Twentieth-century Russian poetry: reinventing the canon
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identi...
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Format: | Elektronisch Tagungsbericht E-Book |
Sprache: | English |
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Cambridge, UK
Open Book Publishers
[2017]
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Zusammenfassung: | The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic ... |
Beschreibung: | 1 Online-Ressource (x, 499 Seiten) color illustrations |
ISBN: | 1783740876 1783740892 1783740906 1783740914 2821897286 9781783740871 9781783740895 9781783740901 9781783740918 9782821897281 |
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505 | 8 | 0 | |t Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon |r Katharine Hodgson and Alexandra Smith -- |t From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period |r Aaron Hodgson -- |t 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult |r Alexandra Harrington -- |t Vladimir Maiakovskii and the national school curriculum |r Natalia Karakulina -- |t The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon |r Olga Sobolev -- |t Canonical Mandelʹshtam |r Andrew Kahn -- |t Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia |r Joanne Shelton -- |t From underground to mainstream : the case of Elena Shvarts |r Josephine von Zitzewitz -- |t Boris Slutskii : a poet, his time, and the canon |r Katharine Hodgson -- |t The diasporic canon of Russian poetry : the case of the Paris note |r Maria Rubins -- |t The thaw generation poets in the post-Soviet period |r Emily Lygo -- |t The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past |r Alexandra Smith -- |t Creating the canon of the present |r Stephanie Sandler |
520 | 3 | |a The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic ... | |
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650 | 4 | |a Russian poetry | |
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650 | 4 | |a Soviet poetry |x History and criticism | |
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author2 | Hodgson, Katharine Shelton, Joanne Smith, Alexandra 1959- |
author2_role | edt edt edt |
author2_variant | k h kh j s js a s as |
author_additional | Katharine Hodgson and Alexandra Smith -- Aaron Hodgson -- Alexandra Harrington -- Natalia Karakulina -- Olga Sobolev -- Andrew Kahn -- Joanne Shelton -- Josephine von Zitzewitz -- Katharine Hodgson -- Maria Rubins -- Emily Lygo -- Alexandra Smith -- Stephanie Sandler |
author_facet | Hodgson, Katharine Shelton, Joanne Smith, Alexandra 1959- |
building | Verbundindex |
bvnumber | BV048278978 |
classification_rvk | KI 1965 KK 2150 |
collection | ZDB-4-EOAC |
contents | Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult Vladimir Maiakovskii and the national school curriculum The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon Canonical Mandelʹshtam Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia From underground to mainstream : the case of Elena Shvarts Boris Slutskii : a poet, his time, and the canon The diasporic canon of Russian poetry : the case of the Paris note The thaw generation poets in the post-Soviet period The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past Creating the canon of the present |
ctrlnum | (OCoLC)987449679 (DE-599)BVBBV048278978 |
discipline | Slavistik |
discipline_str_mv | Slavistik |
era | Geschichte 1900-1999 gnd |
era_facet | Geschichte 1900-1999 |
format | Electronic Conference Proceeding eBook |
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spelling | Twentieth-century Russian poetry reinventing the canon edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith Cambridge, UK Open Book Publishers [2017] ©2017 1 Online-Ressource (x, 499 Seiten) color illustrations txt rdacontent c rdamedia cr rdacarrier Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon Katharine Hodgson and Alexandra Smith -- From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period Aaron Hodgson -- 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult Alexandra Harrington -- Vladimir Maiakovskii and the national school curriculum Natalia Karakulina -- The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon Olga Sobolev -- Canonical Mandelʹshtam Andrew Kahn -- Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia Joanne Shelton -- From underground to mainstream : the case of Elena Shvarts Josephine von Zitzewitz -- Boris Slutskii : a poet, his time, and the canon Katharine Hodgson -- The diasporic canon of Russian poetry : the case of the Paris note Maria Rubins -- The thaw generation poets in the post-Soviet period Emily Lygo -- The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past Alexandra Smith -- Creating the canon of the present Stephanie Sandler The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term "Soviet literature" with a new definition - "Russian literature of the Soviet period". Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as "classics". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic ... Geschichte 1900-1999 gnd rswk-swf Poésie soviétique Histoire et critique LITERARY CRITICISM Russian & Former Soviet Union Literature and literary studies Poetry Russian poetry Soviet poetry Russian poetry 20th century History and criticism Soviet poetry History and criticism Russisch (DE-588)4051038-4 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf 1900-1999 Criticism, interpretation, etc Electronic books (DE-588)4143413-4 Aufsatzsammlung gnd-content Russisch (DE-588)4051038-4 s Lyrik (DE-588)4036774-5 s Geschichte 1900-1999 z DE-604 Hodgson, Katharine editor oth Shelton, Joanne editor oth Smith, Alexandra 1959- editor oth Open Book Publishers issuing body Sonstige oth 1783740876 1783740884 9781783740871 9781783740888 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1548733 Verlag kostenfrei Volltext data file |
spellingShingle | Twentieth-century Russian poetry reinventing the canon Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult Vladimir Maiakovskii and the national school curriculum The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon Canonical Mandelʹshtam Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia From underground to mainstream : the case of Elena Shvarts Boris Slutskii : a poet, his time, and the canon The diasporic canon of Russian poetry : the case of the Paris note The thaw generation poets in the post-Soviet period The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past Creating the canon of the present Poésie soviétique Histoire et critique LITERARY CRITICISM Russian & Former Soviet Union Literature and literary studies Poetry Russian poetry Soviet poetry Russian poetry 20th century History and criticism Soviet poetry History and criticism Russisch (DE-588)4051038-4 gnd Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)4051038-4 (DE-588)4036774-5 (DE-588)4143413-4 |
title | Twentieth-century Russian poetry reinventing the canon |
title_alt | Introduction : twentieth-century Russian poetry and the post-Soviet reader : reinventing the canon From the margins to the mainstream : Iosif Brodskii and the twentieth-century poetic canon in the post-Soviet period 'Golden-mouthed Anna of all the Russias' : canon, canonisation, and cult Vladimir Maiakovskii and the national school curriculum The symbol of the symbolists : Aleksandr Blok in the changing Russian literary canon Canonical Mandelʹshtam Revising the twentieth-century poetic canon : Ivan Bunin in post-Soviet Russia From underground to mainstream : the case of Elena Shvarts Boris Slutskii : a poet, his time, and the canon The diasporic canon of Russian poetry : the case of the Paris note The thaw generation poets in the post-Soviet period The post-Soviet homecoming of first-wave Russian émigré poets and its impact on the reinvention of the past Creating the canon of the present |
title_auth | Twentieth-century Russian poetry reinventing the canon |
title_exact_search | Twentieth-century Russian poetry reinventing the canon |
title_exact_search_txtP | Twentieth-century Russian poetry reinventing the canon |
title_full | Twentieth-century Russian poetry reinventing the canon edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith |
title_fullStr | Twentieth-century Russian poetry reinventing the canon edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith |
title_full_unstemmed | Twentieth-century Russian poetry reinventing the canon edited by Katharine Hodgson, Joanne Shelton and Alexandra Smith |
title_short | Twentieth-century Russian poetry |
title_sort | twentieth century russian poetry reinventing the canon |
title_sub | reinventing the canon |
topic | Poésie soviétique Histoire et critique LITERARY CRITICISM Russian & Former Soviet Union Literature and literary studies Poetry Russian poetry Soviet poetry Russian poetry 20th century History and criticism Soviet poetry History and criticism Russisch (DE-588)4051038-4 gnd Lyrik (DE-588)4036774-5 gnd |
topic_facet | Poésie soviétique LITERARY CRITICISM Literature and literary studies Poetry Russian poetry Soviet poetry Russian poetry 20th century History and criticism Soviet poetry History and criticism Russisch Lyrik Aufsatzsammlung |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1548733 |
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