) 17 Part Two: Reading the Play 24 Part Three: Analysing the Play 26 Part Four: Entering Shakespeare’s World 31 4 Awayday 1: Dramatic Energy (How Does He Do It?) Apposition 46 Metaphor 50 Metre and Pulse 53 Line Endings 56 Word Play: Rhyme, Alliteration and Assonance 59 Vocabulary 61 Shape and Structure 64 45
Contents viii 5 Lets Design It! The Eye Your Designer To Start: 69 69 71 Wall of ideas 71 Read out loud 72 Analyse and discuss 72 Brainstorm 73 The Model 74 A Methodology 75 Space 75 The mechanics: Floors 77 The mechanics: Entrances and exits 78 The mechanics: Axes 80 The mechanics: Walls 82 The Skeleton 83 The Journey of the Play: Two Casebooks Playtime 84 86 ‘In the Round’ Thrust Stages 90 92 Technology of Design: How to Get from A to В Colour, Texture and Decoration Storyboard 94 95 97 Show and Tell 97 FAQ: Design 98 What if they don’t like what we’ve done? What if my designer and I get stuck? 98 99 What if someone asks ‘What is your concept?' 99 When should I involve the lighting designer in the process? 99 Working with Costume Designers Costume and the Actor 101 100 The Director and the Lighting Designer 101
Contents ix 6 Design - The Ear юз Music ЮЗ Sound 107 7 Casting the Play 109 The Actors World 109 Do I Cast the Actor or the Part? 111 The Audition Process 113 Putting It Together 115 8 Awayday 2: Stanislavski and Actioning 117 9 To Cut or Not to Cut, That Is the Question Length 129 Shape 130 Choice ofEdition 136 10 The Rehearsal Plan 139 The Traditional Way of Organizing Rehearsals 140 Basic Aims ofRehearsal 141 Making a Plan 142 Beginning 142 Middle 144 Nearly-at-the-end 146 11 Rehearsing the Play: Beginning 147 The Rehearsal Room 147 Stage Management 149 An Approach to Day One of Rehearsals 151 12 Awayday 3: Improvisation Building a Company 156 Building a Character 158 155 127
Contents x Developing Relationships and Exploring the World of the Play 161 Exploring Scenes and Situations in the Play without Using the Text 167 13 Rehearsing the Play: End of the Beginning 171 Work on Language 171 Work on Character 172 14 Rehearsing the Play: Middle 175 Aims for Middle Section of Rehearsals 176 Examples from Romeo and Juliet 176 ‘The Tank’ 179 Blocking 183 Blocking Large-scale Scenes 188 Second Pass at Scenes 190 What to Do if Your Actors Get Inhibited or Stuck 193 15 Rehearsing the Play: End 197 First Run Through: How Does it Work? 198 How to Give Your Notes 200 Second and Third Run Throughs 202 Preparingfor the Theatre 205 16 Tech, Dress, Previews and Opening 207 The ‘Tech’ 207 How to Set Up a Tech 208 The ‘Dress’ 212 Curtain Calls 215 Previews 216 Opening 219 Index շշշ
You may be a student, or just starting out in the theatre profession, or an actor contemplating a switch to directing, or anyone dreaming of a Life in the theatre. Know this: by developing and sharpening your skills on a Shakespeare text, you will be preparingyourself for your next production whatever or wherever that might be. Practical, inspirational and steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, Howto Direct Shakespeare guides you through each step of a production, from conception to final presentation to an audience. It includes close analysis of the text and provides strategies for focusing on the main action and structure; it considers dramatic energy and the world of the play, and illuminates these with examples drawn from a variety of Shakespeare's plays. It will assist you with creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal. And it walks you through the encounter with the audience as you open your production. Drawing on examples from his work as artistic director of The Royal Shakespeare Company and subsequent directing work that has taken him all over the world, Noble shows how every production is shaped by a vision of the world — the interplay of the writer’s vision and the director’s interpretation of it. Howto Direct Shakespeare will inspire and equip you as you develop your vision for your next production. |
| adam_txt |
Contents List ofFigures xi Acknowledgements and Thanks xii Introduction 1 1 You 9 2 Him із 3 The Director and the Text 17 Part One: The World (Who’s Who) 17 Part Two: Reading the Play 24 Part Three: Analysing the Play 26 Part Four: Entering Shakespeare’s World 31 4 Awayday 1: Dramatic Energy (How Does He Do It?) Apposition 46 Metaphor 50 Metre and Pulse 53 Line Endings 56 Word Play: Rhyme, Alliteration and Assonance 59 Vocabulary 61 Shape and Structure 64 45
Contents viii 5 Lets Design It! The Eye Your Designer To Start: 69 69 71 Wall of ideas 71 Read out loud 72 Analyse and discuss 72 Brainstorm 73 The Model 74 A Methodology 75 Space 75 The mechanics: Floors 77 The mechanics: Entrances and exits 78 The mechanics: Axes 80 The mechanics: Walls 82 The Skeleton 83 The Journey of the Play: Two Casebooks Playtime 84 86 ‘In the Round’ Thrust Stages 90 92 Technology of Design: How to Get from A to В Colour, Texture and Decoration Storyboard 94 95 97 Show and Tell 97 FAQ: Design 98 What if they don’t like what we’ve done? What if my designer and I get stuck? 98 99 What if someone asks ‘What is your concept?' 99 When should I involve the lighting designer in the process? 99 Working with Costume Designers Costume and the Actor 101 100 The Director and the Lighting Designer 101
Contents ix 6 Design - The Ear юз Music ЮЗ Sound 107 7 Casting the Play 109 The Actors World 109 Do I Cast the Actor or the Part? 111 The Audition Process 113 Putting It Together 115 8 Awayday 2: Stanislavski and Actioning 117 9 To Cut or Not to Cut, That Is the Question Length 129 Shape 130 Choice ofEdition 136 10 The Rehearsal Plan 139 The Traditional Way of Organizing Rehearsals 140 Basic Aims ofRehearsal 141 Making a Plan 142 Beginning 142 Middle 144 Nearly-at-the-end 146 11 Rehearsing the Play: Beginning 147 The Rehearsal Room 147 Stage Management 149 An Approach to Day One of Rehearsals 151 12 Awayday 3: Improvisation Building a Company 156 Building a Character 158 155 127
Contents x Developing Relationships and Exploring the World of the Play 161 Exploring Scenes and Situations in the Play without Using the Text 167 13 Rehearsing the Play: End of the Beginning 171 Work on Language 171 Work on Character 172 14 Rehearsing the Play: Middle 175 Aims for Middle Section of Rehearsals 176 Examples from Romeo and Juliet 176 ‘The Tank’ 179 Blocking 183 Blocking Large-scale Scenes 188 Second Pass at Scenes 190 What to Do if Your Actors Get Inhibited or Stuck 193 15 Rehearsing the Play: End 197 First Run Through: How Does it Work? 198 How to Give Your Notes 200 Second and Third Run Throughs 202 Preparingfor the Theatre 205 16 Tech, Dress, Previews and Opening 207 The ‘Tech’ 207 How to Set Up a Tech 208 The ‘Dress’ 212 Curtain Calls 215 Previews 216 Opening 219 Index շշշ |
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| spelling | Noble, Adrian 1950- Verfasser (DE-588)136078206 aut How to direct Shakespeare Adrian Noble London ; New York ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2022 xiii, 230 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "You may be a student, or just starting out in the theatre profession, or an actor contemplating a switch to directing, or anyone dreaming of a life in the theatre. Know this: by developing and sharpening your skills on a Shakespeare text, you will be preparing yourself for your next production whatever or wherever that might be. Practical, inspirational and steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare guides you through each step of a production, from conception to final presentation to an audience. It includes close analysis of the text and provides strategies for focusing on the main action and structure; it considers dramatic energy and the world of the play, and illuminates these with examples drawn from a variety of Shakespeare's plays. It will assist you with creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal. And it walks you through the encounter with the audience as you open your production. Drawing on examples from his work as artistic director of The Royal Shakespeare Company and subsequent directing work that has taken him all over the world, Noble shows how every production is shaped by a vision of the world - the interplay of the writer's vision and the director's interpretation of it. How to Direct Shakespeare will inspire and equip you as you develop your vision for your next production"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William / 1564-1616 / Dramatic production / Handbooks, manuals, etc Theater / Production and direction Théâtre / Production et mise en scène Shakespeare, William / 1564-1616 Theater Handbooks and manuals Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Inszenierung (DE-588)4027223-0 s DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-3502-3126-9 Erscheint auch als Online-Ausgabe, eBook 978-1-3502-3125-2 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033675622&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033675622&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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