Publishing blackness: textual constructions of race since 1850
"From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the c...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Schriftenreihe: | Editorial theory and literary criticism
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0472028928 0472118633 9780472028924 9780472118632 |
| Zugangseinschränkungen: | Open Access |
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| 505 | 8 | 0 | |t Introduction |r George Hutchinson and John K. Young -- |t The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives |r Ivy G. Wilson -- |t Representing African American Literature : or, Tradition against the Individual Talent |r George Hutchinson -- |t Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy |r John K. Young -- |t The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s |r George Bornstein -- |t More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) |r Ifeoma Kiddoe Nwankwo -- |t Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance |r William J. Maxwell -- |t Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies |r Gene Andrew Jarrett -- |t Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts |r James W. Smethurst -- |t Textual Productions of Black Aesthetics Unbound |r Margo Natalie Crawford -- |t Select Bibliography -- |t Contributors -- |t Index |
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| 520 | 3 | |a "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- | |
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Datensatz im Suchindex
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| author2 | Hutchinson, George 1953- Young, John K. 1968- |
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| author_additional | George Hutchinson and John K. Young -- Ivy G. Wilson -- George Hutchinson -- John K. Young -- George Bornstein -- Ifeoma Kiddoe Nwankwo -- William J. Maxwell -- Gene Andrew Jarrett -- James W. Smethurst -- Margo Natalie Crawford -- |
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| building | Verbundindex |
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| contents | Select BibliographyContributors -- Index Introduction The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives Representing African American Literature : or, Tradition against the Individual Talent Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts Textual Productions of Black Aesthetics Unbound Select Bibliography -- Contributors -- Index |
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| discipline_str_mv | Anglistik / Amerikanistik |
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| series2 | Editorial theory and literary criticism |
| spelling | Publishing blackness textual constructions of race since 1850 George Hutchinson and John Young, editiors Ann Arbor University of Michigan Press [2012] 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Editorial theory and literary criticism Select BibliographyContributors -- Index Introduction George Hutchinson and John K. Young -- The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives Ivy G. Wilson -- Representing African American Literature : or, Tradition against the Individual Talent George Hutchinson -- Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy John K. Young -- The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s George Bornstein -- More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) Ifeoma Kiddoe Nwankwo -- Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance William J. Maxwell -- Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies Gene Andrew Jarrett -- Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts James W. Smethurst -- Textual Productions of Black Aesthetics Unbound Margo Natalie Crawford -- Select Bibliography -- Contributors -- Index Open Access EbpS "From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"-- Geschichte 1850-2012 gnd rswk-swf African Americans in literature African Americans Intellectual life Criticism, Textual LITERARY CRITICISM American Literature publishing Political aspects American literature African American authors History and criticism Theory, etc American literature African American authors Publishing History Literature publishing Political aspects United States History Rasse Motiv (DE-588)4254018-5 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf United States Electronic books Criticism, interpretation, etc History USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Schwarze Motiv (DE-588)4116434-9 s Rasse Motiv (DE-588)4254018-5 s Geschichte 1850-2012 z DE-604 Hutchinson, George 1953- editor oth Young, John K. 1968- editor oth Erscheint auch als Druck-Ausgabe Publishing blackness Ann Arbor : University of Michigan Press, [2012] 9780472118632 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=539816 Verlag kostenfrei Volltext This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This work is licensed under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
| spellingShingle | Publishing blackness textual constructions of race since 1850 Select BibliographyContributors -- Index Introduction The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives Representing African American Literature : or, Tradition against the Individual Talent Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts Textual Productions of Black Aesthetics Unbound Select Bibliography -- Contributors -- Index African Americans in literature African Americans Intellectual life Criticism, Textual LITERARY CRITICISM American Literature publishing Political aspects American literature African American authors History and criticism Theory, etc American literature African American authors Publishing History Literature publishing Political aspects United States History Rasse Motiv (DE-588)4254018-5 gnd Schwarze Motiv (DE-588)4116434-9 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4254018-5 (DE-588)4116434-9 (DE-588)4035964-5 (DE-588)4078704-7 |
| title | Publishing blackness textual constructions of race since 1850 |
| title_alt | Introduction The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives Representing African American Literature : or, Tradition against the Individual Talent Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts Textual Productions of Black Aesthetics Unbound Select Bibliography -- Contributors -- Index |
| title_auth | Publishing blackness textual constructions of race since 1850 |
| title_exact_search | Publishing blackness textual constructions of race since 1850 |
| title_exact_search_txtP | Publishing blackness textual constructions of race since 1850 |
| title_full | Publishing blackness textual constructions of race since 1850 George Hutchinson and John Young, editiors |
| title_fullStr | Publishing blackness textual constructions of race since 1850 George Hutchinson and John Young, editiors |
| title_full_unstemmed | Publishing blackness textual constructions of race since 1850 George Hutchinson and John Young, editiors |
| title_short | Publishing blackness |
| title_sort | publishing blackness textual constructions of race since 1850 |
| title_sub | textual constructions of race since 1850 |
| topic | African Americans in literature African Americans Intellectual life Criticism, Textual LITERARY CRITICISM American Literature publishing Political aspects American literature African American authors History and criticism Theory, etc American literature African American authors Publishing History Literature publishing Political aspects United States History Rasse Motiv (DE-588)4254018-5 gnd Schwarze Motiv (DE-588)4116434-9 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | African Americans in literature African Americans Criticism, Textual LITERARY CRITICISM Literature publishing African Americans Intellectual life American literature African American authors History and criticism Theory, etc American literature African American authors Publishing History Literature publishing Political aspects United States History Rasse Motiv Schwarze Motiv Literatur USA |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=539816 |
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