Gabriel Lippmann's colour photography : science, media, museums:
Physicist Gabriel Lippmann's (1845-1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann?s death as an opportunity to reflect u...
Gespeichert in:
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
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Amsterdam
Amsterdam University Press
[2022]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Physicist Gabriel Lippmann's (1845-1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann?s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reassess Lippmann?s reception in the history of science, where he is most recognised, by going well beyond his endeavours in France and delving into the complexity of his colour photography as a challenge to various historiographies. Moreover, they analyse colour photographs as optical media, thus pluralising Lippmann photography's ties to art, cultural and imperial history, as well as media archaeology. The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography |
| Beschreibung: | 313 Seiten Illustrationen 24 cm |
| ISBN: | 9789463728553 |
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| 520 | 3 | |a Physicist Gabriel Lippmann's (1845-1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann?s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reassess Lippmann?s reception in the history of science, where he is most recognised, by going well beyond his endeavours in France and delving into the complexity of his colour photography as a challenge to various historiographies. Moreover, they analyse colour photographs as optical media, thus pluralising Lippmann photography's ties to art, cultural and imperial history, as well as media archaeology. The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography | |
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Datensatz im Suchindex
| _version_ | 1804184121702875136 |
|---|---|
| adam_text | TABLE
OF CONTENTS
GABRIEL
LIPPMANN S
COLOUR
PHOTOGRAPHY:
A
CRITICAL
INTRODUCTION
HANIN
HANNOUCH
PART
I THE
SCIENCE
OF
COLOUR
PHOTOGRAPHY
AND
THE
COLOUR PHOTOGRAPHY
OF
SCIENCE
1.
HOW LIPPMANN
FROZE
LIGHT
AND
PASSED
IT
AROUND
FOR
OTHERS
TO
TASTE
WILLIAM
R. ALSCHULER
7
31
2.
LIPPMANN S
INTERFERENTIAL COLOUR
PHOTOGRAPHY:
A JUNCTURE
BETWEEN
THE
HISTORIES
OF
SPECTROSCOPY
AND
PHOTOGRAPHY
63
KLAUS
HENTSCHEL
3.
COLOUR
UNDER
THE
MICROSCOPE: SANTIAGO
RAMON
Y
CAJAL
DOES
HISTOLOGY
ON
LIPPMANN
HELIOCHROMES
LAZAROS
C. TRIARHOU
AND
MANUEL
DEL
CERRO
91
4.
LOST
IN
DESCRIPTION:
THE
MISUNDERSTANDING
OF
FREDERIC
IVES
(1856-1937)
AND
THE
EXPERIMENTS
OF
HIS SON
HERBERT
(1882-1953)
ON
LIPPMANN S
INTERFERENCE
PHOTOGRAPHY
113
SUSAN
GAMBLE
PART
II MEDIA
HISTORY,
AESTHETICS,
AND
CULTURE
5.
LIPPMANN
PHOTOGRAPHY
AND
THE
PROBLEMS
OF
MEDIA
HISTORIOGRAPHY
JENS
SCHROETER
6. RICHARD
NEUHAUSS S
STUFFED PARROT:
INTERFERENTIAL
COLOUR
PHOTOGRAPHY,
TAXIDERMY,
AND
PROJECTION
HANIN
HANNOUCH
$
BIIOTHEK
DEUTSCHES
MUSEUM
HLUENCHE A
133
159
7.
BRILLIANT! ENTHUSIASM
FOR
THE
AESTHETIC
QUALITIES
OF
LIPPMANN S
INTERFERENTIAL
PHOTOGRAPHY
ELIZABETH CRONIN
8. FROM MAXWELL
TO
MERCURY:
THE CULTURAL HISTORY
OF
GABRIEL
LIPPMANN S
COLOUR PHOTOGRAPHY
ROLF SACHSSE
PART III
CONTEMPORARY RECEPTION
AND
FUTURE
TRAJECTORIES
185
199
9.
MATERIALITY, IDENTIFICATION,
AND
CONSERVATION
OF
LIPPMANN
PLATES
213
JENS GOLD
IO.
EXHIBITING GABRIEL
LIPPMANN:
A
COLLABORATIVE CHALLENGE
251
PAULINE
MARTIN
AND
CAROLE SANDRIN
II.
MODERN
LIPPMANN PHOTOGRAPHY
HANS I.
BJELKHAGEN
273
12.
IT S
NOT
JUST
A
PICTURE,
IT S
A MAGICAL
OBJECT :
INTERVIEW
WITH
CONTEMPORARY LIPPMANN
PHOTOGRAPHER FILIPE
ALVES
289
HANIN
HANNOUCH
AFTERWORD:
BUILDING BRIDGES
OVER
STANDING
WAVES
297
NATHALIE BOULOUCH
INDEX
305
|
| adam_txt |
TABLE
OF CONTENTS
GABRIEL
LIPPMANN'S
COLOUR
PHOTOGRAPHY:
A
CRITICAL
INTRODUCTION
HANIN
HANNOUCH
PART
I THE
SCIENCE
OF
COLOUR
PHOTOGRAPHY
AND
THE
COLOUR PHOTOGRAPHY
OF
SCIENCE
1.
HOW LIPPMANN
FROZE
LIGHT
AND
PASSED
IT
AROUND
FOR
OTHERS
TO
TASTE
WILLIAM
R. ALSCHULER
7
31
2.
LIPPMANN'S
INTERFERENTIAL COLOUR
PHOTOGRAPHY:
A JUNCTURE
BETWEEN
THE
HISTORIES
OF
SPECTROSCOPY
AND
PHOTOGRAPHY
63
KLAUS
HENTSCHEL
3.
COLOUR
UNDER
THE
MICROSCOPE: SANTIAGO
RAMON
Y
CAJAL
DOES
'HISTOLOGY'
ON
LIPPMANN
HELIOCHROMES
LAZAROS
C. TRIARHOU
AND
MANUEL
DEL
CERRO
91
4.
LOST
IN
DESCRIPTION:
THE
MISUNDERSTANDING
OF
FREDERIC
IVES
(1856-1937)
AND
THE
EXPERIMENTS
OF
HIS SON
HERBERT
(1882-1953)
ON
LIPPMANN'S
INTERFERENCE
PHOTOGRAPHY
113
SUSAN
GAMBLE
PART
II MEDIA
HISTORY,
AESTHETICS,
AND
CULTURE
5.
LIPPMANN
PHOTOGRAPHY
AND
THE
PROBLEMS
OF
MEDIA
HISTORIOGRAPHY
JENS
SCHROETER
6. RICHARD
NEUHAUSS'S
STUFFED PARROT:
INTERFERENTIAL
COLOUR
PHOTOGRAPHY,
TAXIDERMY,
AND
PROJECTION
HANIN
HANNOUCH
$
BIIOTHEK
DEUTSCHES
MUSEUM
HLUENCHE'A
133
159
7.
BRILLIANT! ENTHUSIASM
FOR
THE
AESTHETIC
QUALITIES
OF
LIPPMANN'S
INTERFERENTIAL
PHOTOGRAPHY
ELIZABETH CRONIN
8. FROM MAXWELL
TO
MERCURY:
THE CULTURAL HISTORY
OF
GABRIEL
LIPPMANN'S
COLOUR PHOTOGRAPHY
ROLF SACHSSE
PART III
CONTEMPORARY RECEPTION
AND
FUTURE
TRAJECTORIES
185
199
9.
MATERIALITY, IDENTIFICATION,
AND
CONSERVATION
OF
LIPPMANN
PLATES
213
JENS GOLD
IO.
EXHIBITING GABRIEL
LIPPMANN:
A
COLLABORATIVE CHALLENGE
251
PAULINE
MARTIN
AND
CAROLE SANDRIN
II.
MODERN
LIPPMANN PHOTOGRAPHY
HANS I.
BJELKHAGEN
273
12.
"IT'S
NOT
JUST
A
PICTURE,
IT'S
A MAGICAL
OBJECT":
INTERVIEW
WITH
CONTEMPORARY LIPPMANN
PHOTOGRAPHER FILIPE
ALVES
289
HANIN
HANNOUCH
AFTERWORD:
BUILDING BRIDGES
OVER
STANDING
WAVES
297
NATHALIE BOULOUCH
INDEX
305 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Lippmann, Gabriel 1845-1921 |
| author2 | Hannouch, Hanin 1989- |
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| author_facet | Lippmann, Gabriel 1845-1921 Hannouch, Hanin 1989- |
| author_role | inv |
| author_sort | Lippmann, Gabriel 1845-1921 |
| author_variant | g l gl |
| building | Verbundindex |
| bvnumber | BV048289584 |
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| era_facet | Geschichte |
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The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. 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| isbn | 9789463728553 |
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| publisher | Amsterdam University Press |
| record_format | marc |
| spelling | Gabriel Lippmann's colour photography : science, media, museums edited by Hanin Hannouch Amsterdam Amsterdam University Press [2022] © 2022 313 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Physicist Gabriel Lippmann's (1845-1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann?s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reassess Lippmann?s reception in the history of science, where he is most recognised, by going well beyond his endeavours in France and delving into the complexity of his colour photography as a challenge to various historiographies. Moreover, they analyse colour photographs as optical media, thus pluralising Lippmann photography's ties to art, cultural and imperial history, as well as media archaeology. The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography Lippmann, Gabriel 1845-1921 (DE-588)117044873 gnd rswk-swf Geschichte gnd rswk-swf Interferenz Physik (DE-588)4162000-8 gnd rswk-swf Farbfotografie (DE-588)4016464-0 gnd rswk-swf Fototechnik (DE-588)4174558-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Lippmann, Gabriel 1845-1921 (DE-588)117044873 p Farbfotografie (DE-588)4016464-0 s Fototechnik (DE-588)4174558-9 s Interferenz Physik (DE-588)4162000-8 s Geschichte z DE-604 Hannouch, Hanin 1989- (DE-588)1266509259 edt Lippmann, Gabriel 1845-1921 (DE-588)117044873 inv Erscheint auch als Online-Ausgabe 978-90-4855-401-0 (DE-604)BV048305676 Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033669612&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lippmann, Gabriel 1845-1921 Gabriel Lippmann's colour photography : science, media, museums Lippmann, Gabriel 1845-1921 (DE-588)117044873 gnd Interferenz Physik (DE-588)4162000-8 gnd Farbfotografie (DE-588)4016464-0 gnd Fototechnik (DE-588)4174558-9 gnd |
| subject_GND | (DE-588)117044873 (DE-588)4162000-8 (DE-588)4016464-0 (DE-588)4174558-9 (DE-588)4143413-4 |
| title | Gabriel Lippmann's colour photography : science, media, museums |
| title_auth | Gabriel Lippmann's colour photography : science, media, museums |
| title_exact_search | Gabriel Lippmann's colour photography : science, media, museums |
| title_exact_search_txtP | Gabriel Lippmann's colour photography : science, media, museums |
| title_full | Gabriel Lippmann's colour photography : science, media, museums edited by Hanin Hannouch |
| title_fullStr | Gabriel Lippmann's colour photography : science, media, museums edited by Hanin Hannouch |
| title_full_unstemmed | Gabriel Lippmann's colour photography : science, media, museums edited by Hanin Hannouch |
| title_short | Gabriel Lippmann's colour photography : science, media, museums |
| title_sort | gabriel lippmann s colour photography science media museums |
| topic | Lippmann, Gabriel 1845-1921 (DE-588)117044873 gnd Interferenz Physik (DE-588)4162000-8 gnd Farbfotografie (DE-588)4016464-0 gnd Fototechnik (DE-588)4174558-9 gnd |
| topic_facet | Lippmann, Gabriel 1845-1921 Interferenz Physik Farbfotografie Fototechnik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033669612&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hannouchhanin gabriellippmannscolourphotographysciencemediamuseums AT lippmanngabriel gabriellippmannscolourphotographysciencemediamuseums |