Stories: screen narrative in the digital era
Stories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social l...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2018]
|
| Schriftenreihe: | The key debates
7 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Stories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality? |
| Beschreibung: | 1 Online-Ressource (208 Seiten) illustrations |
| ISBN: | 9048537088 9789048537082 |
| Zugangseinschränkungen: | Open Access |
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| 490 | 0 | |a The key debates |v 7 | |
| 505 | 8 | 0 | |t Screen narrative in the digital era |r Ian Christie and Annie van den Oever -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Stories and storytelling in the era of graphic narrative |r Jan Baetens -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Rediscovering iconographic storytelling |r Vincent Amiel -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Wallowing in dissonance: the attractiveness of impossible puzzle films |r Miklós Kiss and Steven Willemsen -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t "Storification": or, What do we want psychology and physiology to tell us about screen stories? |r Ian Christie -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |
| 505 | 8 | 0 | |t Transmedia storytelling: new practices and audiences |r Melanie Schiller -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t The endless endings of Michelangelo Antonioni's films |r José Moure -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t The film that dreams: about David Lynch's Twin Peaks season 3 |r Dominique Chateau -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Spoilers, twists, and dragons: popular narrative after Game of Thrones |r Sandra Laugier -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Storytelling and mainstream television today - a dialogue |r John Ellis and Annie van den Oever -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |
| 505 | 8 | 0 | |t The single shot, narration, and creativity in the space of everyday communication |r Roger Odin -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue |r Eric de Kuyper and Annie van den Oever -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Introduction to Dickensian: an intertextual universe? |r Ian Christie -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t The lives of the characters in Dickensian |r Luke McKernan -- |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |t Music structuring narrative - a dialogue |r Robert ziegler and Ian Christie |g 1 |g Part I - Theory in contemporary contexts: reassessing key questions |g 2 |g 3 |g 4 |g 5 |g 6 |g Part II - History and analyses |g 7 |g 8 |g 9 |g Part III - Discussions |g 10 |g 11 |g Part IV - Practicalities |g 12 |g 13 |g 14 |g 15 |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a Stories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality? | |
| 650 | 4 | |a Art de conter dans les médias | |
| 650 | 7 | |a ART |2 General | |
| 650 | 7 | |a PERFORMING ARTS |2 Reference | |
| 650 | 7 | |a PSYCHOLOGY |2 Social Psychology | |
| 650 | 4 | |a Storytelling in mass media | |
| 650 | 4 | |a Storytelling in mass media | |
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Datensatz im Suchindex
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| author2 | Christie, Ian 1945- Oever, Annie van den 1957- |
| author2_role | edt edt |
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| author_additional | Ian Christie and Annie van den Oever -- Jan Baetens -- Vincent Amiel -- Miklós Kiss and Steven Willemsen -- Ian Christie -- Melanie Schiller -- José Moure -- Dominique Chateau -- Sandra Laugier -- John Ellis and Annie van den Oever -- Roger Odin -- Eric de Kuyper and Annie van den Oever -- Luke McKernan -- Robert ziegler and Ian Christie |
| author_facet | Christie, Ian 1945- Oever, Annie van den 1957- |
| building | Verbundindex |
| bvnumber | BV048279596 |
| collection | ZDB-4-EOAC |
| contents | Screen narrative in the digital era Stories and storytelling in the era of graphic narrative Rediscovering iconographic storytelling Wallowing in dissonance: the attractiveness of impossible puzzle films "Storification": or, What do we want psychology and physiology to tell us about screen stories? Transmedia storytelling: new practices and audiences The endless endings of Michelangelo Antonioni's films The film that dreams: about David Lynch's Twin Peaks season 3 Spoilers, twists, and dragons: popular narrative after Game of Thrones Storytelling and mainstream television today - a dialogue The single shot, narration, and creativity in the space of everyday communication Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue Introduction to Dickensian: an intertextual universe? The lives of the characters in Dickensian Music structuring narrative - a dialogue |
| ctrlnum | (OCoLC)1052613043 (DE-599)BVBBV048279596 |
| format | Electronic eBook |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048279596 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:00:51Z |
| indexdate | 2024-07-10T09:34:01Z |
| institution | BVB |
| isbn | 9048537088 9789048537082 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659762 |
| oclc_num | 1052613043 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-Po75 |
| physical | 1 Online-Ressource (208 Seiten) illustrations |
| psigel | ZDB-4-EOAC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | The key debates |
| spelling | Stories screen narrative in the digital era edited by Ian Christie and Annie van den Oever Amsterdam Amsterdam University Press [2018] ©2018 1 Online-Ressource (208 Seiten) illustrations txt rdacontent c rdamedia cr rdacarrier The key debates 7 Screen narrative in the digital era Ian Christie and Annie van den Oever -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Stories and storytelling in the era of graphic narrative Jan Baetens -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Rediscovering iconographic storytelling Vincent Amiel -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Wallowing in dissonance: the attractiveness of impossible puzzle films Miklós Kiss and Steven Willemsen -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 "Storification": or, What do we want psychology and physiology to tell us about screen stories? Ian Christie -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Transmedia storytelling: new practices and audiences Melanie Schiller -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 The endless endings of Michelangelo Antonioni's films José Moure -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 The film that dreams: about David Lynch's Twin Peaks season 3 Dominique Chateau -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Spoilers, twists, and dragons: popular narrative after Game of Thrones Sandra Laugier -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Storytelling and mainstream television today - a dialogue John Ellis and Annie van den Oever -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 The single shot, narration, and creativity in the space of everyday communication Roger Odin -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue Eric de Kuyper and Annie van den Oever -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Introduction to Dickensian: an intertextual universe? Ian Christie -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 The lives of the characters in Dickensian Luke McKernan -- 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Music structuring narrative - a dialogue Robert ziegler and Ian Christie 1 Part I - Theory in contemporary contexts: reassessing key questions 2 3 4 5 6 Part II - History and analyses 7 8 9 Part III - Discussions 10 11 Part IV - Practicalities 12 13 14 15 Open Access EbpS Stories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality? Art de conter dans les médias ART General PERFORMING ARTS Reference PSYCHOLOGY Social Psychology Storytelling in mass media Fernsehserie (DE-588)4154072-4 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Electronic books (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Fernsehserie (DE-588)4154072-4 s Erzähltechnik (DE-588)4124854-5 s DE-604 Christie, Ian 1945- editor oth Oever, Annie van den 1957- editor oth Erscheint auch als Druck-Ausgabe Stories Amsterdam : Amsterdam University Press, [2018] https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1887523 Verlag kostenfrei Volltext |
| spellingShingle | Stories screen narrative in the digital era Screen narrative in the digital era Stories and storytelling in the era of graphic narrative Rediscovering iconographic storytelling Wallowing in dissonance: the attractiveness of impossible puzzle films "Storification": or, What do we want psychology and physiology to tell us about screen stories? Transmedia storytelling: new practices and audiences The endless endings of Michelangelo Antonioni's films The film that dreams: about David Lynch's Twin Peaks season 3 Spoilers, twists, and dragons: popular narrative after Game of Thrones Storytelling and mainstream television today - a dialogue The single shot, narration, and creativity in the space of everyday communication Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue Introduction to Dickensian: an intertextual universe? The lives of the characters in Dickensian Music structuring narrative - a dialogue Art de conter dans les médias ART General PERFORMING ARTS Reference PSYCHOLOGY Social Psychology Storytelling in mass media Fernsehserie (DE-588)4154072-4 gnd Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154072-4 (DE-588)4124854-5 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Stories screen narrative in the digital era |
| title_alt | Screen narrative in the digital era Stories and storytelling in the era of graphic narrative Rediscovering iconographic storytelling Wallowing in dissonance: the attractiveness of impossible puzzle films "Storification": or, What do we want psychology and physiology to tell us about screen stories? Transmedia storytelling: new practices and audiences The endless endings of Michelangelo Antonioni's films The film that dreams: about David Lynch's Twin Peaks season 3 Spoilers, twists, and dragons: popular narrative after Game of Thrones Storytelling and mainstream television today - a dialogue The single shot, narration, and creativity in the space of everyday communication Rewriting Proust: working with Chantal Akerman on La Captive - a dialogue Introduction to Dickensian: an intertextual universe? The lives of the characters in Dickensian Music structuring narrative - a dialogue |
| title_auth | Stories screen narrative in the digital era |
| title_exact_search | Stories screen narrative in the digital era |
| title_exact_search_txtP | Stories screen narrative in the digital era |
| title_full | Stories screen narrative in the digital era edited by Ian Christie and Annie van den Oever |
| title_fullStr | Stories screen narrative in the digital era edited by Ian Christie and Annie van den Oever |
| title_full_unstemmed | Stories screen narrative in the digital era edited by Ian Christie and Annie van den Oever |
| title_short | Stories |
| title_sort | stories screen narrative in the digital era |
| title_sub | screen narrative in the digital era |
| topic | Art de conter dans les médias ART General PERFORMING ARTS Reference PSYCHOLOGY Social Psychology Storytelling in mass media Fernsehserie (DE-588)4154072-4 gnd Erzähltechnik (DE-588)4124854-5 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Art de conter dans les médias ART PERFORMING ARTS PSYCHOLOGY Storytelling in mass media Fernsehserie Erzähltechnik Film Aufsatzsammlung |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1887523 |
| work_keys_str_mv | AT christieian storiesscreennarrativeinthedigitalera AT oeverannievanden storiesscreennarrativeinthedigitalera |