Italian post-neorealist cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2014
|
| Ausgabe: | pbk. ed. |
| Schriftenreihe: | Traditions in world cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 292 Seiten Illustrationen |
| ISBN: | 9780748685929 9780748640546 |
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Datensatz im Suchindex
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CONTENTS Acknowledgements List of Figures vi viii 1 Introduction 1. Historic, Economic, and Cultural Background 2. The New Wave Proper/Italian Style Debate and the Explosion of National Cinemas 7 48 3. The Aesthetics Emerging After the War 112 4. Ideological Perimeters: The Catholic-Marxist Protocol 151 5. Negotiating Modernity: The Ethics of Disorientation and Entrenchment 172 6. Reimagining National Identity 193 7. Behavioral Codes and Sexual Mores 222 Conclusion: The Missing Italy and Its Missing Cinema Today 238 Bibliography Further Reading Index 248 258 269
Italian Post-Neorealist Cinema establishes twenty-five years of Italian pictures as a formal and aesthetic continuum characterized by an explicitly modernist sensitivity. The book links the emergence of Neorealism with a broader reflection on and negotiation of modernity, one in which cinema emerges as a medium capable of granting a different experience of reality, with the intention of plugging cultural and identitarian gaps. Previously distinct categories such as ‘the heroic phase of Neorealism’, ‘the Internationalist auteurs’, ‘the New Italian Wave’ and ‘comedy Italian style’ are reconfigured through Barattoni’s innovative approach, underscoring the realist-modernist dialogue in the hierarchy of the image and the foundational nature of the new cinema. Essential reading for all students of Italian film, this book will also appeal to undergraduate and postgraduate students in Film Studies. V Luca Barattoni is Assistant Professor of Italian at Clemson University. |
| adam_txt |
CONTENTS Acknowledgements List of Figures vi viii 1 Introduction 1. Historic, Economic, and Cultural Background 2. The New Wave Proper/Italian Style Debate and the Explosion of National Cinemas 7 48 3. The Aesthetics Emerging After the War 112 4. Ideological Perimeters: The Catholic-Marxist Protocol 151 5. Negotiating Modernity: The Ethics of Disorientation and Entrenchment 172 6. Reimagining National Identity 193 7. Behavioral Codes and Sexual Mores 222 Conclusion: The Missing Italy and Its Missing Cinema Today 238 Bibliography Further Reading Index 248 258 269
Italian Post-Neorealist Cinema establishes twenty-five years of Italian pictures as a formal and aesthetic continuum characterized by an explicitly modernist sensitivity. The book links the emergence of Neorealism with a broader reflection on and negotiation of modernity, one in which cinema emerges as a medium capable of granting a different experience of reality, with the intention of plugging cultural and identitarian gaps. Previously distinct categories such as ‘the heroic phase of Neorealism’, ‘the Internationalist auteurs’, ‘the New Italian Wave’ and ‘comedy Italian style’ are reconfigured through Barattoni’s innovative approach, underscoring the realist-modernist dialogue in the hierarchy of the image and the foundational nature of the new cinema. Essential reading for all students of Italian film, this book will also appeal to undergraduate and postgraduate students in Film Studies. V Luca Barattoni is Assistant Professor of Italian at Clemson University. |
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| edition | pbk. ed. |
| era | Geschichte 1940-1969 gnd |
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| spelling | Barattoni, Luca Verfasser (DE-588)1028671105 aut Italian post-neorealist cinema Luca Barattoni pbk. ed. Edinburgh Edinburgh Univ. Press 2014 XI, 292 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Traditions in world cinema Geschichte 1940-1969 gnd rswk-swf Neorealismus (DE-588)4171455-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s Geschichte 1940-1969 z DE-604 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033670529&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033670529&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| subject_GND | (DE-588)4171455-6 (DE-588)4017102-4 (DE-588)4027833-5 |
| title | Italian post-neorealist cinema |
| title_auth | Italian post-neorealist cinema |
| title_exact_search | Italian post-neorealist cinema |
| title_exact_search_txtP | Italian post-neorealist cinema |
| title_full | Italian post-neorealist cinema Luca Barattoni |
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| title_short | Italian post-neorealist cinema |
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