Early film theories in Italy, 1896-1922:
This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collec...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Schriftenreihe: | Film theory in media history
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life |
| Beschreibung: | 1 Online-Ressource (516 Seiten) |
| ISBN: | 9048527104 9789048527106 |
| Zugangseinschränkungen: | Open Access |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048279371 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220610s2017 xx ob||| 00||| eng d | ||
| 020 | |a 9048527104 |q (electronic bk.) |9 9048527104 | ||
| 020 | |a 9789048527106 |q (electronic bk.) |9 9789048527106 | ||
| 020 | |z 9089648550 |9 9089648550 | ||
| 020 | |z 9789089648556 |9 9789089648556 | ||
| 024 | 7 | |a 10.5117/9789089648556 |2 doi | |
| 035 | |a (OCoLC)1030821311 | ||
| 035 | |a (DE-599)BVBBV048279371 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 |a DE-Po75 | ||
| 245 | 1 | 0 | |a Early film theories in Italy, 1896-1922 |c edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| 264 | 0 | |a Amsterdam |b Amsterdam University Press |c ©2017 | |
| 300 | |a 1 Online-Ressource (516 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film theory in media history | |
| 505 | 8 | 0 | |t The Throb of the Cinematograph |r Francesco Casetti -- |t Section 1 -- |t Cinema and Modern Life |r Francesco Casetti -- |t Cinematography |r Edipi -- |t The Philosophy of Cinematograph |r Giovanni Papini -- |t Summertime Spectacles: The Cinema |r Gaio -- |t Why I Love the Cinema |r Maffio Maffii -- |t The Movie Theatre Audience |r Giovanni Fosse -- |t The Art of Celluloid |r Crainquebille -- |t The Triumph of the Cinema |r Ricciotto Canudo -- |t The Death of the Word |r Fausto Maria Martini -- |t Section 2 -- |t Film in Transition |r Francesco Casetti -- |t The Museum of the Fleeting Moment |r Lucio d'Ambra -- |t The Woman and the Cinema |r Haydee -- |t Darkness and Intelligence |r Emanuele Toddi -- |t A Spectatrix is Speaking to You |r Matilde Serao -- |t Motion Pictures in Provincial Towns |r Emilio Scaglione -- |t Cinematic Psychology |r Edoardo Coli -- |t The Cinematograph Doesn't Exist |r Silvio d'Amico -- |t The Cinema: School of the Will and of Energy |r Giovanni Bertinetti -- |t The Close-up |r Alberto Orsi -- |t The Soul of Titles |r Ernesto Quadrone -- |t Section 3 -- |t Cinema at War |r Luca Mazzei -- |t The War, from Up Close |r Nino Salvaneschi -- |t That Poor Cinema |r Renato Giovannetti -- |t Families of Soldiers |r Luigi Lucatelli -- |t War for the Profit of Industry |r Renato Giovannetti -- |t The War and Cinematograph |r g.pr. -- |t Max Linder Dies in The War |r Lucio d'Ambra -- |t Cinema of War |r Saverio Procida -- |t Section 4 -- |t Politics, Morality, Education |r Silvio Alovisio -- |
| 505 | 8 | 0 | |t The Motion Pictures and Education |r Domenico Orano -- |t The Intuitive Method in Religious Education |r Romano Costetti -- |t The Cinema and Its Influence on the Education of the People |r Giovanni Battista Avellone -- |t The Cinematograph in the Schools |r Francesco Orestano -- |t Speech at the People's Theatre |r Vittorio Emanuele Orlando -- |t Cinema for the Cultivation of the Intellect |r Angelina Buracci -- |t Educational Cinema |r Ettore Fabietti -- |t Section 5 -- |t Film, Body, Mind |r Silvio Alovisio -- |t Collective Psychology |r Pasquale Rossi -- |t About Some Psychological Observations Made During Film Screenings |r Mario Ponzo -- |t Concerning the Effects of Film Viewing on Neurotic Individuals |r Giuseppe d'Abundo -- |t The Ongoing Battle between Gesture and Word |r Mariano Luigi Patrizi -- |t The Cinematograph in the Field of Mental Illness and Criminality: Notes |r Giuseppe Vidoni -- |t Cinema and Juvenile Delinquency |r Mario Ponzo -- |t Section 6 -- |t The Aesthetic Side |r Luca Mazzei -- |t Problems of Art: Expression and Movement in Sculpture |r Corrado Ricci -- |t Scenic Impressionism |r Sebastiano Arturo Luciani -- |t The Aesthetics of Cinema |r Goffredo Bellonci -- |t The Poetics of Cinema |r Sebastiano Arturo Luciani -- |t Manifesto for a Cinematic Revolution |r Goffredo Bellonci -- |t Theatre and the Cinema |r Antonio Gramsci -- |t The Futurist Cinematography |r Remo Chiti -- |t In the Beginning Was Sex |r Antonio Gramsci -- |
| 505 | 8 | 0 | |t Rectangle-Film (25 x 19) |r Emanuele Toddi -- |t The Proscenium Arch of My Cinema |r Anton Giulio Bragaglia -- |t My Views on the Cinematograph |r Lucio d'Ambra -- |t Meditations in the Dark |r Michele Biancale -- |t Section 7 -- |t Theory in a Narrative Form |r Luca Mazzei -- |t Colour Film |r Roberto Tanfani -- |t At the Cinema |r Luigia Cortesi -- |t A Phantom Pursued |r Alberto Lumbroso -- |t Miopetti's Duel |r Aldo Borelli -- |t Pamela-Films |r Guido Gozzano -- |t Feature Film |r Pio Vanzi -- |t Me, Riri, and Love in Slippers |r Luciano Doria -- |t A Cinematic Performance |r Federigo Tozzi -- |t Life, a Glass Theatre |r Pier Maria Rosso di San Secondo -- |t The Shears' Reflection |r Guido Gozzano |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life | |
| 546 | |a Undetermined | ||
| 648 | 7 | |a Geschichte 1896-1922 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Cinéma et arts | |
| 650 | 7 | |a Cinéma |2 Aspect social | |
| 650 | 7 | |a Cinéma |2 Esthétique | |
| 650 | 7 | |a Cinéma |2 Histoire | |
| 650 | 7 | |a Cinéma |2 Philosophie | |
| 650 | 4 | |a Film theory and criticism | |
| 650 | 4 | |a Film, TV and radio | |
| 650 | 4 | |a Films, cinema | |
| 650 | 4 | |a Intellectual life | |
| 650 | 4 | |a Motion pictures and the arts | |
| 650 | 4 | |a Motion pictures | |
| 650 | 7 | |a Motion pictures |2 Aesthetics | |
| 650 | 7 | |a Motion pictures |2 Philosophy | |
| 650 | 7 | |a Motion pictures |2 Social aspects | |
| 650 | 7 | |a PERFORMING ARTS |2 Film & Video | |
| 650 | 7 | |a PERFORMING ARTS |2 Reference | |
| 650 | 4 | |a The arts | |
| 650 | 4 | |a Motion pictures and the arts |z Italy | |
| 650 | 4 | |a Motion pictures |x Social aspects |z Italy | |
| 650 | 4 | |a Motion pictures |z Italy |x Aesthetics | |
| 650 | 4 | |a Motion pictures |z Italy |x History | |
| 650 | 4 | |a Motion pictures |z Italy |x Philosophy | |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
| 653 | |a Cinema and philosophy | ||
| 653 | |a Cinema and psychology | ||
| 653 | |a Cinema and war | ||
| 653 | |a Early film theories | ||
| 653 | |a Social impact of cinema | ||
| 653 | 4 | |a 1900-1999 | |
| 653 | 2 | |a Italy / Intellectual life / 20th century | |
| 653 | 2 | |a Italie / Vie intellectuelle / 20e siècle | |
| 653 | 2 | |a Italy | |
| 653 | 6 | |a Electronic books | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4135952-5 |a Quelle |2 gnd-content | |
| 689 | 0 | 0 | |a Italien |0 (DE-588)4027833-5 |D g |
| 689 | 0 | 1 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
| 689 | 0 | 2 | |a Geschichte 1896-1922 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Alovisio, Silvio |d 1968- |e editor |4 oth | |
| 700 | 1 | |a Casetti, Francesco |e editor |4 oth | |
| 700 | 1 | |a Mazzei, Luca |e editor |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Early Film Theories in Italy, 1896-1922 |d Amsterdam : Amsterdam University Press, 2017 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ZDB-4-EOAC | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033659536 | |
Datensatz im Suchindex
| _version_ | 1820173081059000320 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Alovisio, Silvio 1968- Casetti, Francesco Mazzei, Luca |
| author2_role | edt edt edt |
| author2_variant | s a sa f c fc l m lm |
| author_additional | Francesco Casetti -- Edipi -- Giovanni Papini -- Gaio -- Maffio Maffii -- Giovanni Fosse -- Crainquebille -- Ricciotto Canudo -- Fausto Maria Martini -- Lucio d'Ambra -- Haydee -- Emanuele Toddi -- Matilde Serao -- Emilio Scaglione -- Edoardo Coli -- Silvio d'Amico -- Giovanni Bertinetti -- Alberto Orsi -- Ernesto Quadrone -- Luca Mazzei -- Nino Salvaneschi -- Renato Giovannetti -- Luigi Lucatelli -- g.pr. -- Saverio Procida -- Silvio Alovisio -- Domenico Orano -- Romano Costetti -- Giovanni Battista Avellone -- Francesco Orestano -- Vittorio Emanuele Orlando -- Angelina Buracci -- Ettore Fabietti -- Pasquale Rossi -- Mario Ponzo -- Giuseppe d'Abundo -- Mariano Luigi Patrizi -- Giuseppe Vidoni -- Corrado Ricci -- Sebastiano Arturo Luciani -- Goffredo Bellonci -- Antonio Gramsci -- Remo Chiti -- Anton Giulio Bragaglia -- Michele Biancale -- Roberto Tanfani -- Luigia Cortesi -- Alberto Lumbroso -- Aldo Borelli -- Guido Gozzano -- Pio Vanzi -- Luciano Doria -- Federigo Tozzi -- Pier Maria Rosso di San Secondo -- Guido Gozzano |
| author_facet | Alovisio, Silvio 1968- Casetti, Francesco Mazzei, Luca |
| building | Verbundindex |
| bvnumber | BV048279371 |
| collection | ZDB-4-EOAC |
| contents | The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection |
| ctrlnum | (OCoLC)1030821311 (DE-599)BVBBV048279371 |
| era | Geschichte 1896-1922 gnd |
| era_facet | Geschichte 1896-1922 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048279371</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220610s2017 xx ob||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048527104</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">9048527104</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048527106</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">9789048527106</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9089648550</subfield><subfield code="9">9089648550</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789089648556</subfield><subfield code="9">9789089648556</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5117/9789089648556</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1030821311</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048279371</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Early film theories in Italy, 1896-1922</subfield><subfield code="c">edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei</subfield></datafield><datafield tag="264" ind1=" " ind2="0"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (516 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film theory in media history</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">The Throb of the Cinematograph</subfield><subfield code="r">Francesco Casetti --</subfield><subfield code="t">Section 1 --</subfield><subfield code="t">Cinema and Modern Life</subfield><subfield code="r">Francesco Casetti --</subfield><subfield code="t">Cinematography</subfield><subfield code="r">Edipi --</subfield><subfield code="t">The Philosophy of Cinematograph</subfield><subfield code="r">Giovanni Papini --</subfield><subfield code="t">Summertime Spectacles: The Cinema</subfield><subfield code="r">Gaio --</subfield><subfield code="t">Why I Love the Cinema</subfield><subfield code="r">Maffio Maffii --</subfield><subfield code="t">The Movie Theatre Audience</subfield><subfield code="r">Giovanni Fosse --</subfield><subfield code="t">The Art of Celluloid</subfield><subfield code="r">Crainquebille --</subfield><subfield code="t">The Triumph of the Cinema</subfield><subfield code="r">Ricciotto Canudo --</subfield><subfield code="t">The Death of the Word</subfield><subfield code="r">Fausto Maria Martini --</subfield><subfield code="t">Section 2 --</subfield><subfield code="t">Film in Transition</subfield><subfield code="r">Francesco Casetti --</subfield><subfield code="t">The Museum of the Fleeting Moment</subfield><subfield code="r">Lucio d'Ambra --</subfield><subfield code="t">The Woman and the Cinema</subfield><subfield code="r">Haydee --</subfield><subfield code="t">Darkness and Intelligence</subfield><subfield code="r">Emanuele Toddi --</subfield><subfield code="t">A Spectatrix is Speaking to You</subfield><subfield code="r">Matilde Serao --</subfield><subfield code="t">Motion Pictures in Provincial Towns</subfield><subfield code="r">Emilio Scaglione --</subfield><subfield code="t">Cinematic Psychology</subfield><subfield code="r">Edoardo Coli --</subfield><subfield code="t">The Cinematograph Doesn't Exist</subfield><subfield code="r">Silvio d'Amico --</subfield><subfield code="t">The Cinema: School of the Will and of Energy</subfield><subfield code="r">Giovanni Bertinetti --</subfield><subfield code="9"></subfield><subfield code="t">The Close-up</subfield><subfield code="r">Alberto Orsi --</subfield><subfield code="9"></subfield><subfield code="t">The Soul of Titles</subfield><subfield code="r">Ernesto Quadrone --</subfield><subfield code="9"></subfield><subfield code="t">Section 3 --</subfield><subfield code="9"></subfield><subfield code="t">Cinema at War</subfield><subfield code="r">Luca Mazzei --</subfield><subfield code="9"></subfield><subfield code="t">The War, from Up Close</subfield><subfield code="r">Nino Salvaneschi --</subfield><subfield code="9"></subfield><subfield code="t">That Poor Cinema</subfield><subfield code="r">Renato Giovannetti --</subfield><subfield code="9"></subfield><subfield code="t">Families of Soldiers</subfield><subfield code="r">Luigi Lucatelli --</subfield><subfield code="9"></subfield><subfield code="t">War for the Profit of Industry</subfield><subfield code="r">Renato Giovannetti --</subfield><subfield code="9"></subfield><subfield code="t">The War and Cinematograph</subfield><subfield code="r">g.pr. --</subfield><subfield code="9"></subfield><subfield code="t">Max Linder Dies in The War</subfield><subfield code="r">Lucio d'Ambra --</subfield><subfield code="9"></subfield><subfield code="t">Cinema of War</subfield><subfield code="r">Saverio Procida --</subfield><subfield code="9"></subfield><subfield code="t">Section 4 --</subfield><subfield code="9"></subfield><subfield code="t">Politics, Morality, Education</subfield><subfield code="r">Silvio Alovisio --</subfield><subfield code="9"></subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">The Motion Pictures and Education</subfield><subfield code="r">Domenico Orano --</subfield><subfield code="9"></subfield><subfield code="t">The Intuitive Method in Religious Education</subfield><subfield code="r">Romano Costetti --</subfield><subfield code="9"></subfield><subfield code="t">The Cinema and Its Influence on the Education of the People</subfield><subfield code="r">Giovanni Battista Avellone --</subfield><subfield code="9"></subfield><subfield code="t">The Cinematograph in the Schools</subfield><subfield code="r">Francesco Orestano --</subfield><subfield code="9"></subfield><subfield code="t">Speech at the People's Theatre</subfield><subfield code="r">Vittorio Emanuele Orlando --</subfield><subfield code="9"></subfield><subfield code="t">Cinema for the Cultivation of the Intellect</subfield><subfield code="r">Angelina Buracci --</subfield><subfield code="9"></subfield><subfield code="t">Educational Cinema</subfield><subfield code="9"></subfield><subfield code="r">Ettore Fabietti --</subfield><subfield code="9"></subfield><subfield code="t">Section 5 --</subfield><subfield code="9"></subfield><subfield code="t">Film, Body, Mind</subfield><subfield code="r">Silvio Alovisio --</subfield><subfield code="9"></subfield><subfield code="t">Collective Psychology</subfield><subfield code="r">Pasquale Rossi --</subfield><subfield code="9"></subfield><subfield code="t">About Some Psychological Observations Made During Film Screenings</subfield><subfield code="r">Mario Ponzo --</subfield><subfield code="9"></subfield><subfield code="t">Concerning the Effects of Film Viewing on Neurotic Individuals</subfield><subfield code="r">Giuseppe d'Abundo --</subfield><subfield code="9"></subfield><subfield code="t">The Ongoing Battle between Gesture and Word</subfield><subfield code="r">Mariano Luigi Patrizi --</subfield><subfield code="9"></subfield><subfield code="t">The Cinematograph in the Field of Mental Illness and Criminality: Notes</subfield><subfield code="r">Giuseppe Vidoni --</subfield><subfield code="9"></subfield><subfield code="t">Cinema and Juvenile Delinquency</subfield><subfield code="r">Mario Ponzo --</subfield><subfield code="9"></subfield><subfield code="t">Section 6 --</subfield><subfield code="9"></subfield><subfield code="t">The Aesthetic Side</subfield><subfield code="r">Luca Mazzei --</subfield><subfield code="9"></subfield><subfield code="t">Problems of Art: Expression and Movement in Sculpture</subfield><subfield code="r">Corrado Ricci --</subfield><subfield code="9"></subfield><subfield code="t">Scenic Impressionism</subfield><subfield code="r">Sebastiano Arturo Luciani --</subfield><subfield code="9"></subfield><subfield code="t">The Aesthetics of Cinema</subfield><subfield code="r">Goffredo Bellonci --</subfield><subfield code="9"></subfield><subfield code="t">The Poetics of Cinema</subfield><subfield code="r">Sebastiano Arturo Luciani --</subfield><subfield code="9"></subfield><subfield code="t">Manifesto for a Cinematic Revolution</subfield><subfield code="r">Goffredo Bellonci --</subfield><subfield code="9"></subfield><subfield code="t">Theatre and the Cinema</subfield><subfield code="r">Antonio Gramsci --</subfield><subfield code="9"></subfield><subfield code="t">The Futurist Cinematography</subfield><subfield code="r">Remo Chiti --</subfield><subfield code="9"></subfield><subfield code="t">In the Beginning Was Sex</subfield><subfield code="r">Antonio Gramsci --</subfield><subfield code="9"></subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Rectangle-Film (25 x 19)</subfield><subfield code="r">Emanuele Toddi --</subfield><subfield code="9"></subfield><subfield code="t">The Proscenium Arch of My Cinema</subfield><subfield code="r">Anton Giulio Bragaglia --</subfield><subfield code="9"></subfield><subfield code="t">My Views on the Cinematograph</subfield><subfield code="r">Lucio d'Ambra --</subfield><subfield code="9"></subfield><subfield code="t">Meditations in the Dark</subfield><subfield code="r">Michele Biancale --</subfield><subfield code="9"></subfield><subfield code="t">Section 7 --</subfield><subfield code="9"></subfield><subfield code="t">Theory in a Narrative Form</subfield><subfield code="r">Luca Mazzei --</subfield><subfield code="9"></subfield><subfield code="t">Colour Film</subfield><subfield code="r">Roberto Tanfani --</subfield><subfield code="9"></subfield><subfield code="t">At the Cinema</subfield><subfield code="r">Luigia Cortesi --</subfield><subfield code="9"></subfield><subfield code="t">A Phantom Pursued</subfield><subfield code="r">Alberto Lumbroso --</subfield><subfield code="9"></subfield><subfield code="t">Miopetti's Duel</subfield><subfield code="r">Aldo Borelli --</subfield><subfield code="9"></subfield><subfield code="t">Pamela-Films</subfield><subfield code="r">Guido Gozzano --</subfield><subfield code="9"></subfield><subfield code="t">Feature Film</subfield><subfield code="r">Pio Vanzi --</subfield><subfield code="9"></subfield><subfield code="t">Me, Riri, and Love in Slippers</subfield><subfield code="r">Luciano Doria --</subfield><subfield code="9"></subfield><subfield code="t">A Cinematic Performance</subfield><subfield code="r">Federigo Tozzi --</subfield><subfield code="9"></subfield><subfield code="t">Life, a Glass Theatre</subfield><subfield code="r">Pier Maria Rosso di San Secondo --</subfield><subfield code="9"></subfield><subfield code="t">The Shears' Reflection</subfield><subfield code="r">Guido Gozzano</subfield><subfield code="9"></subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="5">EbpS</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Undetermined</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1896-1922</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cinéma et arts</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinéma</subfield><subfield code="2">Aspect social</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinéma</subfield><subfield code="2">Esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinéma</subfield><subfield code="2">Histoire</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinéma</subfield><subfield code="2">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film theory and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, TV and radio</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Films, cinema</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Intellectual life</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and the arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">Aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="2">Film & Video</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="2">Reference</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and the arts</subfield><subfield code="z">Italy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Italy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Italy</subfield><subfield code="x">Aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Italy</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Italy</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinema and philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinema and psychology</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinema and war</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Early film theories</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Social impact of cinema</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italy / Intellectual life / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italie / Vie intellectuelle / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Italy</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135952-5</subfield><subfield code="a">Quelle</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1896-1922</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alovisio, Silvio</subfield><subfield code="d">1968-</subfield><subfield code="e">editor</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Casetti, Francesco</subfield><subfield code="e">editor</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mazzei, Luca</subfield><subfield code="e">editor</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="t">Early Film Theories in Italy, 1896-1922</subfield><subfield code="d">Amsterdam : Amsterdam University Press, 2017</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EOAC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033659536</subfield></datafield></record></collection> |
| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV048279371 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:50Z |
| indexdate | 2025-01-02T21:11:58Z |
| institution | BVB |
| isbn | 9048527104 9789048527106 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659536 |
| oclc_num | 1030821311 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-Po75 |
| physical | 1 Online-Ressource (516 Seiten) |
| psigel | ZDB-4-EOAC |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| record_format | marc |
| series2 | Film theory in media history |
| spelling | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei Amsterdam Amsterdam University Press ©2017 1 Online-Ressource (516 Seiten) txt rdacontent c rdamedia cr rdacarrier Film theory in media history The Throb of the Cinematograph Francesco Casetti -- Section 1 -- Cinema and Modern Life Francesco Casetti -- Cinematography Edipi -- The Philosophy of Cinematograph Giovanni Papini -- Summertime Spectacles: The Cinema Gaio -- Why I Love the Cinema Maffio Maffii -- The Movie Theatre Audience Giovanni Fosse -- The Art of Celluloid Crainquebille -- The Triumph of the Cinema Ricciotto Canudo -- The Death of the Word Fausto Maria Martini -- Section 2 -- Film in Transition Francesco Casetti -- The Museum of the Fleeting Moment Lucio d'Ambra -- The Woman and the Cinema Haydee -- Darkness and Intelligence Emanuele Toddi -- A Spectatrix is Speaking to You Matilde Serao -- Motion Pictures in Provincial Towns Emilio Scaglione -- Cinematic Psychology Edoardo Coli -- The Cinematograph Doesn't Exist Silvio d'Amico -- The Cinema: School of the Will and of Energy Giovanni Bertinetti -- The Close-up Alberto Orsi -- The Soul of Titles Ernesto Quadrone -- Section 3 -- Cinema at War Luca Mazzei -- The War, from Up Close Nino Salvaneschi -- That Poor Cinema Renato Giovannetti -- Families of Soldiers Luigi Lucatelli -- War for the Profit of Industry Renato Giovannetti -- The War and Cinematograph g.pr. -- Max Linder Dies in The War Lucio d'Ambra -- Cinema of War Saverio Procida -- Section 4 -- Politics, Morality, Education Silvio Alovisio -- The Motion Pictures and Education Domenico Orano -- The Intuitive Method in Religious Education Romano Costetti -- The Cinema and Its Influence on the Education of the People Giovanni Battista Avellone -- The Cinematograph in the Schools Francesco Orestano -- Speech at the People's Theatre Vittorio Emanuele Orlando -- Cinema for the Cultivation of the Intellect Angelina Buracci -- Educational Cinema Ettore Fabietti -- Section 5 -- Film, Body, Mind Silvio Alovisio -- Collective Psychology Pasquale Rossi -- About Some Psychological Observations Made During Film Screenings Mario Ponzo -- Concerning the Effects of Film Viewing on Neurotic Individuals Giuseppe d'Abundo -- The Ongoing Battle between Gesture and Word Mariano Luigi Patrizi -- The Cinematograph in the Field of Mental Illness and Criminality: Notes Giuseppe Vidoni -- Cinema and Juvenile Delinquency Mario Ponzo -- Section 6 -- The Aesthetic Side Luca Mazzei -- Problems of Art: Expression and Movement in Sculpture Corrado Ricci -- Scenic Impressionism Sebastiano Arturo Luciani -- The Aesthetics of Cinema Goffredo Bellonci -- The Poetics of Cinema Sebastiano Arturo Luciani -- Manifesto for a Cinematic Revolution Goffredo Bellonci -- Theatre and the Cinema Antonio Gramsci -- The Futurist Cinematography Remo Chiti -- In the Beginning Was Sex Antonio Gramsci -- Rectangle-Film (25 x 19) Emanuele Toddi -- The Proscenium Arch of My Cinema Anton Giulio Bragaglia -- My Views on the Cinematograph Lucio d'Ambra -- Meditations in the Dark Michele Biancale -- Section 7 -- Theory in a Narrative Form Luca Mazzei -- Colour Film Roberto Tanfani -- At the Cinema Luigia Cortesi -- A Phantom Pursued Alberto Lumbroso -- Miopetti's Duel Aldo Borelli -- Pamela-Films Guido Gozzano -- Feature Film Pio Vanzi -- Me, Riri, and Love in Slippers Luciano Doria -- A Cinematic Performance Federigo Tozzi -- Life, a Glass Theatre Pier Maria Rosso di San Secondo -- The Shears' Reflection Guido Gozzano Open Access EbpS This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life Undetermined Geschichte 1896-1922 gnd rswk-swf Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Cinema and philosophy Cinema and psychology Cinema and war Early film theories Social impact of cinema 1900-1999 Italy / Intellectual life / 20th century Italie / Vie intellectuelle / 20e siècle Italy Electronic books History (DE-588)4135952-5 Quelle gnd-content Italien (DE-588)4027833-5 g Filmtheorie (DE-588)4071216-3 s Geschichte 1896-1922 z DE-604 Alovisio, Silvio 1968- editor oth Casetti, Francesco editor oth Mazzei, Luca editor oth Erscheint auch als Druck-Ausgabe Early Film Theories in Italy, 1896-1922 Amsterdam : Amsterdam University Press, 2017 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 Verlag kostenfrei Volltext |
| spellingShingle | Early film theories in Italy, 1896-1922 The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4027833-5 (DE-588)4135952-5 |
| title | Early film theories in Italy, 1896-1922 |
| title_alt | The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection |
| title_auth | Early film theories in Italy, 1896-1922 |
| title_exact_search | Early film theories in Italy, 1896-1922 |
| title_exact_search_txtP | Early film theories in Italy, 1896-1922 |
| title_full | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_fullStr | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_full_unstemmed | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_short | Early film theories in Italy, 1896-1922 |
| title_sort | early film theories in italy 1896 1922 |
| topic | Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Cinéma et arts Cinéma Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures PERFORMING ARTS The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie Italien Quelle |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 |
| work_keys_str_mv | AT alovisiosilvio earlyfilmtheoriesinitaly18961922 AT casettifrancesco earlyfilmtheoriesinitaly18961922 AT mazzeiluca earlyfilmtheoriesinitaly18961922 |