Digital sound studies:
'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to tran...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
2018
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| Ausgabe: | [Open access version] |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | 'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 1478091010 9781478091011 |
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| 505 | 8 | 0 | |t Introduction |r Mary Caton Lingold, Darren Mueller, and Whitney Trettien -- |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Theories and Genealogies |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Ethnodigital sonics and the historical imagination |r Richard Cullen Rath |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Performing Zora : critical ethnography, digital sound, and not forgetting |r Myron M. Beasley |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity |r Jonathan W. Stone -- |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Digital Communities |r The pleasure (is) principle: sounding out! and the digitizing of community |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |r Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Becoming OutKasted: archiving contemporary Black Southernness in a digital age |r Regina N. Bradley |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography |r W.F. Umi Hsu -- |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Disciplinary Translations |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) |r Tanya E. Clement |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |
| 505 | 8 | 0 | |t "A foreign sound to your ear" : digital image sonification for historical interpretation |r Michael J. Kramer |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes |r Joanna Swafford -- |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Points Forward |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Digital approaches to historical acoustemologies: replication and reenactment |r Rebecca Dowd Geoffroy-Schwinden |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Sound practices for digital humanities |r Steph Ceraso -- |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |t Afterword: demands of duration: the futures of digital sound scholarship |r Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien |g I. |g 1 |g 2 |g 3 |g II. |g 4 |g 5 |g 6 |g III. |g 7 |g 8 |g 9 |g IV. |g 10 |g 11 |
| 520 | 3 | |a 'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher | |
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| 650 | 4 | |a Digital humanities | |
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| 650 | 4 | |a Sound in mass media | |
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| 700 | 1 | |a Lingold, Mary Caton |d 1981- |e editor |4 oth | |
| 700 | 1 | |a Mueller, Darren |d 1983- |e editor |4 oth | |
| 700 | 1 | |a Trettien, Whitney |e editor |4 oth | |
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Datensatz im Suchindex
| _version_ | 1804184108956385280 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Lingold, Mary Caton 1981- Mueller, Darren 1983- Trettien, Whitney |
| author2_role | edt edt edt |
| author2_variant | m c l mc mcl d m dm w t wt |
| author_additional | Mary Caton Lingold, Darren Mueller, and Whitney Trettien -- Richard Cullen Rath Myron M. Beasley Jonathan W. Stone -- The pleasure (is) principle: sounding out! and the digitizing of community Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva Regina N. Bradley W.F. Umi Hsu -- Tanya E. Clement Michael J. Kramer Joanna Swafford -- Rebecca Dowd Geoffroy-Schwinden Steph Ceraso -- Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien |
| author_facet | Lingold, Mary Caton 1981- Mueller, Darren 1983- Trettien, Whitney |
| building | Verbundindex |
| bvnumber | BV048282796 |
| classification_rvk | LR 57790 |
| collection | ZDB-4-EOAC |
| contents | Introduction Theories and Genealogies Ethnodigital sonics and the historical imagination Performing Zora : critical ethnography, digital sound, and not forgetting Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity Digital Communities Becoming OutKasted: archiving contemporary Black Southernness in a digital age Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography Disciplinary Translations Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) "A foreign sound to your ear" : digital image sonification for historical interpretation Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes Points Forward Digital approaches to historical acoustemologies: replication and reenactment Sound practices for digital humanities Afterword: demands of duration: the futures of digital sound scholarship |
| ctrlnum | (OCoLC)1308952867 (DE-599)BVBBV048282796 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | [Open access version] |
| format | Electronic eBook |
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This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048282796 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:58Z |
| indexdate | 2024-07-10T09:34:06Z |
| institution | BVB |
| isbn | 1478091010 9781478091011 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033662962 |
| oclc_num | 1308952867 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource |
| psigel | ZDB-4-EOAC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Digital sound studies edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien [Open access version] Durham Duke University Press 2018 ©2018 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Introduction Mary Caton Lingold, Darren Mueller, and Whitney Trettien -- I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Theories and Genealogies I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Ethnodigital sonics and the historical imagination Richard Cullen Rath I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Performing Zora : critical ethnography, digital sound, and not forgetting Myron M. Beasley I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity Jonathan W. Stone -- I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Digital Communities The pleasure (is) principle: sounding out! and the digitizing of community I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Becoming OutKasted: archiving contemporary Black Southernness in a digital age Regina N. Bradley I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography W.F. Umi Hsu -- I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Disciplinary Translations I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) Tanya E. Clement I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 "A foreign sound to your ear" : digital image sonification for historical interpretation Michael J. Kramer I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes Joanna Swafford -- I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Points Forward I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Digital approaches to historical acoustemologies: replication and reenactment Rebecca Dowd Geoffroy-Schwinden I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Sound practices for digital humanities Steph Ceraso -- I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 Afterword: demands of duration: the futures of digital sound scholarship Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien I. 1 2 3 II. 4 5 6 III. 7 8 9 IV. 10 11 'The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume's contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines--including rhetoric and composition, performance studies, anthropology, history, and information science--the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary."--Provided by publisher Sciences humaines numériques Son dans les médias digital humanities Digital humanities Sound in mass media Sound Sound Recording and reproducing Sound Recording and reproducing Digital techniques Forschung (DE-588)4017894-8 gnd rswk-swf Sound Studies (DE-588)1036986756 gnd rswk-swf Digital Humanities (DE-588)1038714850 gnd rswk-swf Electronic books (DE-588)4143413-4 Aufsatzsammlung gnd-content Sound Studies (DE-588)1036986756 s Digital Humanities (DE-588)1038714850 s Forschung (DE-588)4017894-8 s DE-604 Lingold, Mary Caton 1981- editor oth Mueller, Darren 1983- editor oth Trettien, Whitney editor oth Online version Digital sound studies Durham : Duke University Press, 2018 9780822371991 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3119149 Verlag kostenfrei Volltext |
| spellingShingle | Digital sound studies Introduction Theories and Genealogies Ethnodigital sonics and the historical imagination Performing Zora : critical ethnography, digital sound, and not forgetting Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity Digital Communities Becoming OutKasted: archiving contemporary Black Southernness in a digital age Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography Disciplinary Translations Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) "A foreign sound to your ear" : digital image sonification for historical interpretation Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes Points Forward Digital approaches to historical acoustemologies: replication and reenactment Sound practices for digital humanities Afterword: demands of duration: the futures of digital sound scholarship Sciences humaines numériques Son dans les médias digital humanities Digital humanities Sound in mass media Sound Sound Recording and reproducing Sound Recording and reproducing Digital techniques Forschung (DE-588)4017894-8 gnd Sound Studies (DE-588)1036986756 gnd Digital Humanities (DE-588)1038714850 gnd |
| subject_GND | (DE-588)4017894-8 (DE-588)1036986756 (DE-588)1038714850 (DE-588)4143413-4 |
| title | Digital sound studies |
| title_alt | Introduction Theories and Genealogies Ethnodigital sonics and the historical imagination Performing Zora : critical ethnography, digital sound, and not forgetting Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity Digital Communities Becoming OutKasted: archiving contemporary Black Southernness in a digital age Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography Disciplinary Translations Word. spoken. Articulating the voice for High Performance Sound Technologies for Access and Scholarship (HiPSTAS) "A foreign sound to your ear" : digital image sonification for historical interpretation Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes Points Forward Digital approaches to historical acoustemologies: replication and reenactment Sound practices for digital humanities Afterword: demands of duration: the futures of digital sound scholarship |
| title_auth | Digital sound studies |
| title_exact_search | Digital sound studies |
| title_exact_search_txtP | Digital sound studies |
| title_full | Digital sound studies edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien |
| title_fullStr | Digital sound studies edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien |
| title_full_unstemmed | Digital sound studies edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien |
| title_short | Digital sound studies |
| title_sort | digital sound studies |
| topic | Sciences humaines numériques Son dans les médias digital humanities Digital humanities Sound in mass media Sound Sound Recording and reproducing Sound Recording and reproducing Digital techniques Forschung (DE-588)4017894-8 gnd Sound Studies (DE-588)1036986756 gnd Digital Humanities (DE-588)1038714850 gnd |
| topic_facet | Sciences humaines numériques Son dans les médias digital humanities Digital humanities Sound in mass media Sound Sound Recording and reproducing Digital techniques Forschung Sound Studies Digital Humanities Aufsatzsammlung |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3119149 |
| work_keys_str_mv | AT lingoldmarycaton digitalsoundstudies AT muellerdarren digitalsoundstudies AT trettienwhitney digitalsoundstudies |