Screenwriting: creative labour and professional practice
"Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Milton Park, Abingdon, Oxon ; New York, NY
Routledge
2014
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"-- |
| Beschreibung: | 1 Online-Ressource (vii, 155 Seiten) |
| ISBN: | 0203080777 1136169423 1136169482 1136169490 9780203080771 9781136169489 9781136169496 9781136169427 |
| Zugangseinschränkungen: | Open Access |
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| 245 | 1 | 0 | |a Screenwriting |b creative labour and professional practice |c Bridget Conor |
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| 505 | 8 | |a Introduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work | |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"-- | |
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| 650 | 7 | |a SOCIAL SCIENCE |2 Media Studies | |
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| contents | Introduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work |
| ctrlnum | (OCoLC)877868334 (DE-599)BVBBV048279331 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:50Z |
| indexdate | 2024-07-10T09:34:01Z |
| institution | BVB |
| isbn | 0203080777 1136169423 1136169482 1136169490 9780203080771 9781136169489 9781136169496 9781136169427 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659496 |
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| spelling | Conor, Bridget 1980- Verfasser aut Screenwriting creative labour and professional practice Bridget Conor Milton Park, Abingdon, Oxon ; New York, NY Routledge 2014 ©2014 1 Online-Ressource (vii, 155 Seiten) txt rdacontent c rdamedia cr rdacarrier Introduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work Open Access EbpS "Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"-- Cinéma Production et réalisation Motion picture authorship Motion pictures Production and direction PERFORMING ARTS Reference SOCIAL SCIENCE Media Studies Motion picture authorship Vocational guidance Motion pictures Production and direction Vocational guidance Electronic books Erscheint auch als Druck-Ausgabe Conor, Bridget, 1980- Screenwriting 9780415642651 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=760725 Verlag kostenfrei Volltext |
| spellingShingle | Conor, Bridget 1980- Screenwriting creative labour and professional practice Introduction: Setting the scene -- Screenwriting histories and myths of the profession -- Screenwriting as creative labor -- Screenwriters' working lives -- Screenwriting work and the how-to-genre -- Screenwriting work: Who's in and who's out? -- Conclusion: Screenwriting as good work Cinéma Production et réalisation Motion picture authorship Motion pictures Production and direction PERFORMING ARTS Reference SOCIAL SCIENCE Media Studies Motion picture authorship Vocational guidance Motion pictures Production and direction Vocational guidance |
| title | Screenwriting creative labour and professional practice |
| title_auth | Screenwriting creative labour and professional practice |
| title_exact_search | Screenwriting creative labour and professional practice |
| title_exact_search_txtP | Screenwriting creative labour and professional practice |
| title_full | Screenwriting creative labour and professional practice Bridget Conor |
| title_fullStr | Screenwriting creative labour and professional practice Bridget Conor |
| title_full_unstemmed | Screenwriting creative labour and professional practice Bridget Conor |
| title_short | Screenwriting |
| title_sort | screenwriting creative labour and professional practice |
| title_sub | creative labour and professional practice |
| topic | Cinéma Production et réalisation Motion picture authorship Motion pictures Production and direction PERFORMING ARTS Reference SOCIAL SCIENCE Media Studies Motion picture authorship Vocational guidance Motion pictures Production and direction Vocational guidance |
| topic_facet | Cinéma Motion picture authorship Motion pictures PERFORMING ARTS SOCIAL SCIENCE Motion picture authorship Vocational guidance Motion pictures Production and direction Vocational guidance |
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