Gallucci's commentary on Dürer's Four books on human proportion: renaissance proportion theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English Italian |
| Veröffentlicht: |
[Cambridge, UK]
Open Book Publishers
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 43. On the Diversity of Necks Appropriate to Different Figures |
| Beschreibung: | 1 Online-Ressource (xiii, 208 Seiten) illustrations |
| ISBN: | 1783748605 1783748613 1783748621 1783748893 9781783748600 9781783748617 9781783748624 9781783748891 |
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| 500 | |a 43. On the Diversity of Necks Appropriate to Different Figures | ||
| 505 | 8 | |a Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women | |
| 505 | 8 | |a 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked | |
| 505 | 8 | |a 24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures | |
| 505 | 8 | |a 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures | |
| 505 | 8 | |a 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again | |
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Datensatz im Suchindex
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|---|---|
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| author | Gallucci, Giovanni Paolo 1538-1621? |
| author2 | Hutson, James Hutson, James |
| author2_role | trl aui |
| author2_variant | j h jh j h jh |
| author_facet | Gallucci, Giovanni Paolo 1538-1621? Hutson, James Hutson, James |
| author_role | aut |
| author_sort | Gallucci, Giovanni Paolo 1538-1621? |
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| building | Verbundindex |
| bvnumber | BV048280816 |
| classification_rvk | LH 70060 |
| collection | ZDB-4-EOAC |
| contents | Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked 24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again |
| ctrlnum | (OCoLC)1150165536 (DE-599)BVBBV048280816 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| id | DE-604.BV048280816 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:00:55Z |
| indexdate | 2024-07-10T09:34:03Z |
| institution | BVB |
| isbn | 1783748605 1783748613 1783748621 1783748893 9781783748600 9781783748617 9781783748624 9781783748891 |
| language | English Italian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033660982 |
| oclc_num | 1150165536 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xiii, 208 Seiten) illustrations |
| psigel | ZDB-4-EOAC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Open Book Publishers |
| record_format | marc |
| spelling | Gallucci, Giovanni Paolo 1538-1621? Verfasser aut Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory translated with an introduction by James Hutson [Cambridge, UK] Open Book Publishers [2020] 1 Online-Ressource (xiii, 208 Seiten) illustrations txt rdacontent c rdamedia cr rdacarrier 43. On the Diversity of Necks Appropriate to Different Figures Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked 24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd rswk-swf Gallucci, Giovanni Paolo 1538-1621 (DE-588)128844353 gnd rswk-swf Geschichte gnd rswk-swf Anatomie humaine Corps humain dans l'art Proportions (Art) Human anatomy Human figure in art Proportion (Art) Kunst (DE-588)4114333-4 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Dürer, Albrecht / 1471-1528 / Les quatre liures d'Albert Durer Electronic books Dürer, Albrecht 1471-1528 (DE-588)11852786X p Renaissance (DE-588)4049450-0 s Kunst (DE-588)4114333-4 s Geschichte z DE-604 Gallucci, Giovanni Paolo 1538-1621 (DE-588)128844353 p Hutson, James translator author of introduction, etc oth Erscheint auch als Druck-Ausgabe 9781783748877 Erscheint auch als Druck-Ausgabe 9781783748884 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2412803 Verlag kostenfrei Volltext |
| spellingShingle | Gallucci, Giovanni Paolo 1538-1621? Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory Intro -- Contents -- Acknowledgments -- On the Translation -- Introduction -- 1. Proportion Theory: Disciplinary Intersections -- 2. Gallucci: Translator, Academician, Pedagogue -- 3. Ut pictura poesis: Sister Arts -- 4. Physiognomics: The Science of Passion -- 5. From Microcosm to Macrocosm -- 6. Proportion Studies: Reception and Legacy -- Contents -- Dedication -- Life of Albrecht Dürer -- Preface to Readers -- Book Five -- 1. On the Utility of this Doctrine -- 2. On the Differences of Humans with Respect to Countries, Sex, and Age -- 3. On the Beauty of Human Bodies, Especially Women 12. The Figure of an Insolent and Presumptuous Man -- 13. The Figure of a Cheerful Man -- 14. The Figure of a Melancholic and Grieved Man -- 15. The Figure of a Cruel and Inhumane Man -- 16. The Figure of a Flatterer -- 17. The Figure of a Desperate Woman -- 18. The Figure of a Man Full of Astonishment -- 19. The Figure of Beastly or Savage Men -- 20. The Figure of a Fraud -- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man -- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things -- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked 24. The Figure of Big Eater, and of One of Great Memory -- 25. The Figure of a Loquacious Man -- 26. The Figure of a Drowsy Man -- 27. The Figure of a Libidinous Man -- 28. The Figure of an Envious Man -- 29. The Figure of an Ugly Man and Woman -- 30. On the Different Feet of Men, and Those Which Are Suitable -- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent -- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make -- 33. On the Diversity of Knees Appropriate to Different Figures 34. Which Thighs and Buttocks are Appropriate for Which Figures -- 35. Which Limbs and Stomachs Belong to Which Figures -- 36. Which Back and Ribs Suit Which Figures -- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures -- 38. On Some Correspondences that Some Members Have between Them -- 39. How the Chest and Shoulders Should Be Done in Several Different Figures -- 40. On the Shoulders and Chest Most Appropriate to Different Figures -- 41. On Arms and Hands Appropriate to Different Figures -- 42. Which Fingernails Are Appropriate to Different Figures 4. The Figure of a Strong Man -- 5. How the Figure of a Timid Man Should Be Painted -- 6. How One Should Paint a Furious and Angry Man -- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate -- 8. How an Ingenious Man Should Be Painted -- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence -- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident -- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd Gallucci, Giovanni Paolo 1538-1621 (DE-588)128844353 gnd Anatomie humaine Corps humain dans l'art Proportions (Art) Human anatomy Human figure in art Proportion (Art) Kunst (DE-588)4114333-4 gnd Renaissance (DE-588)4049450-0 gnd |
| subject_GND | (DE-588)11852786X (DE-588)128844353 (DE-588)4114333-4 (DE-588)4049450-0 |
| title | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory |
| title_auth | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory |
| title_exact_search | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory |
| title_exact_search_txtP | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory |
| title_full | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory translated with an introduction by James Hutson |
| title_fullStr | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory translated with an introduction by James Hutson |
| title_full_unstemmed | Gallucci's commentary on Dürer's Four books on human proportion renaissance proportion theory translated with an introduction by James Hutson |
| title_short | Gallucci's commentary on Dürer's Four books on human proportion |
| title_sort | gallucci s commentary on durer s four books on human proportion renaissance proportion theory |
| title_sub | renaissance proportion theory |
| topic | Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd Gallucci, Giovanni Paolo 1538-1621 (DE-588)128844353 gnd Anatomie humaine Corps humain dans l'art Proportions (Art) Human anatomy Human figure in art Proportion (Art) Kunst (DE-588)4114333-4 gnd Renaissance (DE-588)4049450-0 gnd |
| topic_facet | Dürer, Albrecht 1471-1528 Gallucci, Giovanni Paolo 1538-1621 Anatomie humaine Corps humain dans l'art Proportions (Art) Human anatomy Human figure in art Proportion (Art) Kunst Renaissance |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2412803 |
| work_keys_str_mv | AT galluccigiovannipaolo gallucciscommentaryondurersfourbooksonhumanproportionrenaissanceproportiontheory AT hutsonjames gallucciscommentaryondurersfourbooksonhumanproportionrenaissanceproportiontheory |