The matrix of lyric transformation: poetic modes and self-presentation in early Chinese pentasyllabic poetry
Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to com...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan, Center for Chinese Studies
2020
|
| Schriftenreihe: | Michigan Monographs In Chinese Studies
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it.The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles |
| Beschreibung: | 1 Online-Ressource (1 volume) |
| ISBN: | 0472901443 9780472901449 |
| Zugangseinschränkungen: | Open Access |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048281944 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220610s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 0472901443 |q (electronic bk.) |9 0472901443 | ||
| 020 | |a 9780472901449 |q (electronic bk.) |9 9780472901449 | ||
| 020 | |z 0472038052 |9 0472038052 | ||
| 020 | |z 9780472038053 |9 9780472038053 | ||
| 024 | 8 | |a https://doi.org/10.3998/mpub.19985 | |
| 035 | |a (OCoLC)1256585467 | ||
| 035 | |a (DE-599)BVBBV048281944 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 | ||
| 100 | 1 | |a Cai, Zong-qi |d 1955- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The matrix of lyric transformation |b poetic modes and self-presentation in early Chinese pentasyllabic poetry |c Zong-qi Cai |
| 264 | 1 | |a Ann Arbor |b University of Michigan, Center for Chinese Studies |c 2020 | |
| 300 | |a 1 Online-Ressource (1 volume) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Michigan Monographs In Chinese Studies | |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it.The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles | |
| 650 | 7 | |a Chinese poetry |2 Qin and Han dynasties | |
| 650 | 4 | |a Poetics | |
| 650 | 4 | |a Poetry | |
| 650 | 4 | |a Social Science | |
| 650 | 7 | |a Social Science |2 Ethnic Studies | |
| 650 | 4 | |a Yue fu (Chinese poetry) | |
| 650 | 4 | |a Chinese poetry |y Qin and Han dynasties, 221 B.C.-220 A.D. |x History and criticism | |
| 650 | 4 | |a Poetics | |
| 650 | 4 | |a Yue fu (Chinese poetry) |x History and criticism | |
| 653 | 1 | |a Cao, Zhi / 192-232 / Criticism and interpretation | |
| 653 | 1 | |a Ruan, Ji / 210-263 / Criticism and interpretation | |
| 653 | 1 | |a Cao, Zhi / 192-232 | |
| 653 | 1 | |a Ruan, Ji / 210-263 | |
| 653 | 4 | |a 221 B.C.-220 A.D. | |
| 653 | 6 | |a Electronic books | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a Poetry | |
| 653 | 6 | |a Poetry | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Cai, Zong-qi, 1955- |t Matrix of lyric transformation |d Ann Arbor : University of Michigan, Center for Chinese Studies, 2020 |z 9780472038053 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2584704 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ZDB-4-EOAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033662110 | ||
Datensatz im Suchindex
| _version_ | 1804184107740037120 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Cai, Zong-qi 1955- |
| author_facet | Cai, Zong-qi 1955- |
| author_role | aut |
| author_sort | Cai, Zong-qi 1955- |
| author_variant | z q c zqc |
| building | Verbundindex |
| bvnumber | BV048281944 |
| collection | ZDB-4-EOAC |
| ctrlnum | (OCoLC)1256585467 (DE-599)BVBBV048281944 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03259nmm a2200589 c 4500</leader><controlfield tag="001">BV048281944</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220610s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0472901443</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">0472901443</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472901449</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">9780472901449</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0472038052</subfield><subfield code="9">0472038052</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780472038053</subfield><subfield code="9">9780472038053</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">https://doi.org/10.3998/mpub.19985</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1256585467</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048281944</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cai, Zong-qi</subfield><subfield code="d">1955-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The matrix of lyric transformation</subfield><subfield code="b">poetic modes and self-presentation in early Chinese pentasyllabic poetry</subfield><subfield code="c">Zong-qi Cai</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan, Center for Chinese Studies</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 volume)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Michigan Monographs In Chinese Studies</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="5">EbpS</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it.The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Chinese poetry</subfield><subfield code="2">Qin and Han dynasties</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Social Science</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Social Science</subfield><subfield code="2">Ethnic Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Yue fu (Chinese poetry)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chinese poetry</subfield><subfield code="y">Qin and Han dynasties, 221 B.C.-220 A.D.</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Yue fu (Chinese poetry)</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cao, Zhi / 192-232 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Ruan, Ji / 210-263 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cao, Zhi / 192-232</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Ruan, Ji / 210-263</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">221 B.C.-220 A.D.</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Poetry</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Poetry</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Cai, Zong-qi, 1955-</subfield><subfield code="t">Matrix of lyric transformation</subfield><subfield code="d">Ann Arbor : University of Michigan, Center for Chinese Studies, 2020</subfield><subfield code="z">9780472038053</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2584704</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EOAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033662110</subfield></datafield></record></collection> |
| id | DE-604.BV048281944 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:57Z |
| indexdate | 2024-07-10T09:34:05Z |
| institution | BVB |
| isbn | 0472901443 9780472901449 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033662110 |
| oclc_num | 1256585467 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (1 volume) |
| psigel | ZDB-4-EOAC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Michigan, Center for Chinese Studies |
| record_format | marc |
| series2 | Michigan Monographs In Chinese Studies |
| spelling | Cai, Zong-qi 1955- Verfasser aut The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry Zong-qi Cai Ann Arbor University of Michigan, Center for Chinese Studies 2020 1 Online-Ressource (1 volume) txt rdacontent c rdamedia cr rdacarrier Michigan Monographs In Chinese Studies Open Access EbpS Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it.The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles Chinese poetry Qin and Han dynasties Poetics Poetry Social Science Social Science Ethnic Studies Yue fu (Chinese poetry) Chinese poetry Qin and Han dynasties, 221 B.C.-220 A.D. History and criticism Yue fu (Chinese poetry) History and criticism Cao, Zhi / 192-232 / Criticism and interpretation Ruan, Ji / 210-263 / Criticism and interpretation Cao, Zhi / 192-232 Ruan, Ji / 210-263 221 B.C.-220 A.D. Electronic books Criticism, interpretation, etc Erscheint auch als Druck-Ausgabe Cai, Zong-qi, 1955- Matrix of lyric transformation Ann Arbor : University of Michigan, Center for Chinese Studies, 2020 9780472038053 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2584704 Verlag kostenfrei Volltext |
| spellingShingle | Cai, Zong-qi 1955- The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry Chinese poetry Qin and Han dynasties Poetics Poetry Social Science Social Science Ethnic Studies Yue fu (Chinese poetry) Chinese poetry Qin and Han dynasties, 221 B.C.-220 A.D. History and criticism Yue fu (Chinese poetry) History and criticism |
| title | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry |
| title_auth | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry |
| title_exact_search | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry |
| title_exact_search_txtP | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry |
| title_full | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry Zong-qi Cai |
| title_fullStr | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry Zong-qi Cai |
| title_full_unstemmed | The matrix of lyric transformation poetic modes and self-presentation in early Chinese pentasyllabic poetry Zong-qi Cai |
| title_short | The matrix of lyric transformation |
| title_sort | the matrix of lyric transformation poetic modes and self presentation in early chinese pentasyllabic poetry |
| title_sub | poetic modes and self-presentation in early Chinese pentasyllabic poetry |
| topic | Chinese poetry Qin and Han dynasties Poetics Poetry Social Science Social Science Ethnic Studies Yue fu (Chinese poetry) Chinese poetry Qin and Han dynasties, 221 B.C.-220 A.D. History and criticism Yue fu (Chinese poetry) History and criticism |
| topic_facet | Chinese poetry Poetics Poetry Social Science Yue fu (Chinese poetry) Chinese poetry Qin and Han dynasties, 221 B.C.-220 A.D. History and criticism Yue fu (Chinese poetry) History and criticism |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2584704 |
| work_keys_str_mv | AT caizongqi thematrixoflyrictransformationpoeticmodesandselfpresentationinearlychinesepentasyllabicpoetry |