Bytes and backbeats: repurposing music in the digital age
From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor, Mich.
University of Michigan Press
[2011]
|
| Schriftenreihe: | Tracking pop
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. Three original audio projects form an integral part of the work, drawing from rock & roll, jazz, and traditional African music. Through these projects, Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience from the perspective of composers, musicians, and listeners. This work stems from Savage's experience as a professional recording engineer and record producer. "Instead of focusing solely on legal aspects, as many authors have done, Savage takes the time to study not only how technologies have altered the way we make and consume music, but also how technology relates to culture. This balance between 'empirical' and 'critical' approaches is powerful."--Serge Lacasse, Université Laval |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0472027735 0472901184 1283334364 6613334367 9780472027736 9780472901180 9781283334365 9786613334367 |
| Zugangseinschränkungen: | Open Access |
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| 520 | 3 | |a From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. Three original audio projects form an integral part of the work, drawing from rock & roll, jazz, and traditional African music. Through these projects, Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience from the perspective of composers, musicians, and listeners. This work stems from Savage's experience as a professional recording engineer and record producer. "Instead of focusing solely on legal aspects, as many authors have done, Savage takes the time to study not only how technologies have altered the way we make and consume music, but also how technology relates to culture. This balance between 'empirical' and 'critical' approaches is powerful."--Serge Lacasse, Université Laval | |
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| contents | Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? |
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| series2 | Tracking pop |
| spelling | Savage, Steve 1948- Verfasser aut Bytes and backbeats repurposing music in the digital age Steve Savage Ann Arbor, Mich. University of Michigan Press [2011] 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Tracking pop Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? Open Access EbpS From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. Steve Savage, however, deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. Three original audio projects form an integral part of the work, drawing from rock & roll, jazz, and traditional African music. Through these projects, Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience from the perspective of composers, musicians, and listeners. This work stems from Savage's experience as a professional recording engineer and record producer. "Instead of focusing solely on legal aspects, as many authors have done, Savage takes the time to study not only how technologies have altered the way we make and consume music, but also how technology relates to culture. This balance between 'empirical' and 'critical' approaches is powerful."--Serge Lacasse, Université Laval English MUSIC General MUSIC Genres & Styles Musikproduktion Neue Medien Popmusik Remix Rockmusik Sound recordings Production and direction Soundverarbeitung Popular music Production and direction Geschichte 2000-2011 Electronic books Erscheint auch als Druck-Ausgabe Savage, Steve, 1948- Bytes and backbeats Ann Arbor, Mich. : University of Michigan Press, ©2011 9780472117857 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=398851 Verlag kostenfrei Volltext data file |
| spellingShingle | Savage, Steve 1948- Bytes and backbeats repurposing music in the digital age Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? MUSIC General MUSIC Genres & Styles Musikproduktion Neue Medien Popmusik Remix Rockmusik Sound recordings Production and direction Soundverarbeitung Popular music Production and direction |
| title | Bytes and backbeats repurposing music in the digital age |
| title_auth | Bytes and backbeats repurposing music in the digital age |
| title_exact_search | Bytes and backbeats repurposing music in the digital age |
| title_exact_search_txtP | Bytes and backbeats repurposing music in the digital age |
| title_full | Bytes and backbeats repurposing music in the digital age Steve Savage |
| title_fullStr | Bytes and backbeats repurposing music in the digital age Steve Savage |
| title_full_unstemmed | Bytes and backbeats repurposing music in the digital age Steve Savage |
| title_short | Bytes and backbeats |
| title_sort | bytes and backbeats repurposing music in the digital age |
| title_sub | repurposing music in the digital age |
| topic | MUSIC General MUSIC Genres & Styles Musikproduktion Neue Medien Popmusik Remix Rockmusik Sound recordings Production and direction Soundverarbeitung Popular music Production and direction |
| topic_facet | MUSIC Musikproduktion Neue Medien Popmusik Remix Rockmusik Sound recordings Soundverarbeitung Popular music Production and direction Sound recordings Production and direction |
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| work_keys_str_mv | AT savagesteve bytesandbackbeatsrepurposingmusicinthedigitalage |