Musical migration and imperial New York: early Cold War scenes
"Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institution...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2022]
|
| Schriftenreihe: | New material histories of music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institutions to the world-making routes of global migration and exchange, this book seeks to redraw the geographies of experimental art and so to reveal the imperial dynamics, as well as profoundly racialized and gendered power relations, that shaped and continue to shape the discourses and practices of modern music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years (ca. 1957 to 1963), Brigid Cohen's book encompasses a considerably wider range of people and practices than is usual in studies of the music of this period. It looks at a range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Varèse, Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity"-- |
| Beschreibung: | x, 379 Seiten Illustrationen, Porträts (teilweise farbig) |
| ISBN: | 9780226818016 |
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| 520 | 3 | |a "Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institutions to the world-making routes of global migration and exchange, this book seeks to redraw the geographies of experimental art and so to reveal the imperial dynamics, as well as profoundly racialized and gendered power relations, that shaped and continue to shape the discourses and practices of modern music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years (ca. 1957 to 1963), Brigid Cohen's book encompasses a considerably wider range of people and practices than is usual in studies of the music of this period. It looks at a range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Varèse, Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List ofFigures ix introduction^ Recent History ofMusic, i Citizenship, and American Empire 1. THIRD SPACE, SCENE OF SUBJECTION: Mingus and Varèse at Greenwich House 2. cold war acropolis 1 : Ussachevsky, the Rockefeller Foundation, and the CPEMC 3. cold war acropolis ii:Toyamaand El-Dabh at the CPEMC 4. 25 75 119 A COUNTER-DISCOURSE OF ORIENTALISM: Ono in Opera 5. the haunting of empires : Maciūnas, Fluxus, and the Bloodlands 6. CONCLUDING THOUGHTS Acknowledgments Notes Archival Sources Bibliography Index 179 223 275 281 283 341 343 16y
|
| adam_txt |
Contents List ofFigures ix introduction^ Recent History ofMusic, i Citizenship, and American Empire 1. THIRD SPACE, SCENE OF SUBJECTION: Mingus and Varèse at Greenwich House 2. cold war acropolis 1 : Ussachevsky, the Rockefeller Foundation, and the CPEMC 3. cold war acropolis ii:Toyamaand El-Dabh at the CPEMC 4. 25 75 119 A COUNTER-DISCOURSE OF ORIENTALISM: Ono in Opera 5. the haunting of empires : Maciūnas, Fluxus, and the Bloodlands 6. CONCLUDING THOUGHTS Acknowledgments Notes Archival Sources Bibliography Index 179 223 275 281 283 341 343 16y |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Cohen, Brigid Maureen 1977- |
| author_GND | (DE-588)1089799535 |
| author_facet | Cohen, Brigid Maureen 1977- |
| author_role | aut |
| author_sort | Cohen, Brigid Maureen 1977- |
| author_variant | b m c bm bmc |
| building | Verbundindex |
| bvnumber | BV048292942 |
| classification_rvk | LR 56800 LQ 89507 LR 56710 |
| contents | Introduction : A recent history of music, citizenship, and American empire -- Third space, scene of subjection : Mingus and Varèse at Greenwich House -- Cold War Acropolis I : Ussachevsky, the Rockefeller Foundation, and the CPEMC -- Cold War Acropolis II : Toyama and El-Dabh at the CPEMC -- A counter-discourse of Orientalism : Ono in opera -- The haunting of empires : Maciunas, Fluxus, and the Bloodlands -- Concluding thoughts |
| ctrlnum | (OCoLC)1337117645 (DE-599)BVBBV048292942 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1957-1963 gnd |
| era_facet | Geschichte 1957-1963 |
| format | Book |
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| spelling | Cohen, Brigid Maureen 1977- Verfasser (DE-588)1089799535 aut Musical migration and imperial New York early Cold War scenes Brigid Cohen Chicago ; London The University of Chicago Press [2022] ©2022 x, 379 Seiten Illustrationen, Porträts (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier New material histories of music Introduction : A recent history of music, citizenship, and American empire -- Third space, scene of subjection : Mingus and Varèse at Greenwich House -- Cold War Acropolis I : Ussachevsky, the Rockefeller Foundation, and the CPEMC -- Cold War Acropolis II : Toyama and El-Dabh at the CPEMC -- A counter-discourse of Orientalism : Ono in opera -- The haunting of empires : Maciunas, Fluxus, and the Bloodlands -- Concluding thoughts "Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institutions to the world-making routes of global migration and exchange, this book seeks to redraw the geographies of experimental art and so to reveal the imperial dynamics, as well as profoundly racialized and gendered power relations, that shaped and continue to shape the discourses and practices of modern music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years (ca. 1957 to 1963), Brigid Cohen's book encompasses a considerably wider range of people and practices than is usual in studies of the music of this period. It looks at a range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Varèse, Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity"-- Geschichte 1957-1963 gnd rswk-swf Experiment (DE-588)4015999-1 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Musiklokal (DE-588)4745743-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf New York, NY (DE-588)4042011-5 gnd rswk-swf Music / New York (State) / New York / 20th century / History and criticism Avant-garde (Music) / New York (State) / New York / History / 20th century Musique expérimentale / New York (État) / New York / Histoire / 20e siècle Avant-garde (Music) Music New York (State) / New York 1900-1999 Criticism, interpretation, etc History New York, NY (DE-588)4042011-5 g Experimentelle Musik (DE-588)4153365-3 s Kunst (DE-588)4114333-4 s Experiment (DE-588)4015999-1 s Musiklokal (DE-588)4745743-0 s Geschichte 1957-1963 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033672885&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cohen, Brigid Maureen 1977- Musical migration and imperial New York early Cold War scenes Introduction : A recent history of music, citizenship, and American empire -- Third space, scene of subjection : Mingus and Varèse at Greenwich House -- Cold War Acropolis I : Ussachevsky, the Rockefeller Foundation, and the CPEMC -- Cold War Acropolis II : Toyama and El-Dabh at the CPEMC -- A counter-discourse of Orientalism : Ono in opera -- The haunting of empires : Maciunas, Fluxus, and the Bloodlands -- Concluding thoughts Experiment (DE-588)4015999-1 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musiklokal (DE-588)4745743-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4015999-1 (DE-588)4153365-3 (DE-588)4745743-0 (DE-588)4114333-4 (DE-588)4042011-5 |
| title | Musical migration and imperial New York early Cold War scenes |
| title_auth | Musical migration and imperial New York early Cold War scenes |
| title_exact_search | Musical migration and imperial New York early Cold War scenes |
| title_exact_search_txtP | Musical migration and imperial New York early Cold War scenes |
| title_full | Musical migration and imperial New York early Cold War scenes Brigid Cohen |
| title_fullStr | Musical migration and imperial New York early Cold War scenes Brigid Cohen |
| title_full_unstemmed | Musical migration and imperial New York early Cold War scenes Brigid Cohen |
| title_short | Musical migration and imperial New York |
| title_sort | musical migration and imperial new york early cold war scenes |
| title_sub | early Cold War scenes |
| topic | Experiment (DE-588)4015999-1 gnd Experimentelle Musik (DE-588)4153365-3 gnd Musiklokal (DE-588)4745743-0 gnd Kunst (DE-588)4114333-4 gnd |
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