The geography of Gandhāran art: proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018
Gandharan art is usually regarded as a single phenomenon - a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also...
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| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English |
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Oxford
Archaeopress Publishing Ltd
[2019]
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| Schriftenreihe: | Archaeopress archaeology
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| Zusammenfassung: | Gandharan art is usually regarded as a single phenomenon - a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandharan sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandharan art have received less attention than they deserve. Many surviving Gandharan artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandharan heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage |
| Beschreibung: | 1 Online-Ressource (xii, 185 Seiten) illustrations (some color), maps |
| ISBN: | 1789691877 9781789691870 |
| Zugangseinschränkungen: | Open Access |
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| isbn | 1789691877 9781789691870 |
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| spelling | International Workshop of the Gandhara Connections Project (2nd 2018 University of Oxford, England) Verfasser aut The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 edited by Wannaporn Rienjang, Peter Stewart Oxford Archaeopress Publishing Ltd [2019] ©2019 1 Online-Ressource (xii, 185 Seiten) illustrations (some color), maps txt rdacontent c rdamedia cr rdacarrier Archaeopress archaeology Open Access EbpS Gandharan art is usually regarded as a single phenomenon - a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandharan sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandharan art have received less attention than they deserve. Many surviving Gandharan artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandharan heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage Art du Gāndhāra Art, Gandhara Art, Gandhara Congresses Electronic books Conference papers and proceedings Rienjang, Wannaporn editor oth Stewart, Peter 1971- editor oth University of Oxford host institution Sonstige oth Erscheint auch als Druck-Ausgabe International Workshop of the Gandhara Connections Project (2nd : 2018 : University of Oxford, England) Geography of Gandhāran art Oxford : Archaeopress Publishing Ltd, [2019] Erscheint auch als Druck-Ausgabe International Workshop of the Gandhara Connections Project (2nd : 2018 : University of Oxford, England) Geography of Gandhāran art Oxford : Archaeopress Publishing Ltd, [2019] 1789691869 9781789691863 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295686 Verlag kostenfrei Volltext |
| spellingShingle | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 Art du Gāndhāra Art, Gandhara Art, Gandhara Congresses |
| title | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 |
| title_auth | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 |
| title_exact_search | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 |
| title_exact_search_txtP | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 |
| title_full | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 edited by Wannaporn Rienjang, Peter Stewart |
| title_fullStr | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 edited by Wannaporn Rienjang, Peter Stewart |
| title_full_unstemmed | The geography of Gandhāran art proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 edited by Wannaporn Rienjang, Peter Stewart |
| title_short | The geography of Gandhāran art |
| title_sort | the geography of gandharan art proceedings of the second international workshop of the gandhara connections project university of oxford 22nd 23rd march 2018 |
| title_sub | proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 |
| topic | Art du Gāndhāra Art, Gandhara Art, Gandhara Congresses |
| topic_facet | Art du Gāndhāra Art, Gandhara Art, Gandhara Congresses |
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