The politicized concert mass (1967-2007): from secularism to pluralism
"Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, univers...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, universalism; and those of the 2000s, cultural pluralism. Despite utilizing a format with its roots in the Roman Catholic liturgy, many of these politicized concert masses also reflect the increasing religious diversification of Western societies. By introducing non-Catholic and often non-Christian beliefs into masses that also remain respectful of Christian tradition, composers in the later twentieth- century have employed the genre to promote a conciliatory way of being that promotes the value of heterogeneity and reinforces the need to protect the diversity of musics, species and spiritualities that enrich life. In combining the political with the religious, the case studies presented pose challenges for both supporters and detractors of the secularization paradigm. Overarchingly, they demonstrate that any binary division that separates life into either the religious or the secular and promotes one over the other denies the complexity of lived experience and constitutes a diminution of what it is to be human"-- |
| Beschreibung: | X, 241 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781032271507 9781032271514 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV048283733 | ||
| 003 | DE-604 | ||
| 005 | 20221201 | ||
| 007 | t | ||
| 008 | 220610s2023 agl| b||| 00||| eng d | ||
| 020 | |a 9781032271507 |c hardback |9 978-1-03-227150-7 | ||
| 020 | |a 9781032271514 |c paperback |9 978-1-03-227151-4 | ||
| 035 | |a (OCoLC)1294152206 | ||
| 035 | |a (DE-599)BVBBV048283733 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 54077 |0 (DE-625)109624:13535 |2 rvk | ||
| 084 | |a LR 57747 |0 (DE-625)109883:13535 |2 rvk | ||
| 100 | 1 | |a Rocke, Stephanie |e Verfasser |0 (DE-588)1026931932 |4 aut | |
| 245 | 1 | 0 | |a The politicized concert mass (1967-2007) |b from secularism to pluralism |c Stephanie Rocke |
| 264 | 1 | |a London ; New York |b Routledge |c 2023 | |
| 264 | 4 | |c ©2023 | |
| 300 | |a X, 241 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, universalism; and those of the 2000s, cultural pluralism. Despite utilizing a format with its roots in the Roman Catholic liturgy, many of these politicized concert masses also reflect the increasing religious diversification of Western societies. By introducing non-Catholic and often non-Christian beliefs into masses that also remain respectful of Christian tradition, composers in the later twentieth- century have employed the genre to promote a conciliatory way of being that promotes the value of heterogeneity and reinforces the need to protect the diversity of musics, species and spiritualities that enrich life. In combining the political with the religious, the case studies presented pose challenges for both supporters and detractors of the secularization paradigm. Overarchingly, they demonstrate that any binary division that separates life into either the religious or the secular and promotes one over the other denies the complexity of lived experience and constitutes a diminution of what it is to be human"-- | |
| 648 | 7 | |a Geschichte 1958-2007 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Konzert |0 (DE-588)4032359-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Pluralismus |0 (DE-588)4046401-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Religion |0 (DE-588)4049396-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Messvertonung |0 (DE-588)4129031-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Politik |0 (DE-588)4046514-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Mass (Music) / 20th century | |
| 653 | 0 | |a Mass (Music) / 21st century | |
| 653 | 0 | |a Masses / Political aspects / History / 20th century | |
| 653 | 0 | |a Masses / Political aspects / History / 21st century | |
| 653 | 0 | |a Messe (Musique) / 20e siècle | |
| 653 | 0 | |a Messe (Musique) / 21e siècle | |
| 653 | 0 | |a Messes / Aspect politique / Histoire / 20e siècle | |
| 653 | 0 | |a Messes / Aspect politique / Histoire / 21e siècle | |
| 653 | 0 | |a Mass (Music) | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Messvertonung |0 (DE-588)4129031-8 |D s |
| 689 | 0 | 1 | |a Religion |0 (DE-588)4049396-9 |D s |
| 689 | 0 | 2 | |a Politik |0 (DE-588)4046514-7 |D s |
| 689 | 0 | 3 | |a Konzert |0 (DE-588)4032359-6 |D s |
| 689 | 0 | 4 | |a Pluralismus |0 (DE-588)4046401-5 |D s |
| 689 | 0 | 5 | |a Geschichte 1958-2007 |A z |
| 689 | 0 | |5 DE-604 | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Paperback |z 978-1-03-227151-4 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-1-00-329159-6 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663887&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20221201 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033663887 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 181 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 090511 |g 181 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 090511 |g 181 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |g 181 |
Datensatz im Suchindex
| _version_ | 1804184110770421760 |
|---|---|
| adam_text | Contents List offigures List of tables Introduction The concert mass 2 Concert mass background 3 Conceptualframework and theoretical approaches 4 Secularization 8 ix xi I Issues of transcendence 10 Religious universalism and pluralism 13 Relativism 14 Cosmopolitan pluralists 15 Book structure and chapter outlines 16 PARTI Challenging boundaries in the long 1960s Introduction 25 Civil protest 25 Roman Catholic activism 27 Part I Case Studies ֊ Introducing the masses of Axelrod, Davies and Bernstein 29 1 25 David Axelrod and the Electric Prunes’ psychedelic Mass in F Minor (1967) 31 Cultural context - the popular music industry 31 Mass in F Minor (1967) - The Electric Prunes and David Axelrod (1931-2017) 31 David Axelrod - a creative autodidact 32 Placing Mass in F Minor within the continuum of other masses 33 An absence of religion (secularization) 33 Psychedelic elements of Mass in F Minor 35 Text 36 Reception 36
vi Contents Psychedelia and the counter culture 39 Commodification ֊ Mass in F Minor as a product 42 Mass in F Minor legacy 43 2 Challenging Christianity: Provocative models in Peter Maxwell Davies’s and Leonard Bernstein’s theatrical concert masses Missa super Uhomme armé (1971) and Mass (1971) Cultural context - a thirst for change 49 49 Secularization in different spheres 50 Missa super l’homme armé (1969 rev. 1971) - Peter Maxwell Davies 51 Absurdity 51 Sacrifice, betrayal and Christianity 56 Mass (1971)- Leonard Bernstein 59 Faith 59 Social consciousness 63 Detractors 65 PART II Expanding the concert mass into new territories Introduction 73 Subversive protests 74 Part II case studies - Chihara and Fanshawe: similarities and differences 78 3 Christianity as everyday practice: Paul Chihara’s Missa Carminum: Folk Song Mass (1975) Background and genesis 85 Missa Carminum: Folk Song Mass (1975) 87 Text juxtapositions 88 Melodic juxtapositions 89 73 85 Gloria 91 Eros in the music of Missa Carminum 93 4 David Fanshawe’s African Sanctus: A Mass for Love and Peace (1973) Introduction 97 Cultural and religious merging 98 Creation and critique 98 Neo-colonial cosmopolitan patriot 102 Cultural and religious hybridity 105 Christian and Muslim perspectives 106 Transcultural flows 110 Conclusion to Part II 111 97
Contents vii PARTIU God meets Gaia: concert masses for the environment Introduction 117 Environmental movement 117 New spiritual pathways 118 Christianity and environmentalism 120 Lindisfarne Association 120 Part III case studies - towards natural religion: environmental concert masses of Winter, Patterson, Lentz and Larsen 121 5 Paul Winter’s Missa Gaia I Earth Mass (1981) and Paul Patterson’s Mass ofthe Sea (1983) 117 125 Introduction 125 Paul Winter’s Missa Gaia / Earth Mass (1981) 125 “Earth Fair” 127 A concert mass 127 Gaia God? 131 Paul Pattersons Mass of the Sea (1983) 132 6 David Lentz and Jessica Karraker’s wolfMASS (1987) and Libby Larsen’s Missa Gaia·. Mass for the Earth (1992) 139 Introduction 139 wolfMASS (1987) - Daniel Lentz and Jessica Karraker 139 Music 143 Libretto 144 Missa Gaia: Mass for the Earth (1992) - Libby Larsen 149 Music for mother Earth 150 Libretto ֊ replacement texts and musical choices 152 Credo: Speak to the Earth and It Shall Teach Thee 153 God? 156 Conclusion to Part III- Christianity as religious symbol 158 PARTIV Reflecting religions diversity Introduction 163 Historical antecedents 163 Concert masses 163 Religious plurality 165 Theoretical concepts 165 Tolerance 166 Moral education 167 David Fanshawe - African Sanctus: A Mass for Love and Peace (1973) (reprise) 168 Exclusivism, inclusivism 169 163
viii Contents Relativism 169 Concert mass responses to plurality universalism and pluralism 170 7 Universalistic approaches: Roger Davidson’s Missa Universalis I, II and III (1987-Ï992) and Luis Bacalov’s Misa Tango (1997) Introduction 174 Universalism 174 Roger Davidson: Missa Universalis I, II and III 174 (1987-1992) 175 Nuancing universalism 178 Luis Bacalov’s Misa Tango (1997) 179 Tango and religion 180 Lamb of God 182 8 Towards Pluralism: Carman Moore’s Mass for the 21st Century (1994-1995) 188 Introduction 188 Abandoning universalism 188 Inclusive pluralism 190 Carman Moore’s Mass for the 21st Century (1994-1995) 191 Universalism and pluralism 193 9 Pluralism in two twenty-first-century concert masses: Karl Jenkins’s The Armed Man: a Mass for Peace (2000) and And on Earth Peace: A Chanticleer Mass (2007) Introduction 204 The Armed Man: A Mass for Peace (2000) 205 Moving emotions through music 206 204 Choral and commercial success 210 Pluralistic aspects 212 And on Earth, Peace: A Chanticleer Mass (2007) 213 Pluralism and universalism 217 Spirituality 220 Conclusion to Part IV 220 Conclusion: From secularism to pluralism in forty years of politicized concert masses Index Concert Mass Index 226 235 240
|
| adam_txt |
Contents List offigures List of tables Introduction The concert mass 2 Concert mass background 3 Conceptualframework and theoretical approaches 4 Secularization 8 ix xi I Issues of transcendence 10 Religious universalism and pluralism 13 Relativism 14 Cosmopolitan pluralists 15 Book structure and chapter outlines 16 PARTI Challenging boundaries in the long 1960s Introduction 25 Civil protest 25 Roman Catholic activism 27 Part I Case Studies ֊ Introducing the masses of Axelrod, Davies and Bernstein 29 1 25 David Axelrod and the Electric Prunes’ psychedelic Mass in F Minor (1967) 31 Cultural context - the popular music industry 31 Mass in F Minor (1967) - The Electric Prunes and David Axelrod (1931-2017) 31 David Axelrod - a creative autodidact 32 Placing Mass in F Minor within the continuum of other masses 33 An absence of religion (secularization) 33 Psychedelic elements of Mass in F Minor 35 Text 36 Reception 36
vi Contents Psychedelia and the counter culture 39 Commodification ֊ Mass in F Minor as a product 42 Mass in F Minor legacy 43 2 Challenging Christianity: Provocative models in Peter Maxwell Davies’s and Leonard Bernstein’s theatrical concert masses Missa super Uhomme armé (1971) and Mass (1971) Cultural context - a thirst for change 49 49 Secularization in different spheres 50 Missa super l’homme armé (1969 rev. 1971) - Peter Maxwell Davies 51 Absurdity 51 Sacrifice, betrayal and Christianity 56 Mass (1971)- Leonard Bernstein 59 Faith 59 Social consciousness 63 Detractors 65 PART II Expanding the concert mass into new territories Introduction 73 Subversive protests 74 Part II case studies - Chihara and Fanshawe: similarities and differences 78 3 Christianity as everyday practice: Paul Chihara’s Missa Carminum: Folk Song Mass (1975) Background and genesis 85 Missa Carminum: Folk Song Mass (1975) 87 Text juxtapositions 88 Melodic juxtapositions 89 73 85 Gloria 91 Eros in the music of Missa Carminum 93 4 David Fanshawe’s African Sanctus: A Mass for Love and Peace (1973) Introduction 97 Cultural and religious merging 98 Creation and critique 98 Neo-colonial cosmopolitan patriot 102 Cultural and religious hybridity 105 Christian and Muslim perspectives 106 Transcultural flows 110 Conclusion to Part II 111 97
Contents vii PARTIU God meets Gaia: concert masses for the environment Introduction 117 Environmental movement 117 New spiritual pathways 118 Christianity and environmentalism 120 Lindisfarne Association 120 Part III case studies - towards natural religion: environmental concert masses of Winter, Patterson, Lentz and Larsen 121 5 Paul Winter’s Missa Gaia I Earth Mass (1981) and Paul Patterson’s Mass ofthe Sea (1983) 117 125 Introduction 125 Paul Winter’s Missa Gaia / Earth Mass (1981) 125 “Earth Fair” 127 A concert mass 127 Gaia God? 131 Paul Pattersons Mass of the Sea (1983) 132 6 David Lentz and Jessica Karraker’s wolfMASS (1987) and Libby Larsen’s Missa Gaia·. Mass for the Earth (1992) 139 Introduction 139 wolfMASS (1987) - Daniel Lentz and Jessica Karraker 139 Music 143 Libretto 144 Missa Gaia: Mass for the Earth (1992) - Libby Larsen 149 Music for mother Earth 150 Libretto ֊ replacement texts and musical choices 152 Credo: Speak to the Earth and It Shall Teach Thee 153 God? 156 Conclusion to Part III- Christianity as religious symbol 158 PARTIV Reflecting religions diversity Introduction 163 Historical antecedents 163 Concert masses 163 Religious plurality 165 Theoretical concepts 165 Tolerance 166 Moral education 167 David Fanshawe - African Sanctus: A Mass for Love and Peace (1973) (reprise) 168 Exclusivism, inclusivism 169 163
viii Contents Relativism 169 Concert mass responses to plurality universalism and pluralism 170 7 Universalistic approaches: Roger Davidson’s Missa Universalis I, II and III (1987-Ï992) and Luis Bacalov’s Misa Tango (1997) Introduction 174 Universalism 174 Roger Davidson: Missa Universalis I, II and III 174 (1987-1992) 175 Nuancing universalism 178 Luis Bacalov’s Misa Tango (1997) 179 Tango and religion 180 Lamb of God 182 8 Towards Pluralism: Carman Moore’s Mass for the 21st Century (1994-1995) 188 Introduction 188 Abandoning universalism 188 Inclusive pluralism 190 Carman Moore’s Mass for the 21st Century (1994-1995) 191 Universalism and pluralism 193 9 Pluralism in two twenty-first-century concert masses: Karl Jenkins’s The Armed Man: a Mass for Peace (2000) and And on Earth Peace: A Chanticleer Mass (2007) Introduction 204 The Armed Man: A Mass for Peace (2000) 205 Moving emotions through music 206 204 Choral and commercial success 210 Pluralistic aspects 212 And on Earth, Peace: A Chanticleer Mass (2007) 213 Pluralism and universalism 217 Spirituality 220 Conclusion to Part IV 220 Conclusion: From secularism to pluralism in forty years of politicized concert masses Index Concert Mass Index 226 235 240 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Rocke, Stephanie |
| author_GND | (DE-588)1026931932 |
| author_facet | Rocke, Stephanie |
| author_role | aut |
| author_sort | Rocke, Stephanie |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | BV048283733 |
| classification_rvk | LR 54077 LR 57747 |
| ctrlnum | (OCoLC)1294152206 (DE-599)BVBBV048283733 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1958-2007 gnd |
| era_facet | Geschichte 1958-2007 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04249nam a22007218c 4500</leader><controlfield tag="001">BV048283733</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221201 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220610s2023 agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032271507</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-03-227150-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032271514</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-03-227151-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294152206</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048283733</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54077</subfield><subfield code="0">(DE-625)109624:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57747</subfield><subfield code="0">(DE-625)109883:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rocke, Stephanie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1026931932</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The politicized concert mass (1967-2007)</subfield><subfield code="b">from secularism to pluralism</subfield><subfield code="c">Stephanie Rocke</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2023</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 241 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, universalism; and those of the 2000s, cultural pluralism. Despite utilizing a format with its roots in the Roman Catholic liturgy, many of these politicized concert masses also reflect the increasing religious diversification of Western societies. By introducing non-Catholic and often non-Christian beliefs into masses that also remain respectful of Christian tradition, composers in the later twentieth- century have employed the genre to promote a conciliatory way of being that promotes the value of heterogeneity and reinforces the need to protect the diversity of musics, species and spiritualities that enrich life. In combining the political with the religious, the case studies presented pose challenges for both supporters and detractors of the secularization paradigm. Overarchingly, they demonstrate that any binary division that separates life into either the religious or the secular and promotes one over the other denies the complexity of lived experience and constitutes a diminution of what it is to be human"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1958-2007</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Konzert</subfield><subfield code="0">(DE-588)4032359-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Pluralismus</subfield><subfield code="0">(DE-588)4046401-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Religion</subfield><subfield code="0">(DE-588)4049396-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Messvertonung</subfield><subfield code="0">(DE-588)4129031-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Mass (Music) / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Mass (Music) / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Masses / Political aspects / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Masses / Political aspects / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Messe (Musique) / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Messe (Musique) / 21e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Messes / Aspect politique / Histoire / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Messes / Aspect politique / Histoire / 21e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Mass (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Messvertonung</subfield><subfield code="0">(DE-588)4129031-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Religion</subfield><subfield code="0">(DE-588)4049396-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Konzert</subfield><subfield code="0">(DE-588)4032359-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Pluralismus</subfield><subfield code="0">(DE-588)4046401-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1958-2007</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-03-227151-4</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk.</subfield><subfield code="z">978-1-00-329159-6</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663887&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20221201</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033663887</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048283733 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:01:11Z |
| indexdate | 2024-07-10T09:34:08Z |
| institution | BVB |
| isbn | 9781032271507 9781032271514 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033663887 |
| oclc_num | 1294152206 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | X, 241 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20221201 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge |
| record_format | marc |
| spelling | Rocke, Stephanie Verfasser (DE-588)1026931932 aut The politicized concert mass (1967-2007) from secularism to pluralism Stephanie Rocke London ; New York Routledge 2023 ©2023 X, 241 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Since the transformative 1960s, concert masses have incorporated a range of political and religious views that mirror their socio-cultural context. Those of the long 1960s (c1958-1975) reflect non-conformism and social activism; those of the 1980s, environmentalism; those of the 1990s, universalism; and those of the 2000s, cultural pluralism. Despite utilizing a format with its roots in the Roman Catholic liturgy, many of these politicized concert masses also reflect the increasing religious diversification of Western societies. By introducing non-Catholic and often non-Christian beliefs into masses that also remain respectful of Christian tradition, composers in the later twentieth- century have employed the genre to promote a conciliatory way of being that promotes the value of heterogeneity and reinforces the need to protect the diversity of musics, species and spiritualities that enrich life. In combining the political with the religious, the case studies presented pose challenges for both supporters and detractors of the secularization paradigm. Overarchingly, they demonstrate that any binary division that separates life into either the religious or the secular and promotes one over the other denies the complexity of lived experience and constitutes a diminution of what it is to be human"-- Geschichte 1958-2007 gnd rswk-swf Konzert (DE-588)4032359-6 gnd rswk-swf Pluralismus (DE-588)4046401-5 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf Messvertonung (DE-588)4129031-8 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Mass (Music) / 20th century Mass (Music) / 21st century Masses / Political aspects / History / 20th century Masses / Political aspects / History / 21st century Messe (Musique) / 20e siècle Messe (Musique) / 21e siècle Messes / Aspect politique / Histoire / 20e siècle Messes / Aspect politique / Histoire / 21e siècle Mass (Music) 1900-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Messvertonung (DE-588)4129031-8 s Religion (DE-588)4049396-9 s Politik (DE-588)4046514-7 s Konzert (DE-588)4032359-6 s Pluralismus (DE-588)4046401-5 s Geschichte 1958-2007 z DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-03-227151-4 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-329159-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663887&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rocke, Stephanie The politicized concert mass (1967-2007) from secularism to pluralism Konzert (DE-588)4032359-6 gnd Pluralismus (DE-588)4046401-5 gnd Religion (DE-588)4049396-9 gnd Messvertonung (DE-588)4129031-8 gnd Politik (DE-588)4046514-7 gnd |
| subject_GND | (DE-588)4032359-6 (DE-588)4046401-5 (DE-588)4049396-9 (DE-588)4129031-8 (DE-588)4046514-7 (DE-588)4143413-4 |
| title | The politicized concert mass (1967-2007) from secularism to pluralism |
| title_auth | The politicized concert mass (1967-2007) from secularism to pluralism |
| title_exact_search | The politicized concert mass (1967-2007) from secularism to pluralism |
| title_exact_search_txtP | The politicized concert mass (1967-2007) from secularism to pluralism |
| title_full | The politicized concert mass (1967-2007) from secularism to pluralism Stephanie Rocke |
| title_fullStr | The politicized concert mass (1967-2007) from secularism to pluralism Stephanie Rocke |
| title_full_unstemmed | The politicized concert mass (1967-2007) from secularism to pluralism Stephanie Rocke |
| title_short | The politicized concert mass (1967-2007) |
| title_sort | the politicized concert mass 1967 2007 from secularism to pluralism |
| title_sub | from secularism to pluralism |
| topic | Konzert (DE-588)4032359-6 gnd Pluralismus (DE-588)4046401-5 gnd Religion (DE-588)4049396-9 gnd Messvertonung (DE-588)4129031-8 gnd Politik (DE-588)4046514-7 gnd |
| topic_facet | Konzert Pluralismus Religion Messvertonung Politik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663887&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rockestephanie thepoliticizedconcertmass19672007fromsecularismtopluralism |