Marie NDiaye: blankness and recognition
This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important F...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2013
|
| Schriftenreihe: | Contemporary French and francophone cultures
30 |
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye's world lurks an indefinable 'blankness' which makes it impossible for the reader to decode narrative at the level of psychology or event. Considering each of NDiaye's works (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye's portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern - and reluctantly postcolonial - 'blank arts' |
| Beschreibung: | 1 Online-Ressource (245 Seiten) |
| ISBN: | 1781380996 178138567X 9781781380994 9781781385678 |
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| 505 | 8 | |a 'C'est justement qu'il n'y a rien!': introducing NDiayean blankness -- Blankness/(dis)integration: the first novel cycle -- Blankness/(re)integration: the second novel cycle -- Ghouls, ghosts and bloodless abuse: NDiaye's undead theatre -- Little baby nothing: framing the invisible child -- Conclusion: a beam of intense blankness (Prière pour le bon usage de Marie NDiaye) | |
| 520 | 3 | |a This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye's world lurks an indefinable 'blankness' which makes it impossible for the reader to decode narrative at the level of psychology or event. Considering each of NDiaye's works (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye's portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern - and reluctantly postcolonial - 'blank arts' | |
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| 650 | 4 | |a Literature and literary studies | |
| 650 | 4 | |a Literature: history and criticism | |
| 653 | 1 | |a NDiaye, Marie / Criticism and interpretation | |
| 653 | 1 | |a NDiaye, Marie / Criticism and interpretation | |
| 653 | 1 | |a NDiaye, Marie | |
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| author | Asibong, Andrew |
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| contents | 'C'est justement qu'il n'y a rien!': introducing NDiayean blankness -- Blankness/(dis)integration: the first novel cycle -- Blankness/(re)integration: the second novel cycle -- Ghouls, ghosts and bloodless abuse: NDiaye's undead theatre -- Little baby nothing: framing the invisible child -- Conclusion: a beam of intense blankness (Prière pour le bon usage de Marie NDiaye) |
| ctrlnum | (OCoLC)875686075 (DE-599)BVBBV048279238 |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| format | Electronic eBook |
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| id | DE-604.BV048279238 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:50Z |
| indexdate | 2024-07-10T09:34:01Z |
| institution | BVB |
| isbn | 1781380996 178138567X 9781781380994 9781781385678 |
| language | English |
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| physical | 1 Online-Ressource (245 Seiten) |
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| spelling | Asibong, Andrew Verfasser aut Marie NDiaye blankness and recognition Andrew Asibong Liverpool Liverpool University Press 2013 ©2013 1 Online-Ressource (245 Seiten) txt rdacontent c rdamedia cr rdacarrier Contemporary French and francophone cultures 30 'C'est justement qu'il n'y a rien!': introducing NDiayean blankness -- Blankness/(dis)integration: the first novel cycle -- Blankness/(re)integration: the second novel cycle -- Ghouls, ghosts and bloodless abuse: NDiaye's undead theatre -- Little baby nothing: framing the invisible child -- Conclusion: a beam of intense blankness (Prière pour le bon usage de Marie NDiaye) This is the first critical study in English to focus exclusively on the work of Marie NDiaye, born in central France in 1967, winner of the Prix Femina (2001), the Prix Goncourt (2009), shortlisted for the Man Booker International Prize (2013), and widely considered to be one of the most important French authors of her generation. Andrew Asibong argues that at the heart of NDiaye's world lurks an indefinable 'blankness' which makes it impossible for the reader to decode narrative at the level of psychology or event. Considering each of NDiaye's works (including her novels, theatre, short fiction and writing for children), Asibong assesses the aesthetic, emotional and political stakes of NDiaye's portraits of impenetrable selfhood. His book provides an original and provocative framework within which to read NDiaye as a simultaneously hybrid and hyper-French cultural figure, fascinating and fantastical practitioner of the postmodern - and reluctantly postcolonial - 'blank arts' In English NDiaye, Marie 1967- (DE-588)115522352 gnd rswk-swf LITERARY CRITICISM European Literary studies: fiction, novelists and prose writers Literature and literary studies Literature: history and criticism NDiaye, Marie / Criticism and interpretation NDiaye, Marie Electronic books Criticism, interpretation, etc NDiaye, Marie 1967- (DE-588)115522352 p DE-604 Erscheint auch als Druck-Ausgabe Asibong, Andrew Marie NDiaye 9781846319464 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=656408 Verlag kostenfrei Volltext This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |
| spellingShingle | Asibong, Andrew Marie NDiaye blankness and recognition 'C'est justement qu'il n'y a rien!': introducing NDiayean blankness -- Blankness/(dis)integration: the first novel cycle -- Blankness/(re)integration: the second novel cycle -- Ghouls, ghosts and bloodless abuse: NDiaye's undead theatre -- Little baby nothing: framing the invisible child -- Conclusion: a beam of intense blankness (Prière pour le bon usage de Marie NDiaye) NDiaye, Marie 1967- (DE-588)115522352 gnd LITERARY CRITICISM European Literary studies: fiction, novelists and prose writers Literature and literary studies Literature: history and criticism |
| subject_GND | (DE-588)115522352 |
| title | Marie NDiaye blankness and recognition |
| title_auth | Marie NDiaye blankness and recognition |
| title_exact_search | Marie NDiaye blankness and recognition |
| title_exact_search_txtP | Marie NDiaye blankness and recognition |
| title_full | Marie NDiaye blankness and recognition Andrew Asibong |
| title_fullStr | Marie NDiaye blankness and recognition Andrew Asibong |
| title_full_unstemmed | Marie NDiaye blankness and recognition Andrew Asibong |
| title_short | Marie NDiaye |
| title_sort | marie ndiaye blankness and recognition |
| title_sub | blankness and recognition |
| topic | NDiaye, Marie 1967- (DE-588)115522352 gnd LITERARY CRITICISM European Literary studies: fiction, novelists and prose writers Literature and literary studies Literature: history and criticism |
| topic_facet | NDiaye, Marie 1967- LITERARY CRITICISM Literary studies: fiction, novelists and prose writers Literature and literary studies Literature: history and criticism |
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