Faking, Forging, Counterfeiting: Discredited Practices at the Margins of Mimesis
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
Transcript-Verlag
[2018]
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| Schriftenreihe: | Edition Kulturwissenschaft
128 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 3839437628 9783839437629 |
| Zugangseinschränkungen: | Open Access |
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| 520 | 3 | |a Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation | |
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| author_additional | Fischer, Annalisa -- Keazor, Henry -- Bach, Friedrich Teja -- Hylkema, Jacqueline -- Mühlbacher, Manuel -- Graves, Margaret S. -- Öcal, Tina -- Benesch, Klaus -- Sannders, Florencia -- Kohlrausch, Laura -- Schmitz, Yola -- Fenelli, Laura -- Becker, Daniel -- Niehoff, Simone -- |
| author_facet | Becker, Daniel Fischer, Annalisa Schmitz, Yola |
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| contents | Frontmatter -- Table of Contents -- Preface Six Degrees of Separation Forgery: The Art of Deception The Artist and the Mountebank Aping the Master Fracture, Facture and the Collecting of Islamic Art Shape-shifters of Transculturation Fake Supreme Reflections on Plagiarism in Jorge Luis Borgesʼs Works "I have chosen to write notes on imaginary books" Faked Translations Creating a Cult, Faking Relics Desiring Fakes Unmasking the Fake Contributors -- Illustration Credits |
| ctrlnum | (OCoLC)1046617096 (DE-599)BVBBV048279517 |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
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| spelling | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Yola Schmitz, Annalisa Fischer, Daniel Becker Bielefeld Transcript-Verlag [2018] ©2018 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Edition Kulturwissenschaft 128 Frontmatter -- Table of Contents -- Preface Fischer, Annalisa -- Six Degrees of Separation Keazor, Henry -- Forgery: The Art of Deception Bach, Friedrich Teja -- The Artist and the Mountebank Hylkema, Jacqueline -- Aping the Master Mühlbacher, Manuel -- Fracture, Facture and the Collecting of Islamic Art Graves, Margaret S. -- Shape-shifters of Transculturation Öcal, Tina -- Fake Supreme Benesch, Klaus -- Reflections on Plagiarism in Jorge Luis Borgesʼs Works Sannders, Florencia -- "I have chosen to write notes on imaginary books" Kohlrausch, Laura -- Faked Translations Schmitz, Yola -- Creating a Cult, Faking Relics Fenelli, Laura -- Desiring Fakes Becker, Daniel -- Unmasking the Fake Niehoff, Simone -- Contributors -- Illustration Credits Open Access EbpS Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation In English Art Forgeries Mimesis in art Social & cultural history SOCIAL SCIENCE / Popular Culture Art Forgeries Congresses Mimesis in art Congresses Plagiat (DE-588)4046196-8 gnd rswk-swf Fälschung (DE-588)4016247-3 gnd rswk-swf Kunstfälschung (DE-588)4166027-4 gnd rswk-swf Kopie (DE-588)4032423-0 gnd rswk-swf Electronic books Conference papers and proceedings (DE-588)1071861417 Konferenzschrift Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich 29.10.2015-31.10.2015 München gnd-content Fälschung (DE-588)4016247-3 s Kunstfälschung (DE-588)4166027-4 s Plagiat (DE-588)4046196-8 s Kopie (DE-588)4032423-0 s DE-604 Becker, Daniel editor oth Fischer, Annalisa editor oth Niehoff, Simone Sonstige oth Sannders, Florencia Sonstige oth Schmitz, Yola editor oth https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2962136 Verlag kostenfrei Volltext text file PDF rda |
| spellingShingle | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Frontmatter -- Table of Contents -- Preface Six Degrees of Separation Forgery: The Art of Deception The Artist and the Mountebank Aping the Master Fracture, Facture and the Collecting of Islamic Art Shape-shifters of Transculturation Fake Supreme Reflections on Plagiarism in Jorge Luis Borgesʼs Works "I have chosen to write notes on imaginary books" Faked Translations Creating a Cult, Faking Relics Desiring Fakes Unmasking the Fake Contributors -- Illustration Credits Art Forgeries Mimesis in art Social & cultural history SOCIAL SCIENCE / Popular Culture Art Forgeries Congresses Mimesis in art Congresses Plagiat (DE-588)4046196-8 gnd Fälschung (DE-588)4016247-3 gnd Kunstfälschung (DE-588)4166027-4 gnd Kopie (DE-588)4032423-0 gnd |
| subject_GND | (DE-588)4046196-8 (DE-588)4016247-3 (DE-588)4166027-4 (DE-588)4032423-0 (DE-588)1071861417 |
| title | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis |
| title_alt | Frontmatter -- Table of Contents -- Preface Six Degrees of Separation Forgery: The Art of Deception The Artist and the Mountebank Aping the Master Fracture, Facture and the Collecting of Islamic Art Shape-shifters of Transculturation Fake Supreme Reflections on Plagiarism in Jorge Luis Borgesʼs Works "I have chosen to write notes on imaginary books" Faked Translations Creating a Cult, Faking Relics Desiring Fakes Unmasking the Fake Contributors -- Illustration Credits |
| title_auth | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis |
| title_exact_search | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis |
| title_exact_search_txtP | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis |
| title_full | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Yola Schmitz, Annalisa Fischer, Daniel Becker |
| title_fullStr | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Yola Schmitz, Annalisa Fischer, Daniel Becker |
| title_full_unstemmed | Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Yola Schmitz, Annalisa Fischer, Daniel Becker |
| title_short | Faking, Forging, Counterfeiting |
| title_sort | faking forging counterfeiting discredited practices at the margins of mimesis |
| title_sub | Discredited Practices at the Margins of Mimesis |
| topic | Art Forgeries Mimesis in art Social & cultural history SOCIAL SCIENCE / Popular Culture Art Forgeries Congresses Mimesis in art Congresses Plagiat (DE-588)4046196-8 gnd Fälschung (DE-588)4016247-3 gnd Kunstfälschung (DE-588)4166027-4 gnd Kopie (DE-588)4032423-0 gnd |
| topic_facet | Art Mimesis in art Social & cultural history SOCIAL SCIENCE / Popular Culture Art Forgeries Congresses Mimesis in art Congresses Plagiat Fälschung Kunstfälschung Kopie Konferenzschrift Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich 29.10.2015-31.10.2015 München |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2962136 |
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